William Elam, III v. Stephen Early

138 F.4th 804
Court of Appeals for the Fourth Circuit·Decided May 30, 2025·No. 23-2246·Published·Cited by 2 cases

Opinion

PUBLISHED

UNITED STATES COURT OF APPEALS FOR THE FOURTH CIRCUIT

No. 23-2246

WILLIAM NILE ELAM, III, Plaintiff - Appellee,

v. STEPHEN TIMOTHY EARLY; MICHAEL S. EARLY; SUZANNE J. EARLY, Defendants - Appellants.

Appeal from the United States District Court for the Eastern District of Virginia, at Alexandria. Michael Stefan Nachmanoff, District Judge. (1:23-cv-00229-MSN-WEF)

Argued: December 12, 2024 Decided: May 30, 2025

Before HARRIS, RICHARDSON, and QUATTLEBAUM, Circuit Judges.

Affirmed by published opinion. Judge Quattlebaum wrote the opinion, in which Judge Harris joined. Judge Richardson wrote a dissenting opinion.

ARGUED: Robert E. Goldman, LAW OFFICES OF ROBERT E. GOLDMAN LLC, Allentown, Pennsylvania, for Appellants. Philip J. Harvey, HARVEY LAW OFFICES, PLLC, Alexandria, Virginia, for Appellee. ON BRIEF: Paris R. Sorrell, HARVEY LAW OFFICES, PLLC, Alexandria, Virginia; David G. Fiske, FISKE LAW GROUP, PLLC, Alexandria, Virginia, for Appellee.

QUATTLEBAUM, Circuit Judge:

This appeal involves the intersection of two time-tested traditions. One, sadly, is that families sometimes squabble over their ancestors’ possessions. Going back at least to the Book of Genesis—where Jacob took advantage of his older brother Esau to gain his birthright—family fights over inheritance are “a tale as old as time.” 1 Carrying on that unfortunate legacy, William Elam and his relatives—the Earlys—cannot agree who owns a set of Norman Rockwell drawings given to their grandfather. Elam says he owns them outright, while the Earlys insist they are part-owners.

The other tradition is really an adage. As many of us heard growing up, “possession is nine-tenths of the law.” It turns out that this old saying reflects our law’s acknowledgment that possession is often the best evidence of ownership. In adopting that presumption, Virginia law, which controls this case, follows principles that date back to ancient Rome. And here, the district court found that Elam’s possession of the Rockwells created a presumption of ownership, which the Earlys did not rebut.

Applying this ancient solution to a more ancient problem, we agree that Elam’s possession entitled him to a presumption that he owned the art. We also agree that the Earlys did not rebut that presumption. Rather than establishing their own superior title, as the law requires, they merely tried to poke holes in Elam’s title. We, therefore, affirm the district court’s order of summary judgment declaring Elam to be the owner of the drawings.

1

“Beauty and the Beast,” written by Howard Ashman & Alan Menken, in Beauty and the Beast (Walt Disney Animation Studios 1991).

I. Background

A. Facts

Our story begins during the Franklin D. Roosevelt administration. In 1943, famed artist Norman Rockwell 2 drew four panels capturing various visitors in the West Wing waiting for an audience with FDR. That same year, Rockwell gifted the four original illustrations—entitled So You Want to See the President—to FDR’s Press Secretary, Stephen T. Early. The illustrations are pictured below:

2

“Without thinking too much about it in specific terms, I was showing the America I knew and observed to others who might not have noticed.” —Norman Rockwell, Norman Rockwell Museum, NORMAN ROCKWELL: A BRIEF BIOGRAPHY, https://www.nrm.org/about/about-2/about-norman-rockwell/ [https://perma.cc/Z9DP- JMDV] (last visited Feb. 18, 2025).

Born in New York City in 1894, Norman Rockwell is one of America’s great artists.

At the age of 22, he painted his first cover for the Saturday Evening Post, which he called “the greatest show window in America.” He would go on to create 321 more covers for the Post over the next 47 years. Inspired by FDR’s 1943 address to Congress, Rockwell painted four pictures celebrating fundamental American freedoms that toured the U.S.A. raising money for the war effort: Freedom of Speech, Freedom to Worship, Freedom from Want, and Freedom from Fear. In 1977, the year before he died, he received the Presidential Medal of Freedom.

J.A. 52.

Unheard of by today’s standards, Early was the longest-serving press secretary in our nation’s history, holding the role for twelve years under President Franklin D. Roosevelt. Roughly eight decades later, his relatives are fighting over this art.

Some family history will provide useful background for the squabble. Stephen T.

Early—Grandfather Early—married Helen Wrenn Early—Grandmother Early. Together they had three children—Stephen T. Early, Jr., Thomas A. Early and Helen Early Elam. All three children have died. Stephen Jr. and his wife Suzanne had a daughter named Andrea DeLeon. Thomas had three children—Stephen Timothy Early, Michael Early and Thomas A. Early, II. And Helen had two children—Dru Anne Elam and William Elam, III. For a visual picture, the record contains this family tree:

J.A. 781.

With that family history in mind, we turn to the dispute that led to this appeal. Elam claims that Grandfather Early gifted the illustrations to his mother Helen when she graduated from college in 1949. The two other branches of the family—Stephen Jr.’s widow, Suzanne, and two of Thomas’ sons—Stephen and Michael—dispute this. They point out that there is no documentary evidence of this gift.

The parties agree that Helen didn’t take immediate possession of the drawings. In 1949, the same year she graduated, Helen got married. At some point, she and her husband moved to St. Louis. But the illustrations remained behind in the Grandparents’ house on Morningside Drive in Washington, D.C.

In 1951, Grandfather Early died. He did not leave a will, so his possessions passed to his heirs under the law, Grandmother Early and their three children—Stephen Jr., Thomas and Helen. The probate court records include a meticulous accounting of

Grandfather Early’s estate. It details items such as a $4 lighter, a $2 table radio, and a $4 fishing pole. But even though his friends and family knew that Grandfather Early was as proud of the Rockwells “as Churchill was of the [Royal Air Force],” the accounting did not mention the Rockwells. J.A. 35.

Grandmother Early signed the accounting, stating that it was “a true and perfect Inventory of the Goods, Chattels, and Personal Estate of [Grandfather Early],” that she would add any further items to an additional inventory as needed and that she knew of no concealment of any part of Grandfather’s estate. J.A. 195. Helen and Thomas each signed receipts acknowledging their distributions from Grandfather Early’s estate. Stephen Jr. did not sign his, but he did not object to the list.

In 1956, Grandmother Early moved to a house on Tulane Drive in Alexandria, Virginia. The parties agree she took the Rockwells to her new house, where they remained until at least 1960.

The parties disagree about what happened in 1960. According to Elam, Helen—who had returned to the D.C. area from St. Louis—took the illustrations to her house on Marlan Drive in Alexandria. As he tells it, this was the first house of Helen’s that was large enough to display the Rockwells. When Helen divorced in 1968, she moved in with Grandmother Early, who had since moved from her home on Tulane Drive to one on Hoover Lane. Elam says Helen brought the illustrations with her.

The Earlys tell a different story. In their version, the illustrations stayed in Grandmother Early’s house on Tulane Drive—which she moved to in 1956—until 1969. That year, mildew problems forced her to move the illustrations to Helen’s home on Marlan

Drive. Grandmother Early then bought the Hoover Lane house. Shortly afterward, Helen came to live there and brought the Rockwells, which, according to the Earlys, she had been temporarily storing to avoid mildew.

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William Elam, III v. Stephen Early, 138 F.4th 804 (4th Cir. 2025).

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