That Way Production Co. v. Directors Guild of America, Inc.

96 Cal. App. 3d 960, 158 Cal. Rptr. 475, 1979 Cal. App. LEXIS 2138
CourtCalifornia Court of Appeal
DecidedSeptember 17, 1979
DocketCiv. 56520
StatusPublished
Cited by13 cases

This text of 96 Cal. App. 3d 960 (That Way Production Co. v. Directors Guild of America, Inc.) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
That Way Production Co. v. Directors Guild of America, Inc., 96 Cal. App. 3d 960, 158 Cal. Rptr. 475, 1979 Cal. App. LEXIS 2138 (Cal. Ct. App. 1979).

Opinion

Opinion

COMPTON, J.

Appeal from a judgment of the superior court denying a petition to vacate an arbitration award under a collective bargaining agreement. We affirm.

That Way Production Company, a corporation (Producer) produces feature length theatrical films. Edward Montagne is a film director and a member of the Directors Guild of America, Inc. (Guild), a collective bargaining representative of directors in the motion picture industry.

Producer and the Guild were signatories to a collective bargaining agreement, hereinafter referred to as the Basic Agreement, which established inter alia, the minimum rates of compensation for directors. As is usual for such agreements, it contained a provision for arbitration to resolve disputes arising under the Basic Agreement.

It is the practice in the industry for directors to negotiate with producers for individual contracts on a production-by-production basis. In these negotiations the director is generally represented by a talent agent. The Basic Agreement specifically provides that the arbitrator shall not have the power to “vary, alter, modify or amend” the terms of a personal service contract between an individual director and a producer.

The foregoing described relationship thus differs markedly from the usual labor-management relation where employees of a particular trade *963 or skill bargain as a group and are paid the same wage for the same type of work. Here the Basic Agreement sets forth minimum rates and the individual members bargain for their own particular talent.

The relationship between Montagne and the Producer developed against this background. Montagne, through his agent, contracted to direct a film for Producer for a compensation of $4,500 per week over a 10-week period.

The instant dispute arose over a clause in the contract which gave Producer the right to terminate Montagne’s services, without cause, after three weeks—two weeks preproduction and one week of photography—upon payment of $20,000 for the three weeks services. This clause admittedly contravened the Basic Agreement which appears to specify the minimum period of employment as 13 weeks, although the arbitrator specifically found that neither party was aware of that fact at the time of executing the individual contract and that all parties proceeded and performed under the contract in good faith.

When the Producer invoked its power of termination, Montagne and the Guild instituted arbitration proceedings under the Basic Agreement. The arbitrator ordered Producer to pay Montagne the full $45,000 compensation.

The arbitrator took note of the above referenced provision prohibiting alterations of the individual contract as well as the provisions in the Basic Agreement prohibiting waiver of the minimum terms of the Basic Agreement. The arbitrator resolved this apparent conflict by declaring that the individual contract was susceptible of a construction which would call for $4,500 as a weekly rate, which if applied to the minimum number of weeks required by the Basic Agreement, could result in a claim of more than $45,000. In recognition of the inadvertent nature of the breach and the good faith of the parties, the arbitrator limited the award to $45,000.

Producer’s argument, which certainly appeals to fundamental notions of fairness, is that Montagne, a sophisticated and knowledgeable individual represented by an equally sophisticated agent, voluntarily entered into the contract with his “eyes wide open,” and should not be permitted to enjoy a windfall for services not performed.

*964 As appealing as that argument is in the context of Montagne, vis-á-vis the Producer, it must yield to legal principles which transcend this individual case and which are designed to serve broader social and economic interests.

Aside from the equities of the situation, Producer cites us to the case of RKO Radio Pictures, Inc. v. Jarrico, 128 Cal.App.2d 172 [274 P.2d 928], as standing for the proposition that the Basic Agreement cannot act to prevent the individuals from exercising their freedom of contract.

Coupling that rule of law, which it constructs out of Jarrico, with the holding in Abbott v. California State Auto. Assn., 68 Cal.App.3d 763 [137 Cal.Rptr. 580], that an arbitration award may, under certain circumstances, be vacated because of an error in law on the part of the arbitrator, Producer argues that the award here not only can, but must be vacated.

RKO Radio Pictures, Inc. v. Jarrico, supra, involved a screen writer who had received widespread unfavorable publicity concerning his affiliation with the Communist Party and who had failed to refute charges of disloyalty to the United States. RKO, the producer in that case, refused to give him writing credit for a screen play he had authored. This refusal was based on an alleged breach of a clause in his contract requiring him to comport himself in a manner so as not to bring himself into public disrepute.

The above mentioned clause provided that if Jarrico performed the covenant as to his conduct, he would be given credit according to the provisions of the basic collective bargaining agreement between the producer and the Screen Writers Guild. The opinion in Jarrico does not describe the provisions of the Basic Agreement dealing with writing credits. We can only assume from the reference in the individual contract that they delineated the formula and the requirements for writing credits according to the nature and type of writing services performed. Significantly, there is nothing in the opinion to indicate that the Basic Agreement prohibited a producer from requiring a covenant from an employee that he would refrain from conduct that might impair the marketability of the product.

The basic action in Jarrico was one for declaratory relief under the individual contract between the producer and writer. The Guild was not a *965 party and the issue was not the affirmance or vacation of an arbitration award. The case focused, as might be expected, on whether the writer’s conduct breached the individual agreement. Breach of the Basic Agreement was not involved.

The court there upheld the producer’s position and the trial court’s finding that Jarrico had breached the agreement by bringing himself into public disgrace. In so holding, the court stated that the Basic Agreement was irrelevant to the issue presented.

One passage from the opinion was that the producer’s exercise of its freedom of contract guaranteed by the Constitution could not be prevented by the Guild or the Basic Agreement. We consider that phrase to be dicta in the context of that case. Further, text writers have interpreted that passage as applying to matters outside the terms of the Basic Agreement. (41 Cal.Jur.3d, Labor, § 114, pp. 375-376.)

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Bluebook (online)
96 Cal. App. 3d 960, 158 Cal. Rptr. 475, 1979 Cal. App. LEXIS 2138, Counsel Stack Legal Research, https://law.counselstack.com/opinion/that-way-production-co-v-directors-guild-of-america-inc-calctapp-1979.