Ultra Records, LLC v. Ultra International Music Publishing, LLC

District Court, S.D. New York·Decided August 6, 2024·No. 1:22-cv-09667·Unknown

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ULTRA RECORDS, LLC, Plaintiff, -against- 22-cv-9667 (AS) ULTRA INTERNATIONAL MUSIC PUB- LISHING, LLC, OPINION AND ORDER Defendant.

ARUN SUBRAMANIAN, United States District Judge: BACKGROUND The parties here are estranged corporate siblings. In 1995, Patrick Moxey founded Ultra Rec- ords, Inc., which would later become Plaintiff Ultra Records, LLC. Dkt. 90 ¶¶ 1–2. In 2004, Moxey founded Ultra International Music Publishing. Id. ¶ 5. As their names suggest, Ultra Rec- ords is a music-recording company, with services like musical production and promotion; Ultra Publishing is a music-publishing company, with services like composition licensing. Dkt. 122 ¶¶ 2, 5. (For simplicity, the Court will refer to them as “Records” and “Publishing.”) In 2012, Records was partly sold off, with the buyer getting an option to buy the rest of Records later. Id. ¶ 13; Compl. ¶¶ 14–18, Dkt. 1. As part of that agreement, Records purportedly granted Publishing a license to continue using the Ultra trademark. Dkt. 122 ¶ 17. In 2021, the buyer exercised the option to buy the rest of Records and then terminated the license. Dkt. 90 ¶ 17; Compl. ¶¶ 18–20. Publishing continued to use the mark, so Records sued. On this motion, Publishing seeks partial summary judgment on two issues. First, it says it owned the Ultra mark in the music-publishing industry before 2012. Second, it says Records can’t carry its burden on disgorgement. LEGAL STANDARDS “The court shall grant summary judgment if the movant shows that there is no genuine dispute as to any material fact and the movant is entitled to judgment as a matter of law.” Fed. R. Civ. P. 56(a). A dispute is “genuine” if a reasonable jury could find for either side. Anderson v. Liberty Lobby, Inc., 477 U.S. 242, 248 (1986). And a fact is “material” if it could “affect the outcome.” Id. The Court views the record “in the light most favorable to the non-movant.” Williams v. MTA Bus Co., 44 F.4th 115, 126 (2d Cir. 2022) (cleaned up). But if the non-movant will bear the burden of proof on an issue at trial, it must point to some evidence supporting the “essential element[s]” of its position. Celotex Corp. v. Catrett, 477 U.S. 317, 323 (1986). DISCUSSION I. Mark ownership Publishing first seeks partial summary judgment on the issue of mark ownership. Although Publishing acknowledges that Records is the senior mark holder in the music-recording industry, Publishing says there is no dispute that, before 2012, it owned the Ultra mark in music publishing. To move for summary judgment, Publishing must “identif[y] … the part of each claim or defense … on which summary judgment is sought.” Fed. R. Civ. P. 56(a). Publishing says this issue is relevant to Records’ infringement claim because Records “has the burden of proof to demonstrate that it owns the Trademark for music publishing services, including showing from whom it ac- quired those rights and how.” Dkt. 64 at 5. This framing is wrong. All that Records must prove for its infringement claim is that it owned a valid mark that was infringed by Publishing. See 15 U.S.C. § 1114(1)(a). It need not own a valid mark in a particular industry. J. Thomas McCarthy, McCarthy on Trademarks and Unfair Compe- tition § 24:6 (5th ed. 2024) (“The exclusionary rights of a registered trademark owner are not lim- ited to the goods and/or services specified in the registration, but go to any goods or services on which the use of the mark is likely to cause confusion. Validity and infringement are two separate issues. On the issue of validity, the recitation of goods and services in the registration limits the scope of the presumption of validity. But it does not limit the scope of accused goods and services on which use will be likely [to] cause confusion. Additionally, the fact that the goods or services fall in different parts of the USPTO classification system is totally irrelevant to the issue of likeli- hood of confusion.” (footnotes omitted)). And for infringement, Records must show a likelihood of confusion. And two marks can be confusingly similar even if they are technically in different industries. Id. § 24:65 (“[I]t is as clear as can be that a registered trademark is infringed by use of a confusingly similar mark on any goods or services on which the use of the mark is likely to cause confusion.”). A consumer can be confused in “think[ing] that the infringer’s goods come from the same source as the senior user’s goods or are sponsored by, affiliated with or connected with the senior user.” Id. § 24:24. In the Second Circuit, likelihood of confusion is determined by the eight-factor Polaroid test. One factor is the “proximity of the products.” Hamilton Int’l Ltd. v. Vortic LLC, 13 F.4th 264, 272 (2d Cir. 2021) (citation omitted). This factor seems to be what’s really at issue here. The Court takes Publishing’s argument to be that Records had no trademark rights in the music-publishing space before 2012. But this is just one subpart of Records’ infringement claim. And in any event, it is disputed. Records first points to several real-world examples in which one company handles both re- cording and publishing while using the same mark for both. Dkt. 122 ¶ 9. These examples suggest that recording and publishing might be close enough for a music-recording company to bridge the gap into music publishing. Indeed, the companies here were created by the same person, and there was substantial overlap in their operations and resources for years. Id. ¶ 12. Publishing emphasizes that the companies were legally separate, but that fact has no bearing on the products’ proximity. Publishing also points out that another company uses the Ultra mark for music festivals, indicating “different subsections of the music industry” in which each company has a “unique niche.” Dkt. 121 at 4. This one example is not nearly enough to put the question beyond genuine dispute. And as a matter of common sense, music recording and publishing are probably more closely related to each other than either one is to music festivals. Regardless, the product-proximity prob- lem is one fact-intensive part of a fact-intensive test. Viewing the evidence in the light most favor- able to Records, this issue is genuinely disputed. See Solid 21, Inc. v. Richemont N. Am., Inc., 2023 WL 3996530, at *8 (S.D.N.Y. June 14, 2023). II. Disgorgement Publishing next seeks summary judgment on disgorgement. It says Records can’t show any profits “flowing directly from the infringement.” Dkt. 121 at 7 (internal quotation marks omitted). But Publishing again misunderstands Records’ burden. “In assessing profits[,] the plaintiff shall be required to prove defendant’s sales only; defendant must prove all elements of cost or deduction claimed.” 15 U.S.C. § 1117(a). “This scheme ‘allocates the initial burden of proving gross sales to the trademark plaintiff, and the subsequent burden of proving costs to the infringing defendant.’” Diesel S.p.A. v. Diesel Power Gear, LLC, 2023 WL 5718000, at *3 (S.D.N.Y. Sept. 5, 2023) (quot- ing Am. Honda Motor Co. v.

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