United States v. American Society of Composers, Authors & Publishers

129 F. Supp. 2d 327, 2001 WL 92096
CourtDistrict Court, S.D. New York
DecidedMarch 14, 2001
DocketCIV. A. 41-1395 (WCC)
StatusPublished
Cited by2 cases

This text of 129 F. Supp. 2d 327 (United States v. American Society of Composers, Authors & Publishers) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
United States v. American Society of Composers, Authors & Publishers, 129 F. Supp. 2d 327, 2001 WL 92096 (S.D.N.Y. 2001).

Opinion

OPINION AND ORDER

WILLIAM C. CONNER, Senior District Judge.

In 1941, the Government’s civil action against the American Society of Composers, Authors and Publishers (“ASCAP” or the “Society”) for alleged violations of the Sherman Antitrust Act, was settled by the entry of a consent decree (the “1941 Consent Decree”). See United States v. ASCAP, 1941 Tr. Cas. (CCH) ¶ 56,104 (S.D.N.Y.1941). The 1941 Consent Decree was amended on March 14, 1950 (the Amended Final Judgment or “AFJ”), and again on January 7, 1960 (the “1960 Order”). The terms of these orders continue to regulate the manner in which ASCAP participates within the music industry. This Court has exclusive jurisdiction under Section XVII of the AFJ to oversee the implementation of these provisions. The membership agreements signed by the members of ASCAP, specify that they are subject to the provisions of ASCAP’s Articles of Association, the AFJ and the 1960 Order. (Meltzer-Zahn Aff. ¶ 8, Ex. A.)

ASCAP member Richard Lewis Warren filed a Protest in January 1998 before the Board of Review (the “Board”) pursuant to the internal grievance procedures set forth in the Articles of Association and the 1960 Order. Although Warren filed an appeal to the American -Arbitration Association (“AAA”) after the Board rendered its decision on October 18, 1999, he has failed to pursue this administrative remedy. He claims that he has been denied access to financial documents to which he is entitled under the 1960 Order and questions the structure of the AAA and the impartiality of its members. Further, he argues that the Protest was void as ASCAP’s attorneys should have recused themselves because of a conflict of interest. Instead, Warren has filed a fourth state court action against ASCAP in California seeking substantially the same relief he requested in the Protest.

In 'connection therewith, ASCAP now moves this Court to: (1) limit the extent by which ASCAP must consolidate Warren’s financial documents pursuant to Section V(C) of the 1960 Order; (2) declare that Warren has failed to demonstrate “good cause,” as required under Section V(C) of the 1960 Order, in his demand to receive other ASCAP members’ financial and distribution records; (3) require War *329 ren to provide ASCAP with written assurance that he will not misuse the membership list before he is allowed access to it pursuant Section V(B) of the 1960 Order; (4) declare that ASCAP’s counsel was not subject to a conflict of interest when representing ASCAP on Warren’s Protest or the upcoming appeal to the AAA; (5) enjoin Warren from bringing any further state court actions that involve the interpretation, enforcement or modification of the AFJ; and (6) order that Warren must exhaust his administrative remedies as required under Section V(D) of the 1960 Order and the Articles of Association by appealing to the AAA if he desires to pursue his grievance. For the reasons stated hereinafter, ASCAP’s motion is granted.

BACKGROUND

A. Protest

Warren, a writer of musical scores for television, previously a member of Broadcast Music, Inc. (“BMI”), became a member of ASCAP in 1983. (Meltzer-Zahn Aff. ¶ 9, Ex. A.) For over ten years, the parties have constantly argued over whether: (1) ASCAP failed to pay Warren for performances of works he claimed were transferred from the BMI repertory to the ASCAP repertory; (2) ASCAP failed to credit as feature performances approximately 234 musical cues he composed for two television series that aired in the mid-1980’s, Dallas and Remington Steel; (3) Warren received adequate distributions of royalties for foreign performances of the same cues; (4) ASCAP’s in-house and outside counsel, their staff, associates, consultants, friends, or partners should have recused themselves from representing ASCAP in Warren’s Protest, events leading up thereto or the upcoming appeal to the AAA based upon a “conflict of interest;” and (5) Warren should be allowed unlimited access to ASCAP’s membership list pursuant to Section V(B) of the 1960 Order and/or other members’ financial records pursuant to Section V(C) of the 1960 Order.

Ultimately, in January 1998, Warren filed a Protest before the Board in accordance with Section V(D) of the 1960 Order and Article XIV, Section 4 of the Articles of Association, in order to determine whether ASCAP owed him certain royalties. (Meltzer-Zahn Aff. ¶ 12.) On August 3, 1999, the Board conducted a hearing in which all of the above-mentioned issues were raised. (Id. ¶ 13, Ex. C; AS-CAP Mem. Supp. Mot. at 6-7.) On October 18, 1999, the Board, in an unanimous nineteen-page decision, held that: ASCAP owed no additional distributions to Warren for any works that he claimed may have been transferred from the BMI repertory; Warren did not establish that ASCAP had withheld money from him based upon foreign performances; Warren did not establish that he was underpaid by ASCAP for the feature performances at issue, but was in fact overpaid for such performances; and that ASCAP had provided Warren with all relevant documents prior to the date of the Protest and, because Warren had not established “good cause” pursuant to the 1960 Order, he was not entitled to any further records. (Meltzer-Zahn Aff., Ex. D.) Because the Board does not have the power to determine questions of law, it did not render a decision as to whether ASCAP’s attorneys were subject to a conflict of interest and should have recused themselves. (Id.)

On October 19, 1999, Warren filed an appeal from the decision of the Board. On October 29, 1999, the matter was referred to the AAA in New York in accordance with the Articles of Association. On February 23, 2000, the AAA appointed an impartial three-member panel: The Honorable Marvin E. Frankel, former United States District Judge for the Southern District of New York; The Honorable Frederick B. Lacey, former United States District Judge for the District of New Jersey; and William L.D. Barrett, a New York City attorney. However, Warren *330 has not proceeded with the appeal because of his claim of conflict of interest as well as his claim that he was denied the right to inspect ASCAP and other members’ financial documents and the membership list. He has also asserted that New York was not the proper forum for the appeal, and that it should be conducted in California.

1. Production of Documents

For many years, Warren has strived to prove that ASCAP has cheated him out of royalties.

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Bluebook (online)
129 F. Supp. 2d 327, 2001 WL 92096, Counsel Stack Legal Research, https://law.counselstack.com/opinion/united-states-v-american-society-of-composers-authors-publishers-nysd-2001.