United Artists Corp. v. Piller

244 N.W. 20, 62 N.D. 289, 1932 N.D. LEXIS 177
CourtNorth Dakota Supreme Court
DecidedJune 30, 1932
DocketFile No. 6053.
StatusPublished
Cited by2 cases

This text of 244 N.W. 20 (United Artists Corp. v. Piller) is published on Counsel Stack Legal Research, covering North Dakota Supreme Court primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
United Artists Corp. v. Piller, 244 N.W. 20, 62 N.D. 289, 1932 N.D. LEXIS 177 (N.D. 1932).

Opinion

Burke, J.

The plaintiff in this action is- a distributor of motion picture films and the defendant is an exhibitor. The .action includes nine separate causes of action on contracts between the plaintiff and defendant, by the terms of which the plaintiff agreed to furnish and the defendant agreed to exhibit the nine pictur.es contracted 'for.' The defendant breached his contract by .refusing to accept the pictures and the plaintiff brought this action to recover on the contract. The case was tried to the court without a jury and "the trial judge made findings *290 of fact and conclusions of law favorable to the defendant and from an order denying a motion for judgment or for a new trial the plaintiff ápp'eáls. ;

The contracts involved- are the uniform contracts adopted by the Motion Picture Producers arid Distributors of America, rue., which contract was held, in the case of United States v. Paramount Famous Lasky Corp. (D. C.) 34 F. (2d) 984, to be a violation of .§ 1 of the Sherman Act (Ü. S. C. title 15, § 1) and the decision was affirmed in the: United States Supreme Court in 282 U. S. 30, 75 L. ed. 145, 51 S. Ct. 42.

Appellant concedes that, that part of the contract providing for arbitration -is invalid; but claims that -the objectionable part of the contract is separable from the other provisions and that while' the provision relating’ to, arbitration is unenforcible, .when it is separated from the other provisions there is still a good workable contract upon which he can recover., , He is sustained in this position by Columbia Pictures Corp. v. Bi-Metallic Invest. Co. (D. C.) 42 F. (2d) 873; Paramount Famous Lasky Corp. v. National Theatre Corp. (C. C. A. 4th) 49 F. (2d) 64; Fox Film Corp. v. Buchanan, 17 La. App. 285, 136 So. 197; Metro-Goldwyn-Mayer Distributing Corp. v. Bijou Theatre Co. (D. C.) 50 F. (2d) 908.

In-the case of Paramount Famous Lasky Corp. v. National Theatre Corp. (C. C. A. 4th) 49 F. (2d) 64, supra, the court said “That the arbitration clause in the contract relating to the distribution of motion picture films sued -oii had been adjudged unlawful and enjoined by the federal District Court as being in restraint of trade and violative of Shérman'Anti-Trást Act"'(U. S. 0.-title 15, § 1) and such'adjudication was affirmed by the United States Supreme Court and the decree specifically provided that nothing therein should affect the rest bf the contract.”

This view’ of the federal decision holding the arbitration clause of th© éontract invalid is followed in the courts which sustain appellant’s contention. - The de'cis-ion does not specifically provide “that nothing therein shall affóét the'-rest of the contract,” but does say that “Nothing that has' been said should be taken in derogation of .the right of trade .on commercial groups, or., of traders generally, to voluntarily impose upon themselves standard forms of agreement which do not unduly *291 restrict competition and thus restrain trade; or to: agree that áll controversies arising between them shall be settled by arbitration. Such' agreements dealing only with the rights of those who- execute and intend to be bound by them are normal and usual, and' are proper instruments in the lawful conduct of trade.’ It is only when such agreements are sought to be imposed upon others, regardless of their wishes, by coercive combinations having the power to say ‘Take what is offered or get nothing,’ that they become illegal.

“Upon settlement of the decree the parties may suggest provisions, if such be feasible, under' which uniform contracts containing arbitration clauses may be voluntarily adopted by the members of ;this industry without coercion or other unlawful restraint.” ' ■

This language means, that'it was not the intent of.the court to say that the parties could in no case arbitrate but that they might arbitrate so long as it was voluntary and without coercion. In other words, the distributors might get together .arid adopt a new contract • with air arbitration provision which did not offend against the¡ law. ''-The enforceability of the contract against-the exhibitor was not/involved. He was not a party to the action and his rights under it-c'ould not be de-termined. The action was brought by the United States government,, against the distributors only, to enjoin them from operating under a contract in restraint of trade and the .court did not undertake to say and did not say that ■ certain parts of the contract were invalid and certain parts valid but did hold that .the contract was invalid because of the involuntary coercive arbitration provision. / ...

The vice in the,contract, so far.as the respondent is concerned, is that it was involuntary. It was not his contract, but the contract of the distributing company. He had a motion picture theater that he had been operating for twenty years. He had to do business with the .distributors, who had a monopoly of the distribution of films, if he did business at all. He had to sign their contract, not his contract, but the distributor’s contract. He was deprived of the freedom of contract which the law contemplates.

In the case of Vitagraph v. Theatre Realty Co. (D. C.) 50 F. (2d) 907, the court in construing the same contract said “The real defense is to be fbund in the feature that the plaintiff is iii a 'position to control the trade-of its customers.- -. It- says, ih effect, you must ..sign this .'com *292 tract on the dotted line or go out of business. A contract includes the thought of the freedom of the contracting parties. It would be farcical to speak of freedom under such conditions. The proposition is, therefore, simply that a plaintiff cannot enforce a contract which is void because condemned by the law.” In that case the theater company received and used the films and the inference from the opinion is that it might recover on the quantum meruit, but not on the contract. In the instant case the respondent did not use the films, the contract was executory.

In the case of Majestic Theatre Co. v. United Artists Corp. (D. C.) 43 F. (2d) 991, the qourt said, “The reasoning of the defendants is that if the plaintiff, with such knowledge of the conditions of the industry, voluntarily, with its eyes open, enters into contracts which provide for certain behavior under certain conditions, then, if such behavior ensues in strict accordance with the contracts, the plaintiff cannot complain. The weakness in this defense is that the contract on the plaintiff’s part is not voluntary.” As Judge Thacher said in United States v. Paramount Famous Lasky Corp. (D. C.) 34 F. (2d) 984 (quoting the same part of Judge Thacher’s decision as we have quoted).

In the case of Metro-Goldwyn-Mayer Distributing Corp. v. Bijou Theatre Co. (D. C.) 50 F. (2d) 908, the court said in reference to the decision of Paramount Famous Lasky Corp. v. National Theatre Corp. (C. C. A. 4th) 49 F. (2d) 64 “It has long been the custom of this circuit for courts of first instance to follow the decision of a Court of Appeals, unless convinced that it was clearly wrong. As applied to the facts in this case, that decision leads to such an unj list result as to throw doubt upon its soundness, and to indicate strongly that the arbitration provisions were not a separable part of the contract.

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Related

Metro-Goldwyn-Mayer Distributing Corp. v. Kiggins
51 P.2d 690 (Washington Supreme Court, 1935)
United Artists Corp. v. Odeon Building, Inc.
248 N.W. 784 (Wisconsin Supreme Court, 1933)

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244 N.W. 20, 62 N.D. 289, 1932 N.D. LEXIS 177, Counsel Stack Legal Research, https://law.counselstack.com/opinion/united-artists-corp-v-piller-nd-1932.