Webb v. New Haven Theatre Co.

87 A. 274, 87 Conn. 129, 1913 Conn. LEXIS 89
CourtSupreme Court of Connecticut
DecidedJune 13, 1913
StatusPublished
Cited by11 cases

This text of 87 A. 274 (Webb v. New Haven Theatre Co.) is published on Counsel Stack Legal Research, covering Supreme Court of Connecticut primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Webb v. New Haven Theatre Co., 87 A. 274, 87 Conn. 129, 1913 Conn. LEXIS 89 (Colo. 1913).

Opinion

Thayer, J.

The plaintiff, trustee of a bankrupt

estate, claiming that certain articles of electrical equipment, which the bankrupt had installed in the defendant’s theatre while a lessee thereof, were personal property belonging to the bankrupt estate, demanded the same of the defendant, and, the latter having refused to deliver them, brought this action in the nature of trover to recover damages for their conversion. The court, holding that the articles were fixtures attached to the freehold, directed a verdict for the defendant. *131 The main question raised by the appeal is whether the verdict was properly directed.

The evidence is not before us. The case has been submitted on briefs upon a finding by the court of the “undisputed facts which were established by the evidence.” It appears from the finding that the defendant is a corporation, and the owner of a theatre known as the Grand Opera House in New Haven. On July 24th, 1909, it leased this theatre, with the theatrical scenery and personal property connected therewith, to one Felsburg, trustee, for the term of ten years from June 15th, 1909, at an annual rent of $10,000, payable in instalments of $1,000 each, commencing on the 15th day of September in each year, and continuing monthly thereafter until the full annual rent should be paid. On the 26th of July, 1909, Felsburg assigned the lease to the Grand Opera House Company, a corporation now in bankruptcy, of which the plaintiff is the trustee. At the time the lease was executed and assigned, the theatre was equipped with an electric lighting plant consisting of a switchboard, dimmers, border lights and wires running to all parts of the house, and also six iron boxes set in the floor of the stage, a large amount of wiring concealed under the stage and in the walls and partitions of the building, and a large gridiron over the stage, making a complete lighting plant for the entire theatre, including the stage, lobby, and auditorium, which was essential to the use of the leased premises as and for an opera house and theatre. This equipment constituted one entire plant, and the removal of the switchboard would entirely prevent the use of the lighting apparatus, and the removal of the dimmers would substantially interfere with and render practically useless the lighting plant for the purposes of a theatre.

The Grand Opera House Company had occupied *132 the theatre for a number of years prior to the execution of the lease, and had considered the above-mentioned electrical equipment adequate and had made no objection thereto. • In the fall of 1909 the lessee was requested by Klaw & Erlanger, whose theatrical attractions it was desirous of booking, to make certain additions to the fighting facilities of the theatre stage, and obtained permission from the defendant to make the same at its own expense. No intimation was given the defendant of the extent or cost of the proposed changes. Thereafter the Grand Opera House Company installed a new and larger switchboard and new dimmers, in place of those above mentioned, and iron pipe conduits with wires inclosed therein leading from the switchboard to various points of the theatre, in place of the former wiring, and five sets of border fights with trough containing them and electric cables attached thereto, in place of those previously in use. The old switchboard, dimmers, and wiring were removed and disposed of as junk by the party supplying the new material. The new articles thus installed in place of the old, if removed from the theatre, would have a substantial value of from $1,000 to $1,500. They were supplied upon the order and credit of the Grand Opera House Company, by a contractor who was paid for the same in part and who is now'a creditor of the bankrupt estate for the balance. The finding states the manner in which the different articles were attached to the building. Without giving the details, it is enough to say that, while they were all attached to the building, the finding shows that they could be removed “without material injury” to it as a building, but that they “could not be removed, in whole or in part, without rendering said building practically useless as and for a theatre and opera house, for which purpose the building was constructed, equipped and leased.”

*133 The lease by its terms was forfeited by the nonpayment of any instalment of rent within fifteen days after the same became due. In May, 1910, the Grand Opera House Company was in arrears with its rent to the defendant for more than $5,000, and on demand surrendered to it the possession of the theatre, making no claim of ownership to any portion of the electrical equipment. On July 18th, 1910, the Grand Opera House Company was adjudicated a bankrupt, and on August 11th, 1910, the plaintiff was appointed and qualified as trustee of the bankrupt estate.

As the property in question was capable of being detached and removed from the theatre without material injury to the building, there was nothing in the manner of its annexation which, in itself, would indicate that it had been so attached to the freehold as to preclude the tenant from removing it during its occupancy under the lease. But this is not the only test for determining whether the articles installed by it became fixtures. They were so attached to the building as to make them useful in connection with it, and so that their removal would render it practically useless for the purpose for which it was constructed and used. These facts are important, but not conclusive, as tending to show the intention with which they were attached; and whether they became fixtures or remained personal property is to be determined largely by the intention with which they were attached, as indicated by all the facts in the case. The character of the annexation, the nature and adaptation of the articles annexed to the purposes to which the building is appropriated, the relation of the party making the annexation to the property in question, are all to be considered in determining whether a permanent accession to the freehold was intended. Capen v. Peckham, 35 Conn. 88, 94. Where these indicate an intention *134 to permanently attach the articles to the realty, the law declares them to be fixtures which accrue to the owner of the fee.

The law is indulgent to the tenant, as between him and the lessor, in determining what fixtures are removable by him at the termination of the lease. When he leases premises not at the time adapted to the purposes for which both parties understand that they are to be used, and he installs such fixtures thereon as his trade or business requires, or when, during the term of the lease, he makes additions to the fixtures and equipment of the building existing at the time he took the lease, he is generally permitted to remove them unless they are so permanently annexed to the realty that they cannot be removed without material injury to it or to them. The law finds in such annexation no intent on the part of the tenant that the articles shall become a part of the realty. Capen v. Peckham, 35 Conn. 88, 95. But the case is different when a tenant removes and disposes of fixtures belonging to .the landlord, and adapted to the purposes for which the leased premises were used, and substitutes others of a similar character and adapted to the same uses in their place.

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Cite This Page — Counsel Stack

Bluebook (online)
87 A. 274, 87 Conn. 129, 1913 Conn. LEXIS 89, Counsel Stack Legal Research, https://law.counselstack.com/opinion/webb-v-new-haven-theatre-co-conn-1913.