United States v. Houston

110 F. App'x 536
Court of Appeals for the Sixth Circuit·Decided September 7, 2004·No. No. 02-5831·Published·Cited by 3 cases

Opinions

DAUGHTREY, Circuit Judge.

At the time of his arrest by Memphis police, defendant Patrick Houston was apparently a popular rap musician who had recorded best-selling CDs under the name “Project Pat.” He was charged on two counts of being a felon in possession of a firearm, in violation of 18 U.S.C. § 922(g)(1), and was subsequently convicted by a jury on both counts. He now appeals, contending that the district court committed numerous errors at trial that— collectively, if not individually — were sufficiently serious to require a retrial. These included (1) questioning prospective jurors during voir dire concerning their acquaintance with “gangsta rap,” (2) permitting references to the defendant’s parole status, (3) failing to declare a mistrial when the prosecutor cross-examined a defense witness about lyrics in a song recorded by Houston, and (4) making certain errors in the jury instructions. After a careful re[538]*538view of the record on appeal and the trial record, we find no reversible error and affirm.

FACTUAL AND PROCEDURAL BACKGROUND

In a published opinion denying the defendant’s motion for a judgment of acquittal or, in the alternative, a new trial, the district court summarized the evidence against the defendant as follows:

On the morning of January 19, 2001, Defendant Patrick Houston was driving his black Cadillac Escalade SUV and was stopped by an officer of the Memphis, Tennessee Police Department because he was exceeding the speed limit and because there had been a general police alert concerning “several Cadillac Escalades” recently reported as stolen from local dealerships. As the officer approached the driver’s door, he saw through the rear seat’s window what appeared to be the butt of a firearm protruding from the map or storage pocket situated on the back of the driver’s seat.
Without alerting Houston to what he had seen, the officer asked Houston to step from the vehicle. After receiving Houston’s identification and having some preliminary discussion at or near the police car, the officer asked for permission to search the vehicle, and Houston consented. The officer retrieved the firearm and brought it to the police car. Another officer came to the scene and in doing a more complete search found a second, smaller firearm hidden under the floor mat at the driver’s feet. Both firearms were loaded. After being given Miranda warnings, and confronted with the evidence, Houston admitted that the guns were his and said that he “needed them” for personal protection since the business he was in, making rap music, was “dangerous.” He claimed to have bought one gun “off the street” and the other through a girlfriend. He expressed concern about his parents finding out, and worried aloud that this event would ruin the chances for success of his next recording, soon to be released, and violate his parole.
At trial, Houston chose not to testify, but produced the original purchasers of the firearms, both of whom were longtime friends of Defendant and occasional employees of Defendant’s recording company. The witnesses said that Tobert Carruthers had been in possession of Houston’s vehicle from the previous day because Houston did not want a certain woman to see Houston’s vehicle at Houston’s house, and thus learn that he was at home. The witnesses said that Clarence Edwards was picked up by Carruthers at his house and then they both proceeded to pick up Houston. They all then drove to a Memphis mall to visit a tuxedo rental store.
Both Edwards and Carruthers testified that they had lawfully purchased the firearms. Carruthers testified that he had carried his firearm to the vehicle the previous evening while preparing to drive his wife and young children to dinner and a movie, then hid the firearm under the floor mat and forgot it was there. He said that he did not tell either Houston or Edwards that the firearm was present.
Edwards testified that he brought his firearm out to the vehicle that morning, partially concealing it in a zippered calendar or “day-planner” case. He had it because he intended to go to a practice range later that day and use it; he said that this was first time in the years since he had purchased the gun that he had brought it out of his house. He said he did not tell Carruthers or Houston about the firearm being present.

[539]*539United States v. Houston, 205 F.Supp.2d 856, 859-60 (W.D.Tenn.2002).

In addition to the evidence summarized by the district court, it is significant that in rebuttal, the government offered the testimony of Shaneka Moss, the manager of the tuxedo shop that Garruthers and Edwards said they had visited on January 19, 2001, the morning of defendant’s arrest. Moss testified that the bride and groom did not register at the tuxedo shop until February 3, 2001, and that Carruthers was scheduled for a tuxedo fitting on February 5, 2001, not January 19.

The jury convicted Houston on both counts of the indictment, and the district court subsequently denied his motion for judgment of acquittal, commenting that “the Carruthers/Edwards story about their separate, simultaneous placement of two guns in one vehicle was ... a much-too-convenient coincidence, and transparently false.” Id. at 862.

DISCUSSION

1. The Challenge to Voir Dire

Perhaps the most controversial aspects of the defendant’s trial stemmed from his involvement as a rap musician. He complains, for example, that the district court questioned prospective jurors about their knowledge of and reaction to the existence of rap music and, specifically “gangsta rap,” a genre of rap music that concerns and apparently even extols street violence. The defendant contends, in particular, that references to “gangsta rap” were extraneous and therefore prejudicial to his right to an impartial jury. He also complains, as discussed below, that the district court allowed questioning about certain song lyrics concerning the use of guns and the commission of violent crimes.

Had the defendant been charged with a non-violent offense such as bank fraud, or tax evasion, these complaints might well provide grounds for relief on appeal. However, the charges against Houston involved the possession of firearms, and the arresting police officer testified that when he discovered the guns in the Escalade Houston was driving (and in which he was the only occupant), Houston stated that he needed “protection” because he was in the “dangerous business” of rap music. His defense at trial, that the guns were not his and that he was completely ignorant of their location in his vehicle, made the circumstances of his connection with “gangsta rap” relevant.

The district judge knew that concerns involving Houston’s involvement in the rap music industry and his possible connection with “gangsta rap” might arise during voir dire, because the case had gone to trial two months earlier and had resulted in a mistrial when the jury was unable to agree on a verdict due, apparently, to juror misconduct. See Houston, 205 F.Supp.2d. at 869, n. 12. A reading of the transcript of jury selection at this second trial reveals that the judge was at great pains to make sure that the jurors would not be swayed one way or the other simply by the fact of the defendant’s status in the world of popular music.

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United States v. Houston, 110 F. App'x 536 (6th Cir. 2004).

110 F. App'x 536 (United States v. Houston) — published by Counsel Stack Legal Research, free access to 12M+ legal documents.

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