University of Houston System v. Jim Olive Photography, D/B/A Photolive

CourtCourt of Appeals of Texas
DecidedJune 11, 2019
Docket01-18-00534-CV
StatusPublished

This text of University of Houston System v. Jim Olive Photography, D/B/A Photolive (University of Houston System v. Jim Olive Photography, D/B/A Photolive) is published on Counsel Stack Legal Research, covering Court of Appeals of Texas primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
University of Houston System v. Jim Olive Photography, D/B/A Photolive, (Tex. Ct. App. 2019).

Opinion

Opinion issued June 11, 2019

In The

Court of Appeals For The

First District of Texas ———————————— NO. 01-18-00534-CV ——————————— UNIVERSITY OF HOUSTON SYSTEM, Appellant V. JIM OLIVE PHOTOGRAPHY, D/B/A PHOTOLIVE, Appellee

On Appeal from the 295th District Court Harris County, Texas Trial Court Case No. 2017-84942

OPINION

In this interlocutory appeal from the trial court’s denial of a plea to the

jurisdiction, we must determine if a viable constitutional takings claim can be

asserted when the State commits copyright infringement. We conclude that a governmental unit’s copyright infringement is not a taking and that the trial court

therefore erred in denying the plea to the jurisdiction.

Background

Jim Olive Photography d/b/a Photolive, Inc. (Olive) sued the University of

Houston System, alleging an unlawful taking and seeking just compensation under

Article I, Section 17 of the Texas Constitution and under the Fifth Amendment of

the United States Constitution. Olive, a professional photographer, alleges that he

took a series of aerial photographs of the City of Houston at dusk in 2005. To take

these photographs, Olive rented a helicopter, hired a pilot, and, utilizing special

photography equipment, suspended himself from the helicopter with a harness.

While suspended in the harness, Olive took photograph SKDT1082—“The

Cityscape”— the subject of this litigation.

Olive registered The Cityscape with the United States Copyright Office on

November 18, 2005 and displayed it for purchase on his website. Olive owned all

rights associated with The Cityscape, and his website had numerous references to

licensing the website’s photographs, including an entire page labeled “Copyrights

and Usage,” which described the applicable copyright protections held in the

photographs and explicitly stated that “[t]he unauthorized use of these images is

strictly prohibited.”

2 Olive alleges that sometime around June of 2012, the University of Houston

downloaded The Cityscape from Olive’s website, removed all identifying

copyright and attribution material, and displayed it on several webpages to

promote the University’s C.T. Bauer College of Business. The University never

contacted Olive about using his photograph and never compensated him for its use.

Over three years later, Olive discovered that his photograph was being

displayed on the University’s Bauer College of Business webpages. Olive

informed the University of its unauthorized use of the photograph and demanded

that it cease and desist this use. The University immediately removed the

photograph from the College’s website. Olive further alleges that the University’s

display of the photograph without attribution allowed private actors such as Forbes

Magazine to republish and display The Cityscape without Olive’s permission and

without compensation.

Upon being sued by Olive, the University filed a plea to the jurisdiction,

asserting, among other things, that because Olive failed to plead a viable takings

claim, the University retains governmental immunity and the trial court lacks

subject-matter jurisdiction. The trial court denied the plea, and this interlocutory

appeal followed.

The University argues in four issues that the trial court erred in denying its

plea. The University first argues that a copyright is not property under the federal

3 or state takings clauses. The University then argues that, if a copyright is property

under the federal or state takings clauses, its copyright infringement of Olive’s

photograph is not a taking, that it lacked capacity to take Olive’s copyright

property, and that Olive did not sufficiently plead an intentional taking.

Standard of Review

The standard of review of a trial court’s ruling on a plea to the jurisdiction

based on governmental immunity is de novo. See Tex. Dep’t of Parks & Wildlife v.

Miranda, 133 S.W.3d 217, 225–26 (Tex. 2004); Tex. So. Univ. v. Gilford, 277

S.W.3d 65, 68 (Tex. App.—Houston [1st Dist.] 2009, pet. denied). The plaintiff

has the burden to allege facts that affirmatively demonstrate the trial court’s

subject-matter jurisdiction. Gilford, 277 S.W.3d at 68 (citing Tex. Ass’n of Bus. v.

Tex. Air Control Bd., 852 S.W.2d 440, 446 (Tex. 1993)). We construe the

pleadings liberally and accept the plaintiff’s factual allegations as true. See

Miranda, 133 S.W.3d at 226–27; Gilford, 277 S.W.3d at 68.

An inverse-condemnation action is a constitutional claim in which the

property owner asserts that a governmental entity intentionally performed acts that

resulted in a “taking” of the property for public use, without formally condemning

the property. See, e.g., Tarrant Reg’l Water Dist. v. Gragg, 151 S.W.3d 546, 554

(Tex. 2004). The Texas Constitution’s takings clause (Article I, Section 17)

includes personal property. Renault, Inc. v. City of Houston, 415 S.W.2d 948, 952

4 (Tex. Civ. App.—Waco 1967), rev’d on other grounds, 431 S.W.2d 322 (Tex.

1968). It is well settled that the Texas Constitution waives governmental immunity

for an inverse-condemnation (a takings) claim, but in the absence of a properly

pleaded takings claim, the governmental entity retains immunity. City of Houston

v. Carlson, 451 S.W.3d 828, 830 (Tex. 2014).

Whether the pleaded facts constitute a viable takings claim is a question of

law. See Tex. Parks & Wildlife Dep’t v. Sawyer Trust, 354 S.W.3d 384, 390 (Tex.

2011); Mayhew v. Town of Sunnyvale, 964 S.W.2d 922, 932–33 (Tex. 1998); City

of Friendswood v. Horn, 489 S.W.3d 515, 525 (Tex. App.—Houston [1st Dist.]

2016, no pet.). When the plaintiff cannot establish a viable takings claim, the trial

court lacks subject-matter jurisdiction and should grant a plea to the jurisdiction.

Tex. Dep’t of Transp. v. A.P.I. Pipe & Supply, LLC, 397 S.W.3d 162, 166 (Tex.

2013).

Analysis

Copyright generally

Federal copyright law provides that “[c]opyright protection subsists . . . in

original works of authorship fixed in any tangible medium of expression, now

known or later developed, from which they can be perceived, reproduced, or

otherwise communicated, either directly or with the aid of a machine or device.”

17 U.S.C. § 102(a).

5 Copyright has been defined as:

The right to copy; specifically, a property right in an original work of authorship (including literary, musical, dramatic, choreographic, pictorial, graphic, sculptural, and architectural works; motion pictures and other audiovisual works; and sound recordings) fixed in any tangible medium of expression, giving the holder the exclusive right to reproduce, adapt, distribute, perform, and display the work.

Copyright, BLACK’S LAW DICTIONARY (10th ed. 2014); see also 17 U.S.C. § 102(a) (1–8)

(providing categories of works of authorship to include literary works; musical

works, including any accompanying words; dramatic works, including any

accompanying music; pantomimes and choreographic works; pictorial, graphic,

and sculptural works; motion pictures and other audiovisual works; sound

recordings; and architectural works).

A copyright in a work subsists from its creation and generally endures for

the life of the author and 70 years after the author’s death.

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