United Artists Corp. v. Odeon Building, Inc.

248 N.W. 784, 212 Wis. 150, 1933 Wisc. LEXIS 22
CourtWisconsin Supreme Court
DecidedJune 6, 1933
StatusPublished
Cited by6 cases

This text of 248 N.W. 784 (United Artists Corp. v. Odeon Building, Inc.) is published on Counsel Stack Legal Research, covering Wisconsin Supreme Court primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
United Artists Corp. v. Odeon Building, Inc., 248 N.W. 784, 212 Wis. 150, 1933 Wisc. LEXIS 22 (Wis. 1933).

Opinion

Nelson, J.

The question for decision is whether the allegations of the- answer, assumed upon demurrer to be true, constitute a defense to the plaintiff’s alleged cause of [154]*154action. The plaintiff sued to recover the full amount of certain rentals for films and records for which defendant Yeo had contracted but which defendant Odeon Building, Inc., had refused to accept.

It appears that the contracts entered into were the standard exhibition contracts, adopted by the moving-picture industry and used at that time by practically all distributors of films and records. Each of the contracts contained the arbitration clause recited in the margin. That particular clause was held to be illegal and to evidence a conspiracy in restraint of trade in violation of the Sherman Anti-Trust Act, sec. 1 (15 USCA, § 1), in United States v. Paramount Famous Lasky Corp. 34 Fed. (2d) 984, affirmed in Paramount Famous Lasky Corp. v. United States, 282 U. S. 30, 51 Sup. Ct. 42. That case was a suit in equity brought [155]*155by the United States to restrain an alleged conspiracy in restraint of trade, and to enjoin the defendant named and numerous other defendants from further engaging in such conspiracy. The conspiracy charged was predicated upon acts of the defendants in adopting and agreeing to use and in using exclusively certain uniform contracts for the leasing of motion-picture films to theater owners throughout the United States containing provisions for the determination, by arbitration, of all claims and controversies arising under said contracts, and in adopting and enforcing by collective action certain rules governing the procedure and practice to be followed in the arbitration, of such claims. Since the decision was rendered in that case a number of controversies between individual distributors and exhibitors have arisen in which exhibitors have sought to defend actions brought under such standard contracts to recover rentals for films furnished and used but not paid for, or to recover damages resulting from the refusal of an exhibitor to accept' films on the ground that such contracts are wholly illegal and void. In all of the cases referred to, which will be considered hereafter, the eighteenth section of the Standard contract (hereafter called the “arbitration clause or provision”) has been held to be illegal, but the courts have not been in accord as to what effect should be given to the arbitration clause in controversies arising between individual distributors and exhibitors.

The plaintiff, while conceding that the arbitration clause, was held illegal in the suit brought to enjoin the conspiracy in United States v. Paramount Famous Lasky Corp., supra, contends that in an action brought by an individual distributor against an individual exhibitor a different situation arises, and that in such a case the court should hold that the illegal arbitration clause is separable from the remainder of the contract, since it simply. relates to the remedy to be [156]*156pursued in case; a dispute arises between the parties, and that, eliminating the illegal arbitration clause, a complete valid contract remains which should be enforced by the courts.

The defendants, on the other hand, contend that the arbitration clause is illegal, and that that clause may not be separated from the other provisions of the contract and eliminated therefrom because the illegal clause permeates the entire contract and is so vitally a part thereof as to render the enforcement of the contract improper.

In Columbia Pictures Corporation v. Bi-Metallic Inv. Co. 42 Fed. (2d) 873, District of Colorado, the plaintiff sought to recover damages for the failure and refusal of the defendant to accept and pay for certain films for which it had contracted. Defendant, in support of its demurrer, argued that the contract was illegal as held by Judge Thacher in United States v. Paramount Famous Lasky Corp., supra. The court, however, held that, eliminating the arbitration clause, the contract was one that the parties might lawfully enter into and, since the arbitration clause was not invoked by the plaintiff and was not called to the attention of the court by any pleading, it was not in issue.

In Paramount Famous Lasky Corp. v. National Theatre Corp. 49 Fed. (2d) 64 (Circuit Court of Appeals, Fourth Circuit), the plaintiff sought to recover for certain films furnished for which the defendant refused to pay. The defendant demurred to the declaration on the ground that the plaintiff had failed to comply with a condition precedent to suit in that it had not submitted the matters in controversy to arbitration as provided in the contract. The district court below sustained the demurrer. On appeal, however, the court held that since the contract containing the arbitration clause had been enjoined by the district court, United States v. Paramount Famous Lasky Corp., supra, arbitration was thereby prevented and arbitration therefore could no longer be considered as a condition precedent to bringing [157]*157suit. The court further stated in support of its judgment reversing the district court (p. 66) :

“Again we think that the learned judge below was in error for another reason, and that is that the contract, as far as it related to the lawful and unlawful parts, was divisible. That this was the opinion of Judge Thacher, in the case of United States v. Paramount Famous Lasky Corp., supra, is shown by the excerpt from his decree. That such a provision, as the one in question here, is separable from the rest of the contract, is borne out by a number of decisions. Western Union Tel. Co. v. Pennsylvania Co. (C. C. A.) 129 Fed. 849, 68 L. R. A. 968; Atlanten Case (D. C.) 232 Fed. 403; United States Asphalt Co. v. Trinidad Lake Petroleum Co. (D. C.) 222 Fed. 1006; The Eros Case (C. C. A.) 251 Fed. 45. As to the arbitration clause, see The Fredensbro (D. C.) 18 Fed. (2d) 983; Danielsen v. Entre Rios Rys. Co. (D. C.) 22 Fed. (2d) 326.
“The authoritative rule as to separable or divisible contracts is laid down by Lord Mansfield in Boone v. Eyrne, 6 Term Reports, 573, as follows: ‘Where mutual covenants go to the whole of the consideration on both sides, they are mutual covenants; but where the covenants go only to a part and where a recompense may be had in damages, it is a different thing.'* ”

In Vitagraph, Inc. v. Theatre Realty Co. Inc. 50 Fed. (2d) 907 (District Court Pa.), the plaintiff sought to recover for films supplied by it which had been exhibited and used by the defendant. It was intimated by that court that the plaintiff might recover quantum meruit. In Fox Film Corp. v. Ogden Theatre Co. Inc. (Utah) 17 Pac. (2d) 294, recovery was sought for rentals. The contracts contained the illegal arbitration clause, .and their legality was questioned under Paramount Famous Lasky Corp. v. United States, supra. The court held the arbitration clause void, but separable from the remainder of the contract.

The plaintiff relies on the foregoing authorities and contends that the arbitration clause is properly separable from the remainder of the contract.

[158]*158In Majestic Theatre Co. Inc. v. United Artists Corp. 43 Fed. (2d) 991, the plaintiff brought action to recover damages for unlawful conspiracy.

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Bluebook (online)
248 N.W. 784, 212 Wis. 150, 1933 Wisc. LEXIS 22, Counsel Stack Legal Research, https://law.counselstack.com/opinion/united-artists-corp-v-odeon-building-inc-wis-1933.