Underwood v. Lastrada Entertainment Company, Ltd.

District Court, S.D. New York·Decided September 8, 2021·No. 1:16-cv-09058·Unknown

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK -------------------------------------- X : WILLIAM R. UNDERWOOD, : : Plaintiff, : 16cv9058 (DLC) : -v- : OPINION AND ORDER : LASTRADA ENTERTAINMENT COMPANY, LTD., : STEVE ARRINGTON, SAM CARTER, CHARLES : CARTER, WAUNG HANKERSON, and ROGER : PARKER, : : Defendants. : : -------------------------------------- X

APPEARANCES:

For plaintiff William R. Underwood: Lita Teresa Rosario Lita Rosario, PLLC 529 14th St NW Suite 952 Washington, DC 20045

For defendants Lastrada Entertainment Company, Ltd., Sam Carter, and Charles Carter: Brian Seth Levenson Schwartz & Ponterio, PLLC 134 West 29th Street New York, NY 10128

DENISE COTE, District Judge: The parties in this long-running dispute over music royalties have cross-moved for summary judgment on the sole remaining claim in this action, a claim alleging that the defendants converted a portion of the royalties attributable to certain master recordings (the “Master Royalties”). Because any such conversion claim belongs to the dissolved corporation that owned the rights to the Master Royalties, and not the plaintiff, the plaintiff lacks standing to pursue it. The defendants’

motion for summary judgment is therefore granted. Background The following facts are derived from the parties’ submissions in conjunction with their cross-motions for summary judgment, as well as this Court’s prior Opinion (the “July 2020 Opinion”) addressing the defendants’ motion for judgment on the pleadings and to dismiss. Underwood v. Lastrada Ent. Co., Ltd.,

No. 16cv9058 (DLC), 2020 WL 3640532 (S.D.N.Y. July 6, 2020). Familiarity with the July 2020 Opinion is presumed. The underlying facts and procedural history of this dispute are addressed in detail in the July 2020 Opinion and are only recapitulated here as necessary. In brief, plaintiff William Underwood is a former music promoter who, in 1982, co-founded a company called Konglather Music Inc. (“Konglather”), which he incorporated with the New York Department of State. Defendants Charles and Sam Carter are musicians. On November 30 of that year, Konglather entered into a

Shareholders Agreement with Underwood, defendant Charles Carter, and Steven Arrington.1 Pursuant to the Shareholders Agreement, Underwood and Arrington each owned 35% of Konglather, while Charles Carter owned 30% of Konglather. Each shareholder was

entitled to a percentage of Konglather’s net receipts equal to their ownership stake. Underwood was also named Konglather’s president. Also on November 30, 1982, Arrington, Charles Carter, Sam Carter, and several other musicians jointly entered into a recording contract with Konglather.2 Under the terms of that recording contract, the musicians were obligated to record an album (the “Konglather Masters”), and Konglather was granted ownership of the Konglather Masters. The recording contract also provided that Konglather would keep half of the Master Royalties, while the remaining half would be distributed to the musicians in accordance with the terms of the contract.

Finally, Konglather entered into an agreement with Atlantic Recording Corporation (the “Atlantic Agreement”), in which Atlantic would sell and license recordings derived from the Konglather Masters and pay the royalties to Konglather. Under this series of agreements (collectively, the “1982 Agreements”),

1 Arrington was initially named as a defendant in this action but was voluntarily dismissed pursuant to a joint stipulation of the parties in 2017.

2 Underwood is not a party to this recording contract. then, Atlantic was obligated to pay Konglather the Master Royalties; Konglather was required to use half of the Master Royalties to pay each musician their contractually defined share

of the Master Royalties; and then the remaining half was to be divided among Konglather’s owners in proportion to their respective ownership shares. Underwood asserts that Arrington and Charles Carter relinquished their respective ownership shares in Konglather in 1984, and ownership of their shares was transferred to Konglather.3 In 1990, Underwood was convicted of crimes related to narcotics trafficking and sentenced to life imprisonment.4 United States v. Underwood, 932 F.2d 1049, 1051 (2d Cir. 1991). In the wake of Underwood’s conviction and sentence, Konglather was involuntarily dissolved for failure to pay state taxes,

3 Although Underwood claims that Arrington and Charles Carter relinquished their shares in Konglather via written agreement, he has been unable to produce this agreement, and an inventory of Konglather documents produced in 1994 does not reference this agreement. Because a court must “draw[] all inferences in favor of the non-moving party” in evaluating a motion for summary judgment, Windward Bora, LLC v. Wilmington Sav. Fund Soc’y, FSB, 982 F.3d 139, 142 (2d Cir. 2020), it is assumed for the purposes of this Opinion that Arrington and Charles Carter in fact relinquished their shares in Konglather in 1984.

4 Earlier this year, Underwood’s sentence was reduced to time served pursuant to 18 U.S.C. § 3582(c)(1)(A). United States v. Underwood, No. 88cr822 (SHS), 2021 WL 3204834 (S.D.N.Y. Jan. 15, 2021). pursuant to N.Y. Tax Law § 203-a, on December 24, 1991. Underwood nonetheless continued to do business under the Konglather name even after he was incarcerated and Konglather

was dissolved. In 2010, Arrington and Charles Carter sent a letter of direction to Rhino Entertainment Company,5 purportedly on behalf of “Konglather Records, a division of Konglather Music, Inc.” In that letter, Arrington and Charles Carter directed Rhino to pay the Konglather Masters royalties due to Konglather under the Atlantic Agreement to another company, Lastrada Entertainment. Rhino complied, and between 2010 and 2017, Rhino paid to Lastrada a total of $149,441.28 in royalties due to Konglather under the Atlantic Agreement. In 2018, Lastrada paid to Underwood $26,152.23, the sum due to Underwood given his 35% ownership stake in Konglather and the provisions of the 1982

Agreements entitling the musicians to half of the Master Royalties and Konglather’s shareholders to the remaining half of the Master Royalties. As relevant here, through the remaining claim in this action Underwood seeks to recover for himself the

5 Rhino and Atlantic are both divisions of Warner Music Group, and Rhino administers certain rights -– including the rights to the Konglather Masters -– on behalf of Atlantic. balance of the $149,441.28,6 premised on his assertion that Arrington and Charles Carter relinquished their shares in Konglather and he is its sole shareholder.

Underwood initiated this action in November 2016. After a series of amended complaints and extensive motion practice, described in greater detail in the July 2020 Opinion, Underwood alleged several claims against a variety of defendants arising from alleged misappropriation of royalties from Underwood’s ownership of rights to the Konglather Masters and related composition rights. The defendants moved to dismiss, and the July 2020 Opinion dismissed all of Underwood’s claims except for the claims against Lastrada, Charles Carter, and Sam Carter for conversion of the $149,441.28 in royalties from the Konglather Masters. The parties cross-moved for summary judgment on that

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