WILLIAMS v. ELLIOTT

CourtDistrict Court, E.D. Pennsylvania
DecidedJanuary 29, 2020
Docket2:18-cv-05418
StatusUnknown

This text of WILLIAMS v. ELLIOTT (WILLIAMS v. ELLIOTT) is published on Counsel Stack Legal Research, covering District Court, E.D. Pennsylvania primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
WILLIAMS v. ELLIOTT, (E.D. Pa. 2020).

Opinion

IN THE UNITED STATES DISTRICT COURT FOR THE EASTERN DISTRICT OF PENNSYLVANIA

TERRY WILLIAMS : CIVIL ACTION Plaintiff, pro se : : NO. 18-5418 v. : : MELISSA ARNETTE ELLIOTT : A/K/A MISSY “MISDEMEANOR” : ELLIOTT, et al. : Defendants :

NITZA I. QUIÑONES ALEJANDRO, J. JANUARY 28, 2020 MEMORANDUM OPINION INTRODUCTION Plaintiff Terry Williams filed a copyright infringement action pursuant to 17 U.S.C. §§ 106, 501 and named Atlantic Recording Corporation a/k/a Atlantic Records, Elektra Entertainment Group, Inc. a/k/a Elektra Records, Warner Music Inc., Warner Music Group Corp., Reservoir Media Management, Inc. (collectively, “Moving Defendants”), Melissa Arnette Elliott a/k/a Missy “Misdemeanor” Elliott (“Elliott”), and two other named individuals as defendants. Plaintiff amended the complaint claiming that the infringement involves several musical compositions that were jointly created by Plaintiff and Elliott (the “Songs”) and copied by Moving Defendants without Plaintiff’s authorization.1 Plaintiff seeks damages suffered from the purported infringement of his copyright ownership in the Songs, as well as a portion of all profits attributable to said infringement and any other damages permitted by law.

1 Plaintiff was represented by counsel when the original complaint was filed. [ECF 1]. Subsequently, Plaintiff’s counsel filed a motion to withdraw, [ECF 36], which was granted, [ECF 39], and Plaintiff requested leave to file an amended complaint, with or without counsel, [ECF 38], which was also granted. [ECF 40]. Plaintiff, proceeding pro se, filed the operative amended complaint on June 19, 2019. [ECF 44]. Before this Court is Moving Defendants’ motion to dismiss filed pursuant to Federal Rule of Civil Procedure (“Rule”) 12(b)(2), for lack of personal jurisdiction, and Rule 12(b)(6), for failure to state a claim. [ECF 49]. Plaintiff opposes the motion. [ECF 51]. The issues raised in the motion to dismiss have been fully briefed and are ripe for disposition. 2 For the reasons set

forth, this Court finds that jurisdiction is lacking, and that transfer to the United States District Court for the District of Delaware (“District of Delaware”) is appropriate under 28 U.S.C. § 1631.3 BACKGROUND As noted, Plaintiff asserts a claim of copyright infringement against all Defendants.4 Plaintiff essentially asserts that he is the co-owner (with Elliott) of the copyrights to the Songs and that, by creating and distributing derivative works based on the Songs without Plaintiff’s consent,

Defendants infringed Plaintiff’s copyrights under 17 U.S.C. § 106 and § 501, causing Plaintiff to suffer damages. Briefly, the assertions in the amended complaint are as follows: Between 1993 and 1996, Plaintiff and Elliott worked together “writing and recording music” in Plaintiff’s music recording studio in Philadelphia, Pennsylvania. [ECF at 44 at 4-5]. As “equal contributors,” Plaintiff and Elliott co- produced a number of songs, including “Heartbroken” in 1995. [ECF 44 at 5]. Plaintiff alleges that he and Elliott owned equal interest in the songs they produced, as evidenced by an agreement to equally share “all profits derived from the sale of the songs they created, including [Heartbroken].” [ECF 44 at 5]. Plaintiff alleges that he and Elliott ultimately created over thirty songs together. [ECF 44 at 6].

2 This Court has also considered Moving Defendants’ reply. [ECF 60]. 3 Because this Court finds that Plaintiff has failed to establish personal jurisdiction over Moving Defendants, this Court need not address Moving Defendants arguments under Rule 12(b)(6). “Courts must consider their jurisdiction before they reach the merits of a case.” See Kelly v. Maxum Specialty Ins. Grp., 868 F.3d 274, 289 (3d Cir. 2017) (citing Steel Co. v. Citizens for Better Env’t, 523 U.S. 83, 93-102 (1998)). 4 Elliott is a non-moving Defendant. This memorandum only refers to Elliott to establish a factual background. Elliott has filed a separate motion to dismiss, which this Court will address separately. [See ECF 50-1]. At an unspecified time, Elliott allegedly entered into a contract with Moving Defendants and purportedly transferred the rights of some of the songs she co- produced with Plaintiff, including “Heartbroken,” to Moving Defendants. [ECF 44 at 6]. Plaintiff alleges that Elliott failed to inform Moving Defendants that Plaintiff held property rights in the joint works, but that Moving Defendants either knew, or with reasonable care and diligence should have known, of Plaintiff’s property rights. [ECF 44 at 6]. Plaintiff claims that Moving Defendants benefitted from the rights acquired from Elliott through the production and distribution of a song called “Heartbroken,” released on a studio album titled One in a Million by the late music artist Aaliyah, and from multiple other songs on an album called 4 All the Sistas Around Da World by the group SISTA. Plaintiff alleges that “Heartbroken” and the songs by SISTA are “substantially similar in production, musical composition and lyrics” to the Songs jointly created by Plaintiff and Elliott. [ECF 44 at 7]. Plaintiff further claims that One in a Million was incredibly successful, selling eight million copies worldwide, earning “Double-Platinum” status in 1997, and reaching number one on Billboard’s U.S. Top Catalog Albums. [ECF 44 at 6-7].

Plaintiff contends that in 2017 he contacted Elliott to sell the recordings that they had co-produced, and discovered that “Heartbroken” had been released and sold to the public on the Aaliyah album. [ECF 44 at 7]. Plaintiff alleges that he was unaware that Elliott had transferred rights to any of the Songs and did not receive any compensation to which he was entitled under his profit-sharing agreement with Elliott. [ECF 44 at 7-8].

On November 14, 2018, Plaintiff filed a complaint in the Philadelphia Court of Common Pleas asserting claims of, inter alia, breach of contract and unjust enrichment. On December 14, 2018, Defendant Elliott removed the matter to federal court. [ECF 1]. On June 19, 2019, Plaintiff filed a pro se amended complaint, in which he asserted claims of copyright infringement and contributory infringement. [ECF 44]. Moving Defendants subsequently filed the instant motion to dismiss. [ECF 49-2].

LEGAL STANDARD Moving Defendants move to dismiss this action pursuant to Rule 12(b)(2) for lack of personal jurisdiction. Moving Defendants are music companies incorporated in Delaware with principal places of business in New York. Plaintiff is a resident of Delaware. When a defendant moves to dismiss for lack of personal jurisdiction under Rule 12(b)(2), the burden shifts to the plaintiff to establish jurisdiction. O’Connor v. Sandy Lane Hotel Co., 496 F.3d 312, 316 (3d Cir. 2007) (citing Gen. Elec. Co. v. Deutz AG, 270 F.3d 144, 150 (3d Cir. 2001)). If the court does not hold an evidentiary hearing, the plaintiff need only make a prima facie showing of personal jurisdiction over the defendant and “is entitled to have its allegations taken as true and all factual disputes drawn in its favor,” Miller Yacht Sales, Inc. v. Smith, 384 F.3d 93, 97 (3d Cir. 2004) (citations omitted), “at least to the extent they are uncontroverted by whatever

material the defendant submits in support of its motion to dismiss.” 4 C. Wright & A.

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Bluebook (online)
WILLIAMS v. ELLIOTT, Counsel Stack Legal Research, https://law.counselstack.com/opinion/williams-v-elliott-paed-2020.