Uninsured Employer's Fund of Virginia v. The Estate of Earle Lindsey Parrish, III, and

CourtCourt of Appeals of Virginia
DecidedMay 25, 2010
Docket1925092
StatusPublished

This text of Uninsured Employer's Fund of Virginia v. The Estate of Earle Lindsey Parrish, III, and (Uninsured Employer's Fund of Virginia v. The Estate of Earle Lindsey Parrish, III, and) is published on Counsel Stack Legal Research, covering Court of Appeals of Virginia primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Uninsured Employer's Fund of Virginia v. The Estate of Earle Lindsey Parrish, III, and, (Va. Ct. App. 2010).

Opinion

COURT OF APPEALS OF VIRGINIA

Present: Judges Elder, McClanahan and Haley Argued at Richmond, Virginia

CREATIVE DESIGNS TATTOOING ASSOCIATES, INC.

v. Record No. 1431-09-2

THE ESTATE OF EARLE LINDSEY PARRISH, III OPINION BY UNINSURED EMPLOYER’S FUND OF VIRGINIA JUDGE JAMES W. HALEY, JR. MAY 25, 2010 v. Record No. 1925-09-2

THE ESTATE OF EARLE LINDSEY PARRISH, III AND CREATIVE DESIGNS TATTOOING ASSOCIATES, INC.

FROM THE VIRGINIA WORKERS’ COMPENSATION COMMISSION

S. Vernon Priddy III (Mary Louise Kramer; Sands Anderson Marks & Miller, P.C., on briefs), for Creative Designs Tattooing Associates, Inc.

Andrew R. Blair (Blair Law Offices, on brief), for Uninsured Employer’s Fund of Virginia.

Charlene A. Morring (Julie Roscoe Eckstein; Montagna Klein Camden, on brief), for The Estate of Earle Lindsey Parrish, III.

In these consolidated cases, appellants, Creative Designs Tattooing Associates, Inc.

(“Creative”) and the Virginia Uninsured Employer’s Fund (“Uninsured”), maintain the Workers’

Compensation Commission erred, inter alia, in determining that Earle Lindsey Parrish, III

(“Parrish”) was an employee of Creative, rather than an independent contractor. We agree, and

conclude that Parrish was an independent contractor and, accordingly, his estate is not a

beneficiary of the Workers’ Compensation Act. 1

1 Creative maintained the commission erred in assessing a fine against it for failing to maintain workers’ compensation insurance. The commission found Creative had a total of three That conclusion renders moot appellants’ further claims that the commission erred in

finding that Parrish’s death arose out of his employment and that Creative had three or more

employees regularly in service, accordingly authorizing a fine for failure to maintain workers’

compensation insurance.

FACTS

Resolution of the dispositive issue necessitates a lengthy statement of the undisputed

relevant facts.

For background purposes, we note that on May 27, 2005, one or more individuals entered

Creative Designs, a tattoo parlor, where Parrish and one Mike Grogan were working as tattoo

artists. Grogan was tattooing an individual in one room; Parrish was in the lobby. Grogan heard

a “pop” which he did not recognize as a gunshot. A man with a gun entered the room and

directed Grogan and his client to the basement, where he robbed both of them. Grogan advised

he could not open a safe on the premises. Grogan did not hear any conversation one or more of

the men had with Parrish. After the gunman left, Grogan discovered Parrish had been shot.

Parrish died soon thereafter in a local hospital. 2

Creative is a Virginia corporation owned by Janice L. Childress who operates a tattoo

parlor in a building in Richmond. The parlor has space for two “chairs.” These “chairs,” or

workstations, are located in closed rooms for privacy purposes. If a tattoo artist wished to work

employees, one of whom was Parrish, thereby triggering the necessity of maintaining workers’ compensation insurance. See Code § 65.2-101(2)(h). An “employee” does not include “Employees of any [employer] that has regularly in service less than three employees . . . .” Id. Accordingly, with our conclusion Parrish was an independent contractor, not an employee, Creative had less than the threshold of three employees and was, thus, exempt from the provisions of the Workers’ Compensation Act. As a result, the imposition of the fine was, likewise, error by the commission and that imposition is necessarily reversed. 2 The facts surrounding Parrish’s death will not be more fully developed, as they are relevant only as to whether his death arose out of his employment, an issue rendered moot, as noted above.

-2- there, he or she would contact Childress and she would review the artist’s “portfolio” of work. If

Childress found the same acceptable and had an unoccupied chair, she would offer the artist an

opportunity to work at the parlor. Apparently, in this field, artists shift from one parlor to

another, as their circumstances, location, or desires dictate. Though Childress had the power to

tell an artist a chair was “no longer available” for that artist, she had never done so prior to

Parrish’s death and any change in the artists who worked at Creative evolved because one would

leave and seek another opportunity and another would contact Childress.

Childress and an artist negotiated a percentage of proceeds to be received by the artist

and the parlor—usually 50% each. 3 Childress testified, “At the end of the night, [the artists]

calculate the tattoos that they have done during the day and would fill that out on an envelope,

take their percentage, put my percentage in the envelope and then deposit it in the safe.” The

safe was located on the premises and was “under [Childress’] control to take [her] money out of

the safe.” A combination number could open the safe, but there was no evidence that any artist

had access to the same. The proceeds were almost always in cash, and the artists were free to

take out their percentage upon receipt.

Childress had no written contracts with the artists. She provided no employee benefits,

such as health insurance or retirement. She retained no sums for taxes, social security, or

Medicare. She provided no records for the artists. She provided no W-2 or W-9 to the artists,

and there is no evidence that any artist requested that she provide the same.

The artists set the hours they chose to work, that is, as the evidence showed, an earlier

artist wanted to work from 11:00 a.m. to 7:00 p.m. Parrish had chosen to work from noon to

9:00 p.m. Each artist had a key to the premises, so as to accommodate his or her chosen work

3 At the time of his death, Parrish was receiving 55% of proceeds.

-3- schedule. The artists opened and closed the doors, turned off and on an alarm system, answered

any phone calls, and set up any appointments resulting from those calls as they desired.

With respect to the artists’ actual work, Childress did not mandate any number of hours

of work per week, did not by herself determine when the parlor would or would not be open, did

not direct how the work was to be done, did not direct what designs or colors were to be used for

the tattoos, did not review the tattoo work, did not approve the artists’ tools of the trade, did not

meet with or receive phone calls from prospective clients, or schedule their appointments.

Childress provided neither a receptionist nor janitor for the premises. The only time Childress

became involved was, if there was a customer complaint, then she and the artist would meet with

the customer to try to resolve the same (since she and the artist each had a financial interest in

that resolution). That resolution could include a refund.

How was the price for a tattoo determined? Childress had no input whatsoever as to

pricing. She determined no minimum or maximum price. The price of a tattoo was determined

solely by negotiation between the client and the artist.

What are the tools of a tattoo artist’s trade? Such an artist uses at a minimum two tattoo

machines, one a liner and one a shader, though some used five or six machines for various

purposes. Also used are a variety of inks, tubing for use between the inks and the machines,

needles, a portfolio of available designs, Vaseline or similar ointments, bibs for the artist, gloves,

and towels. Childress supplied none of these tools, and did not inspect them for adequacy. The

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