WARDLAW v. THE CITY OF PHILADELPHIA

CourtDistrict Court, E.D. Pennsylvania
DecidedMarch 10, 2022
Docket2:21-cv-01942
StatusUnknown

This text of WARDLAW v. THE CITY OF PHILADELPHIA (WARDLAW v. THE CITY OF PHILADELPHIA) is published on Counsel Stack Legal Research, covering District Court, E.D. Pennsylvania primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
WARDLAW v. THE CITY OF PHILADELPHIA, (E.D. Pa. 2022).

Opinion

IN THE UNITED STATES DISTRICT COURT FOR THE EASTERN DISTRICT OF PENNSYLVANIA

EXAVIER L. WARDLAW : CIVIL ACTION : v. : NO. 21-1942 : THE CITY OF PHILADELPHIA, et al. :

MEMORANDUM

KEARNEY, J. March 10, 2022

Philadelphian Exavier L. Wardlaw is unhappy with a Philadelphia public access television station deciding not to air his film. He pro se sues the City, the public access station, and its Board of Directors claiming the decision to not air his submitted film violates his civil rights. The City and the public access station and its Board of Directors move to dismiss the complaint. Mr. Wardlaw pleads no facts regarding the City. The public access station and its directors are not state actors under the pleaded facts. He fails to allege how a person discriminated against him based on political or racial reasons which may give rise to a disparate treatment claim. We grant the Defendants’ motions and dismiss Mr. Wardlaw’s complaint with leave to timely amend if he can plead facts allowing us to plausibly infer conduct by a state actor depriving him of his First Amendment rights or disparate treatment under civil rights laws. I. Pro se alleged facts. Philadelphian Exavier L Wardlaw is a “member” of PhillyCAM Public Access TV because he is a Philadelphia citizen.1 PhillyCAM is a private non-profit corporation which operates a public access channel.2 Mr. Wardlaw submitted a film to PhillyCAM he produced titled “Underground in Alphabet City” about the Lower East Side neighborhood of New York.3 PhillyCAM rejected the film because “‘it was not made in Phila[delphia] or by a Philadelphian’ as dictated by the board of directors . . . .”4 But it aired “the Tony Paris Film, The Lower East Side Project, Democracy Now, and Gay USA non[e] of which was produced in Phila[delphia] or by a Philadelphian.”5 Mr. Wardlaw returns with a pro se civil rights claim against the City, PhillyCAM, and its Board for acting on “political and racist motives” when it discriminated against him by treating him differently from other producers whose films PhillyCAM aired.6 Mr. Wardlaw also claims

PhillyCAM and its Board’s rejection of his film for broadcast denied him the right of freedom of speech under the First Amendment.7 Mr. Wardlaw requests we enjoin PhillyCAM from the allegedly discriminatory conduct against its members through an Order directed to the City. Mr. Wardlaw also requests we enjoin the Board from adopting discriminatory policies limiting members’ “right to speak on the public airways” in an Order directed to PhillyCAM. II. Analysis The City of Philadelphia, PhillyCAM, and its Board move to dismiss Mr. Wardlaw’s pro se complaint or, alternatively, for a more definite statement. We grant Defendants’ motions to dismiss under Rule 12(b)(6) with leave to amend. 8

We construe Mr. Wardlaw’s pro se complaint liberally as attempting to state two claims: (1) a deprivation of his First Amendment rights under 42 U.S.C. § 1983; and (2) a disparate treatment claim based on racial and political discrimination in violation of an unspecified section of the Civil Rights Act of 1964. We are “mindful of our ‘obligation to liberally construe a pro se litigant’s pleadings’ . . . .”9 We “remain flexible” and “apply the relevant legal principle even when the complaint has failed to name it.”10 But “pro se litigants still must allege sufficient facts in their complaints to support a claim.”11 A. Mr. Wardlaw fails to state a claim under section 1983 for the deprivation of his First Amendment rights.

A state actor may be liable for “the deprivation of any rights, privileges, or immunities secured by the Constitution and laws …”12 Congress does not confer rights upon Mr. Wardlaw through section 1983. The civil rights law is the vehicle used to bring federal constitutional claims in federal court. Mr. Wardlaw must plead two elements to proceed on civil rights claims: (1) a person acting under color of state law committed the complained-of conduct; and (2) the conduct deprived him of rights, privileges, or immunities secured by the Constitution or laws of the United States.13 1. Mr. Wardlaw fails to allege the City’s involvement in the challenged decision.

The City moves to dismiss the First Amendment claim against it and argues Mr. Wardlaw pleads no facts which involve the City in the alleged wrongful conduct. Mr. Wardlaw does not allege a fact as to the City’s conduct beyond naming the City as a party. Mr. Wardlaw may be under the impression PhillyCAM—a private non-profit group—acts on behalf of the City from his request we enjoin PhillyCAM in an order directed to the City and not the public access station. Mr. Wardlaw alleges no facts from which we may construe the City’s involvement. Mr. Wardlaw’s claims against the City are dismissed without prejudice to Mr. Wardlaw timely amending to add facts of the City’s involvement in the decision to not air his film and how this decision affected his civil rights. 2. Mr. Wardlaw fails to allege PhillyCAM and its directors are state actors.

Mr. Wardlaw alleges PhillyCAM and its Board violated his First Amendment right to free speech by not airing his film on the public access channel. PhillyCAM and its Board move to dismiss the First Amendment claim arguing: (1) they are not state actors; and (2) Mr. Wardlaw fails to plead sufficient facts showing his film is protected speech. We need not address PhillyCAM’s and its Board’s second argument because Mr. Wardlaw fails to allege they are state actors. PhillyCAM and its Board may only be liable to Mr. Wardlaw for the alleged deprivation of his First Amendment rights if they are state actors. This is a dispositive question. PhillyCAM is

a private non-profit organization operating a public access channel on a cable system. PhillyCAM and the individual members of its Board maintain they are private actors and not subject to First Amendment restrictions on their editorial discretion under the Supreme Court’s holding in Manhattan Community Access Corporation v. Halleck.14 We agree. In Halleck, plaintiffs produced and submitted a film for airing on the Manhattan public access channel operated by a private non-profit corporation. After airing plaintiffs’ film, the non- profit corporation received complaints about the film’s content and suspended plaintiffs from using the public access channels. Plaintiffs sued the corporation claiming it violated their First Amendment free-speech rights when it restricted their access to the public access channels because of the content of their film.15 The corporation moved to dismiss arguing it is not a state actor and

not subject to First Amendment restrictions on its editorial discretion. The district court agreed and dismissed the First Amendment claim. The court of appeals reversed, finding the corporation a state actor. The Supreme Court decided to address the question of whether operators of public access cable channels are state actors subject to the First Amendment. The Court ultimately held a private entity operating a public access channel on a cable system is not “a traditional, exclusive public function” of the state – a hallmark of state action – transforming the private actor into a state actor for purposes of section 1983 liability.16 Under longstanding Supreme Court precedent, a private entity may qualify as a state actor “in a few limited circumstances” including when (1) the private entity performs a traditional, exclusive public function; (2) the government compels the private entity to take a particular action; or (3) the government acts jointly with the private entity.17 The film producers in Halleck argued the corporation operating the public access channel exercises a traditional, exclusive public

function.

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WARDLAW v. THE CITY OF PHILADELPHIA, Counsel Stack Legal Research, https://law.counselstack.com/opinion/wardlaw-v-the-city-of-philadelphia-paed-2022.