Williams v. Atlantic Recording Corporation

CourtDistrict Court, D. Delaware
DecidedAugust 4, 2021
Docket1:20-cv-00316
StatusUnknown

This text of Williams v. Atlantic Recording Corporation (Williams v. Atlantic Recording Corporation) is published on Counsel Stack Legal Research, covering District Court, D. Delaware primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Williams v. Atlantic Recording Corporation, (D. Del. 2021).

Opinion

IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF DELAWARE TERRY WILLIAMS, : Plaintiff, v. : Civil Action No. 20-316-RGA ATLANTIC RECORDING CORPORATION a/k/a Atlantic Records : et al., : Defendants.

_ Terry Williams, Bear, Delaware. Pro Se Plaintiff. George Brian Williams, Esquire, Barry |. Slotnick, Esquire, and Sarah Schacter, Esquire, Fox Rothschild LLP, Wilmington, Delaware. Counsel for Defendants.

MEMORANDUM OPINION

August Us , 2021 Wilmington, Delaware

Nar bs Aeduy'g-— fete . District Judge: Pro se Plaintiff Terry Williams brought this action against Defendants alleging unauthorized licensing and/or sale of musical works whose copyright is jointly owned by Plaintiff and Melissa Arnette Elliott. (D.I. 1, Ex. B). Following dismissal of the Amended ‘Complaint, Plaintiff was given leave to amend if he could do so with a different legal theory that would entitle him to relief. (D.I. 88). The Second Amended Complaint, filed October 19, 2020, is the operative pleading. (D.I. 89). Before the Court is Defendants’ motion to dismiss the Second Amended Complaint. (D.I. 92). The matter has been fully briefed. (D.1. 93, 98, 99). I. BACKGROUND The packeroune of this case is fully set forth in the Court's September 28, 2020 _ Memorandum. (D.I. 87). The Second Amended Complaint raises claims against Defendants Atlantic Recording Corporation, Elektra Entertainment Group, Inc., Warner Music Inc., Warner Music Group Corporation, and Reservoir Media Management, Inc. Count | seeks a declaratory judgment; Count I! alleges tortious interference with prospective economic advantage/tortious interference with contract/ breach of covenant of good faith and fair dealing/breach of fiduciary duty; Count III alleges unjust enrichment/quantum meruit; Count IV seeks an accounting; and Count V alleges a constructive trust. (D.I. 89 at 11-19) □ The Second Amended Complaint alleges that between 1993 and 1996, Plaintiff and non-party Elliott worked together “writing and recording music,” and in or around the summer of 1995, they co-authored a song “known as ‘Heartbroken.” (D.]. 89 [ff 1-4). “Heartbroken” was released by Aaliyah Houghton, now deceased, on her album “One In

a Million” in 1996. (/d. at J 20). The Second Amended Complaint also alleges that Plaintiff and Elliott co-authored four Sista Songs (i.e., “Sweat You Down,” “Secret Admirer,” “! Wanna Know,” “| Wanna Be With U”), during the same time frame." (/d. at 2, M1 1-2, 21). With regard to the five songs, the Second Amended Complaint alleges that Plaintiff and Elliott “made a substantial and valuable contribution to all of his and Elliott’s joint works,” and “[t]he individual contributions of Elliott and Plaintiff in creating the Songs merged into inseparable parts of a musical arrangement and/or sound recording.” (/d. at 2, {J 5-6, 9) “Plaintiff was and remains the joint owner of the pagina ‘Heartbroken’ and the originals of the SISTA songs”. (/d. at 2). The Second Amended Complaint alleges that Elliott “entered into an [e]xclusive agreement with Defendants jointly, severally, and/or in the alternative, which include the transfer and or assignment of all exclusive rights to Plaintiff and Elliott’s joint works” to Defendants, and that “Plaintiff and Defendants are co-owners” of the songs. (/d. at Tf 14, 18). It alleges that Elliott “was not free to assign away the Plaintiffs rights,” and that Defendants have “received monetary compensation as a result of the sale of Songs and or use of the derivatives of Plaintiffs and [] Elliott's original joint material.” (/d. at {J 17, 19). The Second Amended Complaint seeks a declaratory judgment “that Plaintiff is the co-author and co-owner’ of the songs, as well as any other songs that “Elliott ever made in [Plaintiff's] home studio featuring the vocal performance of Elliott or other artists.” (/d. at 7 52). The Second Amended Complaint seeks “one half of the

1 Allegations concerning the Sista Songs are “not [d]irected at” Defendant Reservoir. (Id. at J 42).

Defendants[’] profits,” “an accounting of the monies” Defendants allegedly received, and punitive and other unspecified damages. (/d. at Jf] 58, 62, 69). The Court takes judicial notice that there is a second related pending case, which Elliott brought against Plaintiff in the Southern District of Florida. Elliott v. Williams, Civ. No. 20-8120-CIV-ALTMAN/Brannon (S.D. FI.). It was filed August 6, 2020. There, Elliott seeks the same declaration of ownership as the one Plaintiff seeks here. There is a third action, brought by Plaintiff in the Eastern District of Pennsylvania. Williams v. Elliott, Civ. No. 18-5418 (E.D. Pa.). It was filed December 14, 2018. There, Williams seeks an accounting and asserts additional claims. The instant case proceeds on claims against Defendants in the Pennsylvania case that were dismissed and transferred to this Court. Defendants move for dismissal pursuant to Federal Rules of Civil Procedure 12(b)(6) (failure to state a claim upon which relief can be granted), 12(b)(7) (failure to join a party under Rule 19), and 19 (required joinder of parties). Defendants contend that the Second Amended Complaint fails to state a claim. In the alternative, they argue that the action should either be (a) dismissed because Elliott is a necessary and indispensable party, or (2) dismissed or stayed pursuant to the “first-to-file” doctrine. 92). Il. LEGAL STANDARDS □ In reviewing a motion filed under Fed. R. Civ. P. 12(b)(6), the Court must accept all factual allegations in a complaint as true and take them in the light most favorable to plaintiff. See Erickson v. Pardus, 551 U.S. 89, 94 (2007). Because Plaintiff proceeds pro se, his pleading is liberally construed and his complaint, “however inartfully pleaded,

must be held to less stringent standards than formal pleadings drafted by lawyers.” /d. A Rule 12(b)(6) motion maybe granted only if, accepting the well-pleaded allegations in the complaint as true and viewing them in the light most favorable to the complainant, a court concludes that those allegations “could not raise a claim of entitlement to relief.” Bell Atl. Corp. v. Twombly, 550 U.S. 544, 558 (2007). “Though ‘detailed factual allegations’ are not required, a complaint must do more than simply provide ‘labels and conclusions’ or ‘a formulaic recitation of the elements of a cause of action.” Davis v. Abington Mem’! Hosp., 765 F.3d 236, 241 (3d Cir. 2014) (quoting Twombly, 550 U.S. at 555). | am “not required to credit bald assertions or legal conclusions improperly alleged in the complaint.” /n re Rockefeller Ctr. Props., Inc. Sec. Litig., 311 F.3d 198, 216 (3d Cir. 2002). A complaint may not be dismissed, however, “for imperfect statement of the legal theory supporting the claim asserted.” Johnson v. City of Shelby, 574 U.S. 10, 11 (2014). A complainant must plead facts sufficient to show that a claim has “substantive plausibility.” /d. at 12. That plausibility must be found on the face of the complaint. Ashcroft v. Iqbal, 556 U.S. 662, 678 (2009). “A claim has facial plausibility when the

[complainant] pleads factual content that allows the court to draw the reasonable inference that the [accused] is liable for the misconduct alleged.” /d.

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Williams v. Atlantic Recording Corporation, Counsel Stack Legal Research, https://law.counselstack.com/opinion/williams-v-atlantic-recording-corporation-ded-2021.