4U2ASKY Entertainment, Inc. v. Blessing Chibueze Offor

CourtCourt of Appeals of Tennessee
DecidedMarch 9, 2026
DocketM2023-00238-COA-R3-CV
StatusPublished
AuthorJudge Jeffrey Usman

This text of 4U2ASKY Entertainment, Inc. v. Blessing Chibueze Offor (4U2ASKY Entertainment, Inc. v. Blessing Chibueze Offor) is published on Counsel Stack Legal Research, covering Court of Appeals of Tennessee primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
4U2ASKY Entertainment, Inc. v. Blessing Chibueze Offor, (Tenn. Ct. App. 2026).

Opinion

03/09/2026 IN THE COURT OF APPEALS OF TENNESSEE AT NASHVILLE March 22, 2024 Session1

4U2ASKY ENTERTAINMENT, INC. v. BLESSING CHIBUEZE OFFOR

Appeal from the Chancery Court for Davidson County No. 22-1147-IV Russell T. Perkins, Chancellor ___________________________________

No. M2023-00238-COA-R3-CV ___________________________________

A music publisher sued a musician for breach of contract. The musician, saddled with legal fees related to this litigation, eventually filed for bankruptcy and claimed certain musical works as his own intellectual property during the bankruptcy proceedings. The parties settled by agreeing that ownership rights to a subset of the musician’s songs would be transferred to the publisher. Subsequently, the publisher contacted a licensing agency in pursuit of royalties, claiming ownership of more songs than were actually provided for under the settlement. The musician objected to the licensing agency, asserting that the publisher misrepresented the breadth of works it obtained in the settlement. This led to a second lawsuit with the music publisher asserting breach of contract against the musician. The musician filed a counterclaim against the publisher in this second lawsuit, asserting that the publisher’s communications with the licensing agency amounted to tortious interference with the musician’s existing and prospective business relationships. The publisher sought to dismiss the musician’s counterclaim under the Tennessee Public Participation Act (TPPA). The trial court dismissed the publisher’s TPPA petition. The publisher appeals the denial of its TPPA petition. We affirm.

Tenn. R. App. P. 3 Appeal as of Right; Judgment of the Chancery Court Affirmed; Case Remanded

JEFFREY USMAN, J., delivered the opinion of the Court, in which FRANK G. CLEMENT, JR., P.J., M.S., and W. NEAL MCBRAYER, J., joined.

Tim Warnock and Keane Barger, Nashville, Tennessee, for the appellant, 4U2ASKY Entertainment, Inc.

1 The court heard oral arguments in this matter at Belmont University College of Law in Nashville, Tennessee. Robert A. Peal, Grace A. Fox, and Evan S. Rothey, Nashville, Tennessee, for the appellee, Blessing Chibueze Offor.

OPINION

I.

Blessing Chibueze Offor is a Nashville-based singer and songwriter. Mr. Offor appeared on the seventh season of NBC’s music-focused television program The Voice and competed in several rounds before being eliminated from the competition. Mr. Offor capitalized on the exposure, pitching himself to members of the music industry.

In this process, one of the individuals with whom Mr. Offor met was Richard Williams, a representative of a Nashville-based corporation called 4U2ASKY Entertainment, Incorporated (“4U2ASKY”). Mr. Williams asked Mr. Offor to become one of 4U2ASKY’s artists. Seeing an opportunity to establish himself in the Nashville music scene, Mr. Offor agreed. The parties signed a contract on August 18, 2015, which they called the “Short Form Agreement.” Pursuant to the Short Form Agreement, 4U2ASKY paid Mr. Offor in exchange for control over the development of Mr. Offor’s “musical talent/brand/entertainment career.” For the next two years, Mr. Offor wrote and performed songs consistent with the terms of the Short Form Agreement.

Things soured, however, for the parties by 2017. The parties had still not signed a longer contract by this point, and Mr. Offor had also become concerned about the legitimacy of 4U2ASKY’s practices. He alleged, for example, that 4U2ASKY “did not have a formal office”; rather, the parties had to conduct all formal business meetings in Mr. Offor’s apartment. Mr. Offor also noted that 4U2ASKY promised separate publishing contracts that were “never provided.” Mr. Offor asserted that “4U2ASKY did not have the industry knowledge, connections or resources to act as a publishing company or a record label.” Things reached a head when 4U2ASKY’s President, Monsieur Shawnellias Burgess, proposed what Mr. Offor called “a one-sided branding agreement rather than the promised publishing deal.” Mr. Offor rejected 4U2ASKY’s proposal and, having had enough, terminated the Short Form Agreement. Mr. Offor formally notified 4U2ASKY of his decision to terminate on December 15, 2017.

In response to Mr. Offor’s notice, 4U2ASKY launched a seven-figure lawsuit in Davidson County Circuit Court, claiming that terminating the Short Form Agreement would deprive the corporation of millions of dollars of anticipated profits. Mr. Offor denied these claims, but 4U2ASKY’s lawsuit drained Mr. Offor’s personal finances. Mr. Offor’s increasing indebtedness, which was almost entirely due to his legal fees, led him to file a petition for bankruptcy.

During the bankruptcy court proceedings, Mr. Offor identified 21 copyrighted songs -2- that might have value to his creditors, including 4U2ASKY. Those 21 songs constituted two of Mr. Offor’s albums: Roots and Guilty Pleasures. Mr. Offor testified that those “are the songs that are out and could potentially be making money, which in my understanding is what [is] important. . . . [T]hese 21 songs are the only songs that anybody would be able to go on iTunes and listen to.” Mr. Offor also disclosed that he had written other songs, but he clarified that his other songs had virtually no financial value, explaining, “they’re all . . . either on my phone, [or] on a voice memo, you know, all but me and a few people have heard them.”

Although Mr. Offor eventually received a bankruptcy discharge, 4U2ASKY remained unsatisfied. In its view, Mr. Offor owned many more songs than the batch of 21 songs that he disclosed to the bankruptcy court. 4U2ASKY communicated its belief to the United States Trustee. Based on the corporation’s representations, the Trustee petitioned to have Mr. Offor’s case reopened in the bankruptcy court.

Instead of reopening the case, however, the parties negotiated and signed an Agreed Order to address 4U2ASKY’s concerns. The Agreed Order states in relevant part,

1. On August 18, 2015, [Mr. Offor] and 4U2ASKY entered into a written agreement (the “Short Form Contract”) wherein [Mr. Offor] created intellectual property. . . . The Short Form Contract was terminated on December 15, 2017. The intellectual property created by [Mr. Offor] from August 18, 2015 through December 15, 2017 is hereinafter referred to as the “Short Form IP.”

...

5. Through discussions between the parties and further review of the Short Form Contract, the parties agree that one hundred percent (100%) of all right, title, and interest in the Short Form IP always belonged to and remains property of 4U2ASKY. Because [Mr. Offor] had no interest in the Short Form IP prior to the Petition Date, no interest in the Short Form IP would be part of a reopened bankruptcy estate.

The combined effect of paragraphs one and five is of critical importance to this appeal. Paragraph five states that 4U2ASKY has exclusive ownership over the “Short Form IP,” and paragraph one explains that only songs created between August 18, 2015, and December 15, 2017 — the dates that the Short Form Agreement was created and later terminated — fall within the definition of “Short Form IP.”

Several days later, Mr. Burgess wrote to the American Society of Composers, Authors and Publishers (ASCAP). ASCAP, a performing rights organization, works with musical artists on issues of licensing and royalties in connection with performances of -3- music. In this letter to ASCAP, Mr. Burgess stated,

Dear Sir or Madam,

Pursuant to the Bankruptcy Filing by Blessing Offor, 4U2ASKY Entertainment, Inc. owns 100% (Songwriter & Publishing) rights in the songs written (jointly or individually), performed, etc. of Blessing Offor (IPI # 626062074). (See Attached Order from Bankruptcy Court)[.]

Mr.

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4U2ASKY Entertainment, Inc. v. Blessing Chibueze Offor, Counsel Stack Legal Research, https://law.counselstack.com/opinion/4u2asky-entertainment-inc-v-blessing-chibueze-offor-tennctapp-2026.