Turner v. Osgood Art Colortype Co.

79 N.E. 306, 223 Ill. 629
CourtIllinois Supreme Court
DecidedOctober 23, 1906
StatusPublished
Cited by17 cases

This text of 79 N.E. 306 (Turner v. Osgood Art Colortype Co.) is published on Counsel Stack Legal Research, covering Illinois Supreme Court primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Turner v. Osgood Art Colortype Co., 79 N.E. 306, 223 Ill. 629 (Ill. 1906).

Opinion

Mr. Justice Cartwright

delivered the ¡opinion of the court:

The appellant, Henry L. Turner, a banker doing business under the name of Henry L. Turner & Co., guaranteed the performance by the American Soligraph ¡Company of a contract by which that company agreed to deliver to appellee two notes of the American Consumers Alliknce, Inc., for $1741.50 each, in payment for 160,000 pictures, consisting of 10,000 of each of sixteen different subjects. One note was delivered when the contract was executed and was paid at maturity. Pictures were delivered by the Appellee to the American Soligraph Company which it refused to accept as a performance of the appellee’s contract for three reasons: First, that there were but two colors in the ¡ borders when there should have been four; second, that the pictures were not roughed; and third, that there were spedks in the borders. The second note was to be delivered when the pictures were received, and not having been delivered, the appellee brought this suit against appellant in the superior court of Cook county and recovered judgment upon hip guaranty for $2076.76. The Branch Appellate Court for the First District affirmed the judgment, and appellant Appealed from the judgment of the Appellate Court. |

We cannot say that the record is free from error, but we are of the opinion that such errors as occuriied should not work a reversal of the judgment for .the reason that no other conclusion could have been reached by the jury. The contract and guaranty were as follows:

“Chicago, Sept. 7, 1900.
“Osgood Art Colortype Co., City:-
“Gentlemen—Regarding the matter of the pictures now in the course of completion by your company, we propose the following and offer for your acceptance: That on the acceptance of this agreement we will deliver to.you a note signed by the American Consumers Alliance, Inc., and endorsed by Henry L. Turner & Co., amounting to $1741.50. In consideration of which you agree to deliver to us ten thousand (10,000) each of the pictures (16) sixteen subjects, as represented by the proofs now in our possession, at the earliest possible time and not later than October 15, and on the delivery of the pictures to us we will give you another note signed by the American Consumers Alliance, Inc., and endorsed by Henry L. Turner & Co., for the amount of $1741.50. The two obligations to pay the account in full and both to mature January 1, 1901.
“In consideration of the several agreements above, it is fully understood that some changes are to be made on these plates, according to the statement that was made by Mr. Behrens that the plates could be altered.
“Trusting you will find this satisfactory and we may have your acceptance at once, we are
Very truly,
American Soeigrafh Company,
By J. A. Stevens.
“We guarantee the execution of this contract by the American
Soligraph Company.
Henry L. Turner & Co.
Accepted: Osgood Art Colortype Co.,
Frederick I. Osgood, Pres.,
C. J. Whipple.”

The contract related to pictures then in the course of completion and provided for changes in the plates, and the history of the transaction is as follows: The defendant and J. A. Stevens had contemplated establishing in Chicago the business of producing and selling art specialties and advertising novelties, and on February 20, 1900, they entered into an agreement by which defendant was to furnish sums of money as requested by Stevens, to the amount of $600, in laying the foundation and preparing the way for that business. A corporation named American Solígraph Company was to be organized and defendant was to receive sixty per cent of the capital stock, and the money advanced by him was to be refunded before any dividends were paid. In pursuance of that agreement propositions to furnish reproductions of oil paintings furnished by him were^made to him by plaintiff. One proposition, which was not accepted, was dated April 12, 1900, offering to furnish reproductions of sixteen different oil paintings and to print 10,000 copies of each subject, with paper stock of a certain weight and backgrounds of four different colors, and 10,000 copies of reproductions of sixteen other subjects of a different si^e, for specified prices. The next day, April 13, upon request of defendant for a new estimate, a different proposition wás submitted, by which plaintiff proposed to furnish 10,00c) each of eight subjects of the larger size and 10,000 each of eight subjects of the smaller size with two backgrounds, apd an additional 10,000 of each subject with four different backgrounds. That proposition was accepted by the defendant as to the first 10,000 of each subject, with the privilege of increasing the order to 20,000 on each sheet before the run was finished. In May, 1900, plaintiff made plates for the pictures from paintings furnished by the defendant and made two or three proofs of each, which were submitted 'to Stevens, the agent of the defendant. Stevens returned ¡one set of the proofs to plaintiff endorsed “O. K. for colortype and border,” and the other proofs were retained. The proofs were not roughed, and Stevens said they were good and he had submitted them to the defendant. What is called “roughing” is a separate process after the printing of a| picture, which gives to it somewhat the effect of an oil painting, increases its durability and improves its appearance. The proposition of April 13 required the plaintiff to furnish 300 prints from each plate by June 1, which were to be used! as samples by canvassing agents employed to take orders fpr calendars in which the pictures were to be used. Under the agreement 200 prints from each plate were delivered to Stevens and were not roughed. He returned them soon after with a request that they should be roughed, that he might see how they would look after they were put through that process. Plaintiff roughed the pictures and returned them to Stevens, who requested plaintiff to give him a price for roughing the whole 160,000 under the contract. Plaintiff offered to do that work for $4 per thousand, and Stevens declined the offer, saying that he could have the work done elsewhere for $3 per thousand. The process of roughing consists of passing a picture between a roller and a cylinder with a rough surface, which slightly roughens the surface of the paper. The proposition of April 13 referred to the one of April 12, and stated that other conditions should remain as stated in the former estimate. The organization of the Soligraph Company was completed June 28, 1900, and the business was then turned over to that corporation, with Stevens in charge as manager. Pictures were in the course of completion under the contract of April 13 when the contract of September 7 between the plaintiff and the Soligraph Company, which had taken the place of defendant, was entered into, and the defendant assumed the obligation of guarantor.

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Bluebook (online)
79 N.E. 306, 223 Ill. 629, Counsel Stack Legal Research, https://law.counselstack.com/opinion/turner-v-osgood-art-colortype-co-ill-1906.