Tuttle v. Audiophile Music Direct Inc

District Court, W.D. Washington·Decided May 9, 2023·No. 2:22-cv-01081·Unknown

Opinion

UNITED STATES DISTRICT COURT WESTERN DISTRICT OF WASHINGTON AT SEATTLE

STEPHEN J. TUTTLE, et al., CASE NO. C22-1081JLR Plaintiffs, ORDER GRANTING v. PRELIMINARY APPROVAL OF CLASS ACTION SETTLEMENT AUDIOPHILE MUSIC DIRECT INC., et al., Defendants. I. INTRODUCTION Before the court is Plaintiffs Stephen J. Tuttle and Dustin Collman’s (collectively, “Plaintiffs”) motion for preliminary approval of their class action settlement with Defendants Audiophile Music Direct, Inc. and Mobile Fidelity Sound Lab Inc. (collectively, “Defendants”). (Mot. (Dkt. # 26); Pls. Reply (Dkt. # 39); Defs. Reply (Dkt. # 41).) Intervenors Adam Stiles, Omar Flores, and Gregory Bitterman (collectively, “Intervenors”) oppose the motion. (Resp. (Dkt. # 37).) The court has considered the motion, all materials filed in support of and in opposition to the motion, the relevant portions of the record, and the governing law. Being fully advised,1 the court GRANTS

Plaintiffs’ motion for preliminary approval of the class action settlement. Defendants are producers and sellers of vinyl music recordings. (Am. Compl. (Dkt. # 14) ¶ 1.) One of their product lines, according to Plaintiffs, “consists of analog recordings that are made without the use of digital processing, i.e., by duplicating the original analog master recordings using only analog processes.” (Id.) Plaintiffs assert

that recordings made without a digital processing step are “highly valued by high-end audiophiles and collectors.” (Id.; see also id. ¶ 21 (explaining that audiophiles believe that analog recordings “preserve the entire dynamic range of the sound that has been recorded, whereas digital recording limits or compresses the signal in a way that limits the dynamic range”).) As a result, Plaintiffs allege, Defendants were able to charge a

“high premium” for recordings that they claimed were produced without a digital processing step. (Id. ¶¶ 22-24.) These recordings were produced under processes Defendants refer to as “Original Master Recording” (“OMR”) or “Ultradisc One-Step” (“One-Step”). (Id. ¶ 3.)

1 The parties and Intervenors agree that the court can and should decide this motion and the question, discussed below, of whether the proposed settlement is the product of a “reverse auction” on the papers rather than in an evidentiary hearing. (Resp. at 6; Pls. Reply at 1; Defs. Reply at 7; see 3/13/23 Order (Dkt. # 36) at 14 (directing the parties and Intervenors to include in their briefing “a proposal for the process the court should use to resolve the question of whether the class settlement in this action was the result of a ‘collusive reverse auction’”).) Having reviewed the parties’ and Intervenors’ submissions, the court agrees that this matter can be decided without a hearing. See Local Rules W.D. Wash. LCR 7(b)(4). Plaintiffs allege that Defendants represented that many of these recordings were produced using analog-only processes when, in fact, they were not. (Id. ¶ 2; see also id.

¶ 27 (quoting a July 27, 2022 statement in which Defendants’ president, James Davis, acknowledged that Defendants had used digital technology in their mastering chain).) Approximately 123 OMR and One-Step recordings that Plaintiffs allege Defendants had represented were analog-only but in fact were produced using a digital processing step are at issue in this litigation (the “Applicable Records”). (1/15/23 Davis Decl. (Dkt. # 19) ¶ 3; id. ¶ 6, Ex. A (listing the Applicable Records).) Plaintiffs assert, on behalf of

themselves and proposed Washington and nationwide classes, that they reasonably relied on Defendants’ representations that the Applicable Records were produced using analog-only processes, purchased the recordings either directly from Defendants or from third-party retailers in reliance on those representations, and suffered damage as a result. (Id. ¶¶ 2, 30.) Defendants’ sales records indicate that they sold over 634,000 Applicable

Records between 2007 and July 27, 2022. (1/15/23 Turner Decl. (Dkt. # 18) ¶ 2.) Defendants sold approximately 25% of the Applicable Records directly to retail customers, and the remaining 75% to other retailers such as Target and Walmart. (Id.) Plaintiffs filed this action on August 2, 2022. (Compl. (Dkt. # 1).) Between August 18 and September 23, 2022, other sets of plaintiffs filed separate proposed class

actions against Defendants in the Northern District of Illinois, the Central District of California, and the Northern District of California. See Stiles v. Mobile Fidelity Sound Lab, Inc., Case No. 1:22-cv-04405 (N.D. Ill.) (filed August 18, 2022); Bitterman v. Mobile Fidelity Sound Lab, Inc., Case No. 1:22-cv-04714 (N.D. Ill.) (filed September 1, 2022); Allen v. Audiophile Music Direct, Case No. 2:22-cv-08146 (C.D. Cal.) (filed September 22, 2022, in Los Angeles County Superior Court before being removed to

federal court); Molinari v. Audiophile Music Direct, Case No. 4:22-cv-05444 (N.D. Cal.) (filed September 23, 2022). Thus, this case is the first-filed action challenging Defendants’ alleged representation of the OMR and One-Step recordings as analog-only when those recordings were in fact produced using a digital processing step. Plaintiffs originally moved for preliminary approval of the parties’ class action settlement on January 15, 2023. (1/15/23 Mot. (Dkt. # 17).) On January 20, 2023, the

court denied the motion without prejudice; directed Plaintiffs to correct several issues the court had identified in Plaintiffs’ preliminary approval materials; and granted Plaintiffs leave to submit revised materials with a renewed motion for preliminary approval. (1/20/23 Order (Dkt. # 21).) Plaintiffs filed the instant revised motion and amended settlement agreement (“Amended Settlement Agreement”) on January 31, 2023. (Mot.;

2/2/23 Turner Decl. (Dkt. # 28) ¶ 2, Ex. 1 (“Am. Agreement”).) The parties’ proposed settlement class (the “Class”) is comprised of: All original retail consumers in the United States who, from March 19, 2007, through July 27, 2022 purchased, either directly from a Defendant or other retail merchants, new and unused Mobile Fidelity Sound Lab, Inc. (“MoFi”) vinyl recordings which were marketed by Defendants using the series labeling descriptors “Original Master Recording” and/or “Ultradisc One- Step,” that were sourced from original analog master tapes and which utilized a direct stream digital transfer step in the mastering chain, and provided that said purchasers still own said recordings (the “Applicable Records”). Excluded from the Class are persons who obtained subject Applicable Records from other sources. (Am. Agreement ¶ 4.28.) Individuals who no longer own the Applicable Records they purchased are expressly excluded from the Class. (Id.) Defendants estimate that the

Class will include approximately 20,000 people who purchased Applicable Records directly from Defendants and at least the same number who purchased Applicable Records from other retailers. (1/15/23 Davis Decl. ¶ 4.) Plaintiffs’ research indicates that “most, if not all” of the Applicable Records that have been cared for properly have a value on the secondary market that exceeds their original purchase price. (1/15/23 Turner Decl. ¶ 4; 3/31/23 Turner Decl. (Dkt. # 40) ¶ 3.)

Therefore, the parties’ proposed settlement offers Class members their choice of three forms of relief. Class members who wish to return their Applicable Records may choose to receive a full refund of the price they paid for their Applicable Records, plus tax and shipping. (Am. Agreement ¶ 5.1(a).) Class members who wish to keep their Applicable Records may choose either a refund of 5% of the price they paid for their Applicable

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Tuttle v. Audiophile Music Direct Inc, (W.D. Wash. 2023).

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