Wilson v. Von Holt

25 Haw. 529, 1920 Haw. LEXIS 33
CourtHawaii Supreme Court
DecidedJune 15, 1920
DocketNo. 1188
StatusPublished
Cited by3 cases

This text of 25 Haw. 529 (Wilson v. Von Holt) is published on Counsel Stack Legal Research, covering Hawaii Supreme Court primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Wilson v. Von Holt, 25 Haw. 529, 1920 Haw. LEXIS 33 (haw 1920).

Opinion

OPINION OF THE COURT BY

KEMP, J.

This suit was brought by the plaintiff Charles B. Wilson against the defendant Heinrich 31. von Holt to replevin “one oil painting depicting the volcano of Kilauea by moonlight by Tavenier.” It is alleged in substance that the plaintiff is the owner and entitled to the possession of said painting; that the defendant unlawfully withholds said property from his possession to his damage in the siim of $1500, the reasonable value thereof, and that before the commencement of this action the plaintiff demanded of the defendant in writing the possession of said property which was refused. The defendant answered by general denial and gave notice that he would rely upon the statute of limitations. [530]*530Trial was had before a jury which rendered a verdict in favor of the plaintiff and the defendant brings exceptions.

Plaintiff produced sufficient evidence to warrant the jury in finding that he acquired title to the painting in question from one Barney Ordenstein in about 1890 and that he has not parted with the title then acquired; that he delivered said painting into the custody of Cecil Brown in 1897 or 1898 to sell and that the painting remained in Brown’s possession for that purpose and for no other purpose until his death in 1917; that after the death of Cecil Brown and prior to the filing of this suit plaintiff demanded of the defendant Heinrich M. von Holt, wdio at that time had possession of the painting, that he (defendant) surrender possession of' said painting to him (plaintiff) wdiich Avas refused. The defendant produced evidence wdiich tended to refute part of the case made by the plaintiff and to prove that Cecil Brown had had possession of said painting since about 1889; that he at first held it as security for a $3000 note and later claimed to own it. It Avas further shown by the evidence, and the court charged the jury at defendant’s request, that defendant is the executor of and trustee under the will of Cecil Brown, deceased; that said estate has not been distributed and if said painting Avas the property of Cecil Brown at the time of his-death or if Cecil Brown had a right to the possession of said painting as against the plaintiff as security for a loan or otherwise then the defendant wnuld be entitled to the possession of said painting and the verdict should be in his favor. Plaintiff denied that Cecil Brown ever held his note for $3000i and denied that he ever agreed that the painting might be held as security for any indebtedness and testified that it Avas left in Brown’s possession with the understanding, wdiich Brown acknowdedged as late as [531]*5311914, that it was being held for the purpose of sale and not as security for any debt.

The. court gave all of the instructions requested by the defendant except one which was a request for a directed verdict in his favor.- These instructions clearly and fairly submitted all of defendant’s contentions to the jury, which found against him, and the verdict is amply supported by the evidence. If then there Avas no prejudicial error in the admission of evidence or instructions given at plaintiff’s request, to which the defendant excepted, the exceptions must be overruled.

Plaintiff was permitted over defendant’s objection to recount a conversation which he had with Tom James and Cecil BroAvn prior to the time the plaintiff says he let Brown have the painting. The painting Avas the subject of this conversation, Avhich conversation Avas to the effect that James stated, “I see you have a picture,” and requested plaintiff to let him take it to San Francisco Avhere he belieA^ed he could sell it to the Bohemian Club in that city. Plaintiff testified that he hesitated about granting this request Avhereupon Brown volunteered the advice to let James take it and that he then acceded to James’ request and instructed him to deliver the painting to BroAArn AArhen he returned if he did not succeed in selling it. Plaintiff 'further testified that Avhen James brought the painting hack BroAvn said to him, “I am going up in a couple of weeks, — probably a month — to settle some hotel business in San Francisco. I aauII take it up and see what can be done with it — see if I can sell it,” this last being in response to a question propounded to the plaintiff as to Avhy he left the picture in Brown’s possession from 1898 up to the time of his death. Defendant objected to the plaintiff being permitted to recount these conversations on the ground that they consisted of declarations in his own favor and are hearsay. [532]*532The objection was overruled and the defendant excepted. We think that these statements were merely a recounting of the circumstances under which Brown came into possession of the painting, the conversations being a part o'f the act of delivery of the painting into his possession, and are not, as argued by defendant, statements offered by plaintiff to prove his title. His title depended upon an entirely different state of facts testified to by plaintiff, which was practically, if not. entirely, uncontroverted. If therefore the conversations were not strictly admissible the error in admitting them was harmless and not reversible error.

The defendant excepted to the giving of plaintiff’s requested instructions Nos. 6, 11, 12 and 17. By instruction No. 6 the jury was told that before it could find that Cecil Brown, deceased, held the picture as a pledge for money that he had advanced to plaintiff it must find that the plaintiff agreed with said Cecil Brown that he (Cecil Brown) should hold the picture as security for the money and that if Mr. Brown obtained the picture for the purpose of selling it for plaintiff and then claimed to hold the same as security for plaintiff’s indebtedness to him without the consent of plaintiff then it must find that the picture was not held by Cecil Brown during his lifetime as security for the payment of any money. Defendant’s objection to this instruction is based on an extremely technical construction of the meaning of the phrase “and then claimed to hold the same as security for plaintiff’s indebtedness,” his argument being that under this instruction the claim of Brown that he held the painting as security must have arisen out of an agreement made at the time he secured possession of the picture and could not have arisen out of a subsequent agreement between him and the plaintiff. This construction we think is entirely unwarranted. The instruction contains [533]*533a single idea and that is that in order for the jury to find that Cecil Brown held the picture as security for a debt it must find that there had at some time been an agreement between him and the plaintiff to that effect. This is undoubtedly the law and the instruction was therefore proper.

The defendant criticizes instructions Nos. 11 and 12 because they do not set out that plaintiff must prove title as the basis of his right of possession and that they contain legal terms without definitions thereof and are therefore ambiguous and' misleading, leaving questions of law to the jury. By instruction No. 11 the jury was told that if it believed from the evidence that plaintiff was entitled to possession of the painting and that defendant had it in his possession and that a demand had been made by plaintiff for its delivery, which was refused, to find for the plaintiff. In No.

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Cite This Page — Counsel Stack

Bluebook (online)
25 Haw. 529, 1920 Haw. LEXIS 33, Counsel Stack Legal Research, https://law.counselstack.com/opinion/wilson-v-von-holt-haw-1920.