Tuttle v. Audiophile Music Direct Inc

District Court, W.D. Washington·Decided March 13, 2023·No. 2:22-cv-01081·Unknown

Opinion

UNITED STATES DISTRICT COURT WESTERN DISTRICT OF WASHINGTON AT SEATTLE

STEPHEN J. TUTTLE, et al., CASE NO. C22-1081JLR Plaintiffs, ORDER v. AUDIOPHILE MUSIC DIRECT, INC., et al., Defendants. I. INTRODUCTION Before the court is the motion by third parties Adam Stiles, Omar Flores, and Gregory Bitterman (collectively, “Proposed Intervenors”) to intervene as party plaintiffs and/or for a stay of the proposed class action settlement in this matter. (Mot. (Dkt. # 23); Reply (Dkt. # 35).) Plaintiffs Stephen J. Tuttle and Dustin Collman (collectively, “Plaintiffs”) and Defendants Audiophile Music Direct, Inc. and Mobile Fidelity Sound Lab, Inc. (collectively, “Defendants”) oppose the motion. (Pls. Resp. (Dkt. # 31); Defs. Resp. (Dkt. # 34-1).) The court has considered the submissions of the parties, the relevant portions of the record, and the governing law. Being fully advised,1 the court

GRANTS Proposed Intervenors’ motion to intervene and DENIES their motion to stay. Proposed Intervenors are granted permissive intervention for the limited purpose of opposing Plaintiffs’ revised motion for preliminary approval of the parties’ class action settlement. Defendants are producers and sellers of vinyl music recordings. (Am. Compl.

(Dkt. # 14) ¶ 1.) One of their product lines “consists of analog recordings that are made without the use of digital processing, i.e., by duplicating the original analog master recordings using only analog processes.” (Id.) These recordings are referred to as “triple analog” recordings, and, according to Plaintiffs, they are “highly valued by high-end audiophiles and collectors.” (Id.; see also id. ¶ 21 (explaining that audiophiles believe

that analog recordings “preserve the entire dynamic range of the sound that has been recorded, whereas digital recording limits or compresses the signal in a way that limits the dynamic range”).) As a result, Defendants were able to charge a “high premium” for recordings that they claimed were “triple analog.” (Id. ¶¶ 22-24.) Plaintiffs allege, however, that Defendants represented that many of their

recordings were “triple analog” when, in fact, they were not. (Id. ¶ 2; see also id. ¶ 27

1 Neither party has requested oral argument (see Mot. at 1; Pls. Resp. at 1; Defs. Resp. at 1) and the court finds that oral argument would not be helpful to its resolution of the motion, see Local Rules W.D. Wash. LCR 7(b)(4). (quoting a July 27, 2022 statement in which Defendants’ president, Jim Davis, acknowledged that Defendants had used digital technology in their mastering chain).)

They assert, on behalf of themselves and proposed Washington and nationwide classes, that they reasonably relied on Defendants’ representations that the recordings were “triple analog,” purchased the recordings either directly from Defendants or from third-party retailers based on those representations, and suffered damage as a result. (Id. ¶¶ 2, 30.) Plaintiffs filed their initial complaint in this court on August 2, 2022, and amended their complaint on December 20, 2022. (Compl. (Dkt. # 1); Am. Compl.) They allege a

claim for violation of the Washington Consumer Protection Act (“WCPA”), ch. 19.86 RCW, on behalf of the Washington class and claims for breach of contract, unjust enrichment, and violation of the Illinois Consumer Fraud Act, 815 ILCS 505/2, on behalf of the nationwide class. (Am. Compl. ¶¶ 35-36, 46-69.) Between August 18 and September 23, 2022, other sets of plaintiffs filed separate proposed class actions against

Defendants in the Northern District of Illinois, the Central District of California, and the Northern District of California. See Stiles v. Mobile Fidelity Sound Lab, Inc., Case No. 1:22-cv-04405 (N.D. Ill.) (filed August 18, 2022); Bitterman v. Mobile Fidelity Sound Lab, Inc., Case No. 1:22-cv-04714 (N.D. Ill.) (filed September 1, 2022); Allen v. Audiophile Music Direct, Case No. 2:22-cv-08146 (C.D. Cal.) (filed September 22, 2022,

in Los Angeles County Superior Court before being removed to federal court); Molinari v. Audiophile Music Direct, Case No. 4:22-cv-05444 (N.D. Cal.) (filed September 23, 2022). On August 18, 2022, Defendants’ counsel, Joseph Madonia, had an initial conversation with Plaintiffs’ counsel, Duncan C. Turner. (Madonia Decl. (Dkt. # 33-1)

¶ 5; 2/13/23 Turner Decl. (Dkt. # 32) ¶ 4.) That same day, Bursor & Fisher, P.A., and Wolf Haldenstein Adler Freeman & Herz, LLC (together, “Stiles Counsel”) filed the class action complaint in Stiles in the Northern District of Illinois. (See Joint Decl. (Dkt. # 24) ¶ 5, Ex. A (“Stiles Complaint”).2) On August 22, 2022, Mr. Madonia again contacted Mr. Turner to discuss the possibility of settlement. (Madonia Decl. ¶ 6; 2/13/23 Turner Decl. ¶ 5.) Mr. Turner

informed Mr. Madonia that he needed “reliable information” about the recordings at issue, along with sales and revenue data, before the parties could begin settlement discussions. (2/13/23 Turner Decl. ¶ 5.) On September 1, 2022, DiCello Levitt, LLC, along with co-counsel from Golumb Spirt Grunfeld, P.C., and Starr Austen & Miller, LLP (together, “Bitterman Counsel”)

filed the class action complaint in Bitterman in the Northern District of Illinois. (Joint Decl. ¶ 7, Ex. B (“Bitterman Complaint”).) Shortly thereafter, Stiles Counsel and Bitterman Counsel (collectively, “Stiles/Bitterman Counsel”) began working together to litigate the two proposed Illinois class actions and to communicate with Mr. Madonia. (Id. ¶ 8.)

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2 The Joint Declaration was filed by Amy E. Keller of the law firm DiCello Levitt LLC, Kenneth J. Grunfeld of the law firm Golumb Spirt Grunfeld, P.C., and Philip L Fraietta of the law firm Bursor & Fisher, P.A. (Id. ¶¶ 1-3.) On September 16, 2022, Mr. Turner and Mr. Madonia agreed to participate in informal discovery. (Id. ¶ 6; Madonia Decl. ¶ 7.) In mid-November, Defendants

produced to Plaintiffs a spreadsheet that identified the recordings, the sales volume of the recordings, and the wholesale and retail prices for each recording. (2/13/23 Turner Decl. ¶ 6; Madonia Decl. ¶ 8.) Defendants produced the same information to Stiles/Bitterman Counsel on December 2, 2022. (Madonia Decl. ¶ 8.) Starting on November 5, 2022, Mr. Turner and Mr. Madonia “began to outline the structure of a settlement,” and by November 22, 2022, the parties reached an agreement

on a “three-option” structure that would provide class members the ability to seek a full refund if they wished to return the records at issue, or, if they chose to keep their records, the ability to receive either a partial refund or a coupon. (2/13/23 Turner Decl. ¶¶ 7-9; Madonia Decl. ¶ 9.) The parties discussed attorney’s fees and incentive awards after the monetary issues had been agreed upon. (2/13/23 Turner Decl. ¶ 10; Madonia Decl. ¶ 10.)

In late November 2022, the parties’ discussions regarding the form of notice and logistics of the return process were delayed when counsel for both Plaintiffs and Defendants contracted COVID-19. (2/13/23 Turner Decl. ¶ 11; see also 12/6/22 Stip. (Dkt. # 12) (requesting an extension of the deadlines to submit the joint status report and discovery plan and for Defendants to answer the complaint because Mr. Madonia was

recovering from COVID-19).) By late December 2022, counsel resumed their work on the logistical aspects of the settlement. (2/13/23 Turner Decl. ¶ 11.) Mr. Madonia states that while he was negotiating with Mr. Turner, he also had “preliminary conversations” with counsel for the plaintiffs in the other proposed class actions, but that there were no substantive settlement negotiations or exchanges of settlement terms with any of the attorneys for the plaintiffs in the other actions.

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Tuttle v. Audiophile Music Direct Inc, (W.D. Wash. 2023).

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