Taylor Whitley v. Clare Maguire

CourtDistrict Court, C.D. California
DecidedDecember 5, 2022
Docket2:22-cv-01837
StatusUnknown

This text of Taylor Whitley v. Clare Maguire (Taylor Whitley v. Clare Maguire) is published on Counsel Stack Legal Research, covering District Court, C.D. California primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Taylor Whitley v. Clare Maguire, (C.D. Cal. 2022).

Opinion

Case 2:22-cv-01837-ODW-JEM Document 29 Filed 12/05/22 Page 1 of 20 Page ID #:230

O 1

2 3 4 5 6 7

8 United States District Court 9 Central District of California

11 TAYLOR WHITLEY et al., Case № 2:22-cv-01837-ODW (JEMx)

12 Plaintiffs, ORDER GRANTING IN PART AND 13 v. DENYING IN PART MOTION TO 14 CLARE MAGUIRE et al., DISMISS [22][28]

15 Defendants.

16 17 I. INTRODUCTION 18 Plaintiffs Taylor Whitley and WTF.Industries, LLC bring this action against 19 Defendants Clare Maguire, Jake Nygard, Antonius Wiriadjaja, and Donglee Han, 20 alleging copyright infringement and eleven other claims arising from Whitley’s ouster 21 from the digital art community that he founded. (First Am. Compl. (“FAC”) ¶¶ 1, 7– 22 12, ECF No. 20.) Defendants now move to dismiss Plaintiffs’ First Amended 23 Complaint pursuant to Federal Rule of Civil Procedure (“Rule”) 12(b)(6). (Mot. 24 Dismiss FAC (“Motion” or “Mot.”), ECF No. 22.) The Motion is fully briefed. 25 (Opp’n, ECF No. 25; Reply, ECF No. 26.) For the following reasons, the Court 26 GRANTS IN PART and DENIES IN PART Defendants’ Motion.1 27

28 1 Having carefully considered the papers filed in connection with the Motion, the Court deemed the matter appropriate for decision without oral argument. Fed. R. Civ. P. 78; C.D. Cal. L.R. 7-15. Case 2:22-cv-01837-ODW-JEM Document 29 Filed 12/05/22 Page 2 of 20 Page ID #:231

1 II. BACKGROUND 2 Plaintiffs allege the following facts, which the Court accepts as true for 3 purposes of Defendants’ Rule 12(b)(6) Motion. Ashcroft v. Iqbal, 556 U.S. 662, 679 4 (2009). 5 Plaintiff Whitley is an artist and the sole member of Plaintiff WTF.Industries, 6 LLC, a digital art agency. (FAC ¶¶ 13, 32.) Defendants are individuals with whom 7 Whitley worked and collaborated. (Id. ¶¶ 29–31, 35.) 8 A. The Art Discord Server 9 In June 2021, Whitley set up a Discord server2 entitled discord.art (“Art 10 Discord”) and purchased a corresponding web domain. (Id. ¶ 16.) Whitley used his 11 notoriety as a digital artist to attract users to the Art Discord, where Whitley promoted 12 his work and digital goods for sale. (Id. ¶ 18.) The Art Discord also contains 13 significant digital assets owned by Whitley, including art and music assets, data and 14 contact information about the art community and collectors, client lists, and future art 15 project plans. (Id. ¶ 45.) 16 After launching the Art Discord, Whitley agreed to open a channel on the Art 17 Discord to allow Defendant Wiriadjaja to market Wiriadjaja’s Non-Fungible Tokens 18 (“NFTs”).3 (Id. ¶ 20.) Wiriadjaja assisted Whitley in promoting the Art Discord and 19 the two developed a strong working relationship. (Id. ¶ 22.) 20 On August 23, 2021, Whitley decided to take a temporary step back from active 21 moderation of the Art Discord and temporarily transferred “ownership” of the Art 22 Discord to Wiriadjaja. (Id. ¶¶ 23, 27.) Plaintiffs clarify that “ownership” conveys a 23 particular meaning in the context of a web-platform that is distinct from legal 24 ownership: an “owner” of a web-based platform has the highest level of server access 25

26 2 A “Discord server” is an online community commonly focused on a single topic. (FAC ¶ 16.) A Discord server may contain multiple “channels” for discussions focused on subsets of the overall 27 topic. (Id.) 28 3 NFTs are “digital assets that correspond to a unique digital or real world item and serve as a proof of ownership or bill of sale for that item by describing the item in metadata.” (FAC ¶ 13 n.1.)

2 Case 2:22-cv-01837-ODW-JEM Document 29 Filed 12/05/22 Page 3 of 20 Page ID #:232

1 and control, allowing the “owner” to dole out permissions to other users. (Id. ¶ 24.) 2 Following the transfer of “ownership,” Whitley “remained instrumental in hiring and 3 promotion decisions,” including by leading the hiring of twenty-four people. (Id. 4 ¶¶ 25, 28.) Whitley also continued to pay the required maintenance fees for the Art 5 Discord. (Id. ¶ 48.) In addition, Whitley did not make any changes with respect to 6 who owned or controlled the website or social media accounts related to the Art 7 Discord. (Id. ¶ 27.) 8 By mid-October 2021, the Art Discord community boasted thousands of 9 members and required a full staff to manage it. (Id. ¶ 29.) Whitley and Wiriadjaja 10 “agreed that they were ‘co-creators’ of the Art Discord and that each had played 11 critical roles in its growth and development.” (Id.) 12 On or about October 19, 2021, Defendant Maguire was hired as an Art Discord 13 community manager. (Id. ¶ 30.) Throughout November 2021, Whitley, Wiriadjaja, 14 and Maguire promoted NFT releases and developed the Art Discord. (Id. ¶ 31.) At 15 the end of November 2021, Defendant Han joined the Art Discord. (Id.) 16 B. WTF.Industries 17 In late 2021, Whitley formed Plaintiff WTF.Industries, a digital art agency for 18 developing, marketing, and profiting from the sales of digital assets, such as NFTs and 19 other digital art collections. (Id. ¶ 32.) On December 16, 2021, and “[i]n line with 20 Whitley’s ambitions,” the Art Discord was rebranded to “WTF Industries.” (Id. ¶ 33.) 21 C. The Pixel Tots Project 22 Han created a NFT collection named Pixel Tots. (Id. ¶ 34.) Whitley and Han 23 agreed that Whitley and WTF.Industries would market Pixel Tots for two months in 24 exchange for (1) 25% of revenue from the initial launch; (2) 60% of all revenue 25 earned through secondary sales4; and (3) 60 NFTs from the collection. (Id.) 26 27 4 “NFTs are often bought and transferred using the Ethereum cryptocurrency system,” which allows 28 “the initial seller to automatically receive a percentage royalty on subsequent sales of the same NFT.” (FAC ¶ 34 n.2.)

3 Case 2:22-cv-01837-ODW-JEM Document 29 Filed 12/05/22 Page 4 of 20 Page ID #:233

1 On December 16, 2021, Pixel Tots launched, generating tens of thousands of 2 dollars in revenue to date. (Id. ¶¶ 33–34.) Whitley and WTF.Industries have not 3 received any money from the Pixel Tots project. (Id. ¶ 34.) 4 D. The Caked Apes Project 5 Whitley and Nygard collaborated on a NFT collection named Caked Apes. (Id. 6 ¶ 35.) Whitley originally conceived of Caked Apes, advised on elements to include in 7 various NFTs, and invested nearly $200,000 to launch the collection. (Id.) In 8 addition, Whitley authorized the use of a series of logo designs (“Subject Design”) in 9 many of the Caked Apes NFTs. (Id. ¶¶ 36, 50.) Whitley alone created the Subject 10 Design and registered it with the United States Copyright Office. (Id. ¶¶ 36, 49.) 11 On January 7, 2022, Whitley, Maguire, Nygard, and Wiriadjaja agreed that 12 (1) Whitley would receive 10% of all revenue—including both primary sales and 13 royalties from secondary sales—generated from Caked Apes; and (2) WTF.Industries 14 would receive 30% of all primary sales and 45% of all royalties from secondary sales 15 generated from Caked Apes. (Id. ¶ 37.) Whitley’s authorization to use the Subject 16 Design in the Caked Apes project was contingent on this revenue split and Whitley’s 17 continued involvement with and management of the project. (Id. ¶ 50.) 18 Whitley and Defendants launched a website and social media accounts to 19 promote the Caked Apes project, each of which identified Whitley and Nygard as 20 creators of the project. (Id. ¶ 38.) On January 10, 2022, Caked Apes opened for 21 presale online. (Id.) 22 Unbeknownst to Whitley, Defendants created a “multi-signature wallet” to 23 receive funds derived from the Caked Apes launch and to send Whitley the 10% he 24 was due. (Id.

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Taylor Whitley v. Clare Maguire, Counsel Stack Legal Research, https://law.counselstack.com/opinion/taylor-whitley-v-clare-maguire-cacd-2022.