United States v. George Lankford Powell, Jr. Geotina Corp. G & J Music, Inc. Harpo's Music, Inc.

701 F.2d 70
CourtCourt of Appeals for the Eighth Circuit
DecidedApril 14, 1983
Docket82-1967
StatusPublished
Cited by14 cases

This text of 701 F.2d 70 (United States v. George Lankford Powell, Jr. Geotina Corp. G & J Music, Inc. Harpo's Music, Inc.) is published on Counsel Stack Legal Research, covering Court of Appeals for the Eighth Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
United States v. George Lankford Powell, Jr. Geotina Corp. G & J Music, Inc. Harpo's Music, Inc., 701 F.2d 70 (8th Cir. 1983).

Opinion

BRIGHT, Circuit Judge.

Appellants George Lankford Powell, Jr., and his three corporations 1 appeal convictions of conspiracy to commit criminal copyright infringement, in violation of 18 U.S.C. § 371, and of two counts of copyright infringement under 17 U.S.C. § 506(a). Appellants contend that the indictment charging them with selling unlawfully manufactured “bootleg” records should have been dismissed because it did not sufficiently set forth the essential elements of copyright infringement. We affirm the judgment of the district court. 2

I. Background.

Appellants operate five retail phonore-cord stores in the Minneapolis/St. Paul metropolitan area. Beginning in approximately January 1981, Powell and his employees purchased records by catalogue from a New York retailing firm that distributes primarily “bootleg records.” 3 Bootleg records are recordings made without the authorization of the copyright holder and in contravention of the copyright holder’s exclusive right to reproduce copies of a protected work. At monthly meetings during 1981, Powell instructed his store managers regarding the purchase, markup, and display of the bootleg records. At a meeting on July 21, 1981, Powell instructed his managers to “be subtle” in marketing the bootleg records in stock and to cease buying them.

On August 13, 1981, Ryan Cameron, the manager of the appellants’ downtown Minneapolis store, sold a copy of Bruce Spring-stein’s “Great White Boss, Bottom Line 8/15/75,” a bootleg record, to undercover *72 FBI agents. On the same day, Mark Chuk-el, the manager of one of appellants’ suburban stores, sold a copy of “Blondie: Little Doll,” another bootleg record, to undercover agents. Pursuant to search warrants, FBI agents searched the five stores and seized approximately 500 bootleg records. 4

A subsequent indictment charged that Powell and his three corporations had knowingly conspired to infringe copyrights, in violation of 18 U.S.C. § 371, and had knowingly and willfully infringed copyrights for purposes of commercial advantage and private gain, in violation of 17 U.S.C. § 506(a). The trial court denied the appellants’ motions to dismiss the indictment and to suppress the seized evidence. Following a bench trial, the trial court convicted the appellants and assessed fines to-talling $15,000. Reasserting their challenge to the indictment, Powell and his three corporations appealed.

II. Discussion.

Section 506(a) of the Copyright Act creates criminal liability for any person who infringes a copyright “willfully and for purposes of commercial advantage.” 17 U.S.C. § 506(a) app. (1976). 5 A copyright is infringed whenever a person violates any of the exclusive rights belonging to the copyright owners. See 17 U.S.C. § 501(a) app. (1976). Two of the exclusive rights held by copyright holders are the rights to reproduce the copyrighted work and to distribute copies of the copyrighted work. See 17 U.S.C. § 106 app. (1976). 6

The first sale doctrine, contained in 17 U.S.C. § 27, states in part:

[B]ut nothing in this title shall be deemed to forbid, prevent, or restrict the transfer of any copy of a copyrighted work the possession of which has been lawfully obtained. 17 U.S.C. § 27 (1976) (emphasis added).

Under the first sale doctrine, a copyright holder who conveys title to a particular copy of a copyrighted work, relinquishes the exclusive right to vend that particular copy. United States v. Wise, 550 F.2d 1180, 1187 (9th Cir.), cert. denied, 434 U.S. 929, 98 S.Ct. 416, 54 L.Ed.2d 290 (1977). Although the holder’s other rights remain intact (reprinting, copying, etc.), the vendee holds the right to distribute the transferred copy in whatever manner he chooses. Id. The Ninth Circuit has applied the first sale doctrine in cases where the copyright holder released legitimately produced works for commercial showing. These cases focused on whether the type of release in fact constituted a first sale terminating the copyright holders’ distribution rights. See United States v. Atherton, 561 F.2d 747 (9th Cir.1977); United States v. Drebin, 557 F.2d 1316 (9th Cir.1977), cert. denied, 436 U.S. 904, 98 S.Ct. 2232, 56 L.Ed.2d 401 (1978).

Appellants contend that as an essential element of criminal copyright infringement, the indictment must specifically al *73 lege that the defendants knew a first sale of the copyrighted material had not been made. We reject this contention. We agree with the reasoning of the district court that, “[bjecause there can be no lawful distribution of a bootleg record, the copyright holder, cannot, by definition, part with legal title through a first sale.”

Courts have applied the first sale doctrine only where the possibility existed that the person possessing the copyrighted work obtained it lawfully in the first place. None of the cases cited by appellants involve bootleg records. Nor do these cases discuss the sufficiency of the indictment.

An indictment is generally sufficient if it sets forth the words of the statute itself, as long as those words fairly inform the defendant of the elements necessary to constitute the offense charged. Hamling v. United States, 418 U.S. 87,117, 94 S.Ct. 2887, 2907, 41 L.Ed.2d 590 (1974); United States v. Carll, 105 U.S. 611, 612, 26 L.Ed. 1135 (1882); United States v. Camp, 541 F.2d 737, 739 (8th Cir.1976).

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