Tobey v. Comm'r

60 T.C. No. 27, 60 T.C. 227, 1973 U.S. Tax Ct. LEXIS 127
CourtUnited States Tax Court
DecidedMay 17, 1973
DocketDocket No. 1144-70
StatusPublished
Cited by16 cases

This text of 60 T.C. No. 27 (Tobey v. Comm'r) is published on Counsel Stack Legal Research, covering United States Tax Court primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Tobey v. Comm'r, 60 T.C. No. 27, 60 T.C. 227, 1973 U.S. Tax Ct. LEXIS 127 (tax 1973).

Opinion

OPINION

Dawson, Judge:

Respondent determined the following deficiencies in petitioner’s Federal income taxes:

Taxable year Deficiency
1965 _$10,283.89
1966 _ 5, 372.38

In an amended petition the petitioner has claimed overpayments for each of these years.

The issue presented for our decision is whether $25,000 of the petitioner’s receipts in each of the years 1965 and 1966 derived from the sale of his paintings while living in Switzerland constituted “earned income” within the meaning of section 911 (b), I.R.C. 1954,1 and thus excludable from gross income and exempt from taxation under section 911(a).

All of the facts are stipulated. We adopt the stipulation of facts and the exhibits attached thereto as our findings. The pertinent facts are summarized below.

Mark Tobey (herein called petitioner) is a citizen of the United States who has resided and maintained a studio in Basel, Switzerland, since 1960. He maintains a house, studio, storage space, and bank accounts in Seattle, Wash., his domicile. His permanent address in the United States for business and tax matters is that of his attorney in Seattle. During 1964,1965, and 1966, except for three very short visits to the United States, petitioner was physically present in Europe.

Petitioner filed Federal income tax returns on the cash basis for taxable years 1965 and 1966 with the Director of International Operations, Washington, D.C.

Petitioner’s profession is that of an artist. He creates paintings, pictures, and drawings using oils, watercolors, ink, pencil, tempera, and chalk on paper, cardboard, canvas, composition board, wood, and other substances. He works at his studios in Basel and Seattle, and creates according to his own inspiration, not in response to buyers’ wants or taste.

Petitioner has been honored on many occasions, and his works are widely acclaimed.2

Capital in the usual sense was not a material income-producing factor in petitioner’s work.

During 1965 and 1966 the petitioner’s works — mainly paintings— were sold through galleries in the United States and Europe. In addition, some private sales were made to individual purchasers. Private sales amounted to $22,250 in 1965 and $5,150 in 1966. All of petitioner’s works were executed, however, without prior commission, contract, order, or any such prior arrangement.

Petitioner’s relationship with the art galleries was that of a principal to his agent. He retained title and ownership in the artworks and delivered them, on consignment, to the galleries. There they were stored and displayed for sale. According to the customary agreement between the petitioner and an art gallery, the gallery was to make space available on specific dates for the public display of his works; petitioner was to have completed the work and have them ready for delivery to the gallery by such dates. As compensation, the gallery retained a portion of the moneys derived from sales — completed or installment sales. Commissions ranged from 30 to 60 percent.

Petitioner’s personel work schedule is planned months, sometimes years, in advance, depending upon his commitments to galleries.

In 1965, there were showings of petitioner’s works at the Seligman Gallery in Seattle, the Willard Gallery in New York, the Jeanne Bucher Gallery in Paris, and the Alice Pauli Gallery in Lausanne, Switzerland. In 1966, the Martha Jackson Gallery in New York and the Gallery Pierre in Stockholm also held Tobey exhibitions.

The works sold at these exhibitions were created and executed by the petitioner both in the United States and in Europe. The gross amounts received on the sale of works executed at a time when petitioner was physically present in a foreign country are $106,450 for 1965, and $59,956 for 1966. On these amounts he paid commissions of $36,949.98 and $21,113.40, leaving net amounts received of $69,500.02 and $38,842.60. The following information relates to the amounts “received in the United States and Europe” through various bank accounts:

Gross sales Gallery Net amount price commission to petitioner 1965 income Received in United States__-. $110,750 $42,969.08 $67,780.02 Received in Europe....... 4,050 1,350.00 2,700.00 Not identified..... 22,260 _ 22,250.00 137,050 44,319.98 92,730.02 1966 income Received in United States_____ 73,821 27,955.82 46,865.18 Received in Europe____ 41,104 14,136.00 26,969.00 114,925 42,090.82 72,834.18

Petitioner paid self-employment taxes of $259.20 and $405.90 on self-employment earnings of $4,800 and $6,600 in 1965 and 1966.

Petitioner paid income tax in Switzerland for the 2 years at issue, and claimed corresponding credits on his U.S. Federal income tax returns.

Petitioner’s gross income for 1965 was reported as $147,050. This was overstated by $10,000.

On his Federal income tax returns for 1965 and 1966 the petitioner excluded $25,000 from gross income as earned income from sources without the United States. Respondent determined that the exclusions were improper, recomputed petitioner’s tax, and asserted the contested deficiencies.

The disposition of the issue confronting us in this case turns upon whether the amounts received by the petitioner, which were derived from the sales of his paintings, were “earned income” under section 911 (b) .3 If so, it is conceded that the portion originally excluded was properly excluded as “income from sources without the United States” in accordance with section 911(a) and (c). There is no question concerning the source of that income.

Petitioner contends that income from the sales of his paintings was received as “compensation for personal services actually rendered” and that the ratio decidendi of the recent case of Robida v. Commissioner, 460 F. 2d 1172 (C.A. 9,1972), affirming a Memorandum Opinion of this Court, is dispositive of the issue. To the contrary, respondent contends that the income cannot be section 911(b) “earned income” since there were no recipients of petitioner’s services, just purchasers of his paintings,- that instead the income resulted from the sale of personal property and as such is not earned income (citing Rev. Rul. 71-183, 1971-1 C.B. 215); and that the precedential value of the Bobida case is severely limited because it involved a rather “bizarre set of circumstances.”

In the Bobida case the taxpayer derived the bulk of his income from the manipulation of slot machines located in various overseas service clubs. He was living abroad within the meaning of 911(a) (2) at the time.

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Tobey v. Comm'r
60 T.C. No. 27 (U.S. Tax Court, 1973)

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Bluebook (online)
60 T.C. No. 27, 60 T.C. 227, 1973 U.S. Tax Ct. LEXIS 127, Counsel Stack Legal Research, https://law.counselstack.com/opinion/tobey-v-commr-tax-1973.