Walters Art Gallery v. Walters Workers Un.

Court of Appeals of Maryland·Decided July 29, 2025·No. 45/24·Published

Opinion

Trustees of the Walters Art Gallery, Inc., et al. v. Walters Workers United, Council 67, AFSCME, AFL-CIO, et al., No. 45, September Term, 2024. Opinion by Biran, J.

MARYLAND PUBLIC INFORMATION ACT, MD. CODE ANN., GEN. PROVIS. § 4-101(k)(1)(i) (2014, 2019 REPL. VOL., 2024 SUPP.) – “UNIT OR INSTRUMENTALITY” OF GOVERNMENT – After he died in 1931, Henry Walters left the Walters Art Gallery, adjacent property, and all their contents to the Mayor and City Council of Baltimore “for the benefit of the public.” The Mayor and City Council of Baltimore decided to appoint a board of trustees to manage the assets that the City received through this bequest. In 1933, the General Assembly incorporated the Trustees of the Walters Art Gallery (the “Board”) as an “educational corporation,” granting it “full and complete control” over the property left by Mr. Walters. Since its formation, the Board has operated the Walters Art Gallery (now known under the trade name, the Walters Art Museum) as an institution devoted to preserving and expanding its art collection for the benefit of the public. After considering all the attributes of the Board’s relationship with Baltimore City, the Supreme Court of Maryland held that the Board is not a governmental “unit or instrumentality” under the Maryland Public Information Act, Md. Code Ann., Gen. Provis. § 4-101(k)(1)(i) (2014, 2019 Repl. Vol., 2024 Supp.).

Circuit Court for Baltimore City Case No.: 24-C-22-003989 Argued: May 5, 2025

IN THE SUPREME COURT

OF MARYLAND

No. 45

September Term, 2024

TRUSTEES OF THE WALTERS ART GALLERY, INC., ET AL.

v.

WALTERS WORKERS UNITED, COUNCIL 67, AFSCME, AFL-CIO, ET AL.

Fader, C.J.

Watts

Booth

Biran

Gould

Eaves

Killough,

JJ.

Opinion by Biran, J.

Booth, J., dissents.

Pursuant to the Maryland Uniform Electronic Legal Filed: July 29, 2025

Materials Act (§§ 10-1601 et seq. of the State Government Article) this document is authentic.

2025.07.29

14:16:28 -04'00'

Gregory Hilton, Clerk

When Henry Walters died in 1931, he left the Walters Art Gallery, adjacent property, and all their contents to the Mayor and City Council of Baltimore “for the benefit of the public.” After public debate about how the City should best receive Mr. Walters’ bequest, the Mayor and City Council enacted an ordinance establishing “a body to be known as the Trustees of the Walters Art Gallery” and entrusted that body to fulfill the terms of Mr. Walters’ will. Soon afterwards, the General Assembly incorporated the Trustees of the Walters Art Gallery (the “Board”) as an “educational corporation,” granting it “full and complete control” over the property left by Mr. Walters. Since its formation, the Board has operated the Walters Art Gallery (“the Walters” 1) as an institution devoted to preserving and expanding its art collection for the benefit of the public.

This appeal presents a single question: whether the Board is subject to the Maryland Public Information Act (the “MPIA”), Md. Code Ann., Gen. Provis. (“GP”) § 4-101 et seq. (2014, 2019 Repl. Vol., 2024 Supp.), as a “unit or instrumentality” of Baltimore City. On a continuum of Maryland corporations, the Board occupies a place somewhere in between municipal corporations on the public end and for-profit corporations on the private end. On the one hand, the Board is the steward of City-owned art housed in City-owned buildings, and the City provides financial support to the Walters. On the other hand, the record reflects

1 The Walters now operates under the trade name “The Walters Art Museum.”

Colloquially, it is often referred to as “The Walters,” including in its web address: www.thewalters.org. Although the “Trustees of the Walters Art Gallery” does not include the word “Board” in its corporate name, for convenience we refer to this corporation as “the Board.” That is also consistent with the Walters’ website. See https://thewalters.org/about/leadership (“The Walters Art Museum has since its founding been governed by an independent Board of Trustees and its by-laws.”), available at https://perma.cc/8M8B-SSUC.

that the Board controls virtually every aspect of the Walters’ operations with minimal oversight provided by the City. The question under the MPIA is not whether the Walters serves the public good (it plainly does), but whether the Board is sufficiently entwined with the City to be deemed a governmental “unit or instrumentality.”

Applying this Court’s functional framework, we conclude that the answer to that question is no. The Mayor and City Council created the Board to carry out the vision of a private donor, not to implement public policy. The history surrounding the Board’s creation, as well as its structure, operational independence, and lack of sovereign immunity all point to a predominantly private entity, rather than to an entity that is predominantly governmental in nature. Accordingly, we hold that the Board is not subject to the MPIA.

I

A. The Origins of the Walters and Henry Walters’ Bequest William Thompson Walters was, among other things, a prominent Baltimore art collector during the Nineteenth Century. America’s Great Art Collector: William Thompson Walters, Known Everywhere for His Devotion to Art, Dies in Baltimore, N.Y. TIMES, Nov. 23, 1894, available at https://perma.cc/C3BU-LLCZ. During the 1870s, William Walters periodically opened his home at 5 West Mount Vernon Place for visitors to see his art collection. The Walters Art Museum, About the Walters Art Museum: Past, Present, and Future, available at https://perma.cc/ZKM8-FEAW.

When William Walters died in 1894, he left the entire collection to his son, Henry Walters. Id. Henry Walters built on his father’s legacy, continuing to expand the collection. In September 1900, Henry Walters bought three houses adjoining a property in Baltimore

that his father had owned in order to house and display the collection. He converted the properties into a museum building, which opened to visitors in 1909. Id.

Henry Walters died on November 30, 1931. In his last will and testament (the “Will”), Mr. Walters bequeathed his Art Gallery, his home at 5 West Mount Vernon Place and the adjacent property, and all the contents inside these properties to the Mayor and City of Baltimore “for the benefit of the public.” The Will also created an endowment fund, and appointed the Safe Deposit and Trust Company (the Executor of the Will) as trustee of the fund. The Will directed the trustee to make quarterly payments to the City of the income from the fund “for the purpose of maintaining the Walters Art Gallery[.]”

B. Public Debate While the City was eager to accept Mr. Walters’ gift, there was public debate about how it should best proceed. With title to the Gallery about to be transferred to the City, Mayor Howard Jackson announced that the City was “mak[ing] plans for the permanent management of the generous gift made to the people of Baltimore by the late Henry Walters.” Mayor Names Committee on Art Gallery, THE BALTIMORE SUN 16, Nov. 20, 1932. Mayor Jackson appointed a committee to formulate “a plan for permanent administration, so that the wishes of the donor may be observed and his objects realized.” Id. at 15.

The committee included the Mayor, Sarah Walters (the widow of Henry Walters), John Nelligan (the Chairman of the Board of the Safe Deposit and Trust Company), and several prominent Baltimore art patrons. Id. at 16. According to Mayor Jackson, the committee included individuals who were “especially qualified to pass on the financial

questions involved in the creation of a permanent managing body.” Id. at 15. The committee’s task was to prepare a plan for submission to the City Council or the General Assembly, depending on “the nature of legislation best fitted to create the managing body.” Id. The committee began its work by studying the Will to “ascertain what [Mr. Walters] had in mind in making the bequest to the municipality and how the [W]ill should be interpreted.” To Hold Its First Meeting Thursday, THE BALTIMORE SUN 8, Nov. 24, 1932.

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