Tyler Armes v. Austin Richard Post

District Court, C.D. California·Decided October 19, 2020·No. 2:20-cv-03212·Unknown

Opinion

O

United States District Court Central District of California

TYLER ARMES, an individual, Case № 2:20-cv-03212-ODW (PJWx)

Plaintiff, ORDER GRANTING IN PART AND

v. DENYING IN PART DEFENDANTS’ MOTION TO DISMISS THE FIRST AUSTIN RICHARD POST p/k/a POST AMENDED COMPLAINT MALONE, an individual; ADAM KING FEENEY p/k/a FRANK DUKES, an individual; UNIVERSAL MUSIC GROUP, INC., a Delaware corporation; DOES 1 through 10, inclusive,

Defendants.

I. INTRODUCTION Defendant Austin Richard Post, professionally known as Post Malone (“Post”), is a well-known musical artist. (See generally First Am. Compl. (“FAC”) ¶ 1, ECF No. 24.) Plaintiff Tyler Armes claims he co-authored both the composition and sound recording of Post’s popular song Circles (“Composition” and “Recording,” respectively) and deserves credit therefor and a share of the profits from Circle’s success. (Id.) Now before the Court is a Motion to Dismiss the FAC (“Motion”) by Defendants Post, Adam King Feeney, professionally known as Frank Dukes (“Dukes”), and Republic Records, erroneously sued as Universal Music Group, Inc. (collectively, “Defendants”). (Mot. to Dismiss (“Mot.”), ECF No. 28.) The matter is fully briefed. (See Mot.; Opp’n to Mot. (“Opp’n”), ECF No. 29; Reply ISO Mot. (“Reply”), ECF No. 31.) For the following reasons, the Court GRANTS in part and DENIES in part the Motion.1 A. Relevant Facts Armes, also a professional musician, is the bandleader, writer, and producer for the bands “Down With Webster” and “Honors.” (FAC ¶ 2.) Armes alleges that Post’s manager, Dre London, has encouraged Armes to collaborate with Post numerous times. (Id. ¶ 12.) Armes alleges that in early August 2018, he accepted London’s invitation to attend Post’s private concert in Toronto, Canada. (Id. ¶ 13.) The following evening, “Dre again invited Armes to go to Duke’s Toronto studio with Post and Dukes to write music together.” (Id. ¶¶ 13–14.) Armes claims that on August 8, 2018, he, Post, and Dukes “worked together in the studio, with Armes on bass, Post on drums and Dukes playing guitar and keyboards,” from 2:00 a.m. to 9:00 a.m. (Id. ¶ 15.) Specifically, Armes alleges that he and Dukes “co-wrote the chords for [Circles] on the keyboard” and that he “co-wrote and had significant input in the bassline.” (Id. ¶ 16.) Armes also alleges that he “had input on the guitar parts in [Circles], including co-writing the guitar melody which is played in the introduction to the Song and which repeats throughout the Song.” (Id.) Further, Armes claims he made recommendations “[i]n his capacity as a producer” to: (1) slow down the tempo, (2) strip the song down to “just bass, guitar and drums, without the keyboard,” (3) play the bass with a pick as opposed to fingers, and (4) apply a reverb effect on the vocals and guitar tracks. (Id. ¶ 17.) Armes alleges his “contributions to the organization, instrumentation, arrangement and overall unique sound of the Song are all reflected in the final sound recording of [Circles] that was ultimately released.” (Id.) He also alleges that “the style and sound of [Circles]

1 After carefully considering the papers filed in connection with the Motion, the Court deemed the matter appropriate for decision without oral argument. Fed. R. Civ. P. 78; C.D. Cal. L.R. 7-15. is more similar to music created by Armes for his bands Down With Webster and Honors than it is to any of Post’s prior music.” (Id. ¶ 20.) After Post premiered Circles, Armes “immediately reached out” to London to ask him to speak with Post about giving Armes co-writer credit and publishing royalties for his role in creating Circles. (Id. ¶ 22.) London allegedly responded by saying, “Just showed Posty the message [¶] He said he remembers [¶] U played a tune on the bass then he played more of it after.” (Id. ¶ 23 (alterations in original).) Armes claims Post offered a five-percent share of the publishing royalties for Circles, but Armes unsuccessfully tried to negotiate for a larger percentage. (Id. ¶ 25.) To date, Defendants have refused to credit Armes as a co-writer or producer of Circles and have refused to pay him any publishing royalties for his role in the creation of the song. (Id. ¶ 23.) The credited writers of Circles are non-parties Billy Walsh, Louis Bell, and Kaan Gunesberk (together, the “Non-Party Writers”), as well as Post and Dukes. (Id. ¶ 24.) Based on the above allegations, Armes brings four causes of action for: (1) Declaratory Judgment that Armes is: (a) a joint author of the Composition, (b) a joint author of the Recording, (c) entitled to co-writer and co-producer credits for both copyrights, and (d) entitled to prospective and retroactive royalties with respect to his interests in those copyrights, in a percentage to be proven at trial; (2) Accounting of all revenues derived from Defendants’ exploitation of the Composition and Recording; and (3) Constructive Trust over the proceeds from the exploitation of the Composition and Recording pending the final disposition of this action. (FAC ¶¶ 29– 44, Prayer for Relief.) Armes filed this case on the morning of April 7, 2020. (Decl. of Allison S. Hart (“Hart Decl.”) ¶ 2, ECF No. 29-1; see also Compl., ECF No. 1.) Later that day, Post commenced a parallel action—seeking declaratory judgment that Armes is not a co- author of the Composition or the Recording—in the U.S. District Court for the Southern District of New York (the “SDNY Action”). (Mot. 2; Opp’n 3; see also Post v. Armes, No. 1:20-CV-02877-ALC (S.D.N.Y.).)2 Defendants bring their Motion on four grounds. First, they move to dismiss Armes’s claims to the extent they relate to the Composition, under Federal Rule of Civil Procedure (“Rule”) 12(b)(7) for failure to join the Non-Party Writers as defendants under Rule 19. (Mot. 4–8.) Second, as an alternative to dismissal, Defendants move to transfer the case to the Southern District of New York. (Id. at 8–11.) Third, Defendants move to dismiss Armes’s claims to the extent they relate to the Recording, under Rule 12(b)(6) for failure to state a claim. (Id. at 11–20.) And fourth, Defendants move to dismiss all claims against Post and Dukes under Rule 12(b)(5), for insufficient service of process. (Id. at 21–23.) The Court addresses Defendants’ requests in turn. A. Failure to Join Necessary Parties Under Rule 12(b)(7) First, the Court considers Defendants’ request to dismiss Armes’s Composition claims under Rule 12(b)(7). 1. Legal Standard A party may seek dismissal of a complaint for failure to join an indispensable party under Rule 19. Fed. R. Civ. P. 12(b)(7). Rule 19 requires joinder of a person 2 Both sides refer to various documents filed in the SDNY Action, including declarations re- submitted as exhibits here. (See, e.g., Decl. of David A. Steinberg Exs. 1–4, ECF No. 28-1.) A court may take judicial notice of court filings and other matters of public record. Harris v. Cnty. of Orange, 682 F.3d 1126, 1132 (9th Cir. 2012) (noting that a court may take judicial notice of “undisputed matters of public record”); Reyn’s Pasta Bella, LLC v. Visa USA, Inc., 442 F.3d 741, 746 n.6 (9th Cir. 2006) (taking judicial notice of pleadings, memoranda, and other court filings); see also United States v. Black, 482 F.3d 1035, 1041 (9th Cir. 2007) (noting judicial notice of proceedings in other courts is proper “if those proceedings have a direct relation to matters at issue.”). Here, although neither party submitted a request for the Court to take judicial notice of these documen

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