Stricklin v. Stefani

358 F. Supp. 3d 516
CourtDistrict Court, W.D. North Carolina
DecidedDecember 17, 2018
Docket3:17-cv-00397-RJC-DCK
StatusPublished
Cited by5 cases

This text of 358 F. Supp. 3d 516 (Stricklin v. Stefani) is published on Counsel Stack Legal Research, covering District Court, W.D. North Carolina primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Stricklin v. Stefani, 358 F. Supp. 3d 516 (W.D.N.C. 2018).

Opinion

Robert J. Conrad, Jr., United States District Judge

THIS MATTER comes before the Court on the following: (1) Defendant Gwen Stefani's Motion for Summary Judgment and Memorandum in Support, (Doc. No. 40); (2) Defendant Live Nation's Motion for Summary Judgment and Memorandum in Support, (Doc. Nos. 38, 39); (3) Plaintiff's Responsive Briefing in Opposition, (Doc. Nos. 59, 60); (4) Defendants' Replies (Doc. Nos. 65, 68); and the Supplemental Briefing and supporting exhibits, (Doc. Nos. 75-77), allowed pursuant to the Court's Order dated December 4, 2018, (Doc. No. 74). Also before the Court is Defendant Live Nation's Motion for Judgment on the Pleadings and Memorandum in Support, (Doc. Nos. 25, 26); Plaintiff's Responsive Briefing in Opposition, (Doc. No. 30); and Defendant Live Nation's Reply, (Doc. No. 31).

I. BACKGROUND

I know I've been a real bad girl (I'll try to change) I didn't mean for you to get hurt whatsoever1

This case is about whether a performer ("Gwen Stefani" or "Defendant Stefani") and the company who booked the performer and oversaw the performance ("Live Nation" or "Defendant Live Nation") should be held liable for a concert patron's ("Plaintiff") personal injuries after the performer invited patrons to move toward the stage, prompting an alleged "stampede crowd rush." (Doc. No. 13 ¶ 24(a) ). The *522record establishes, the parties agree, and/or the parties do not dispute the following.

A. Stefani's Invitation and Plaintiff's Injury

On July 23, 2016, Plaintiff attended a Gwen Stefani concert at PNC Music Pavilion in Charlotte, North Carolina, a venue owned and operated by Live Nation Worldwide, Inc. ("Live Nation").2 (Doc. No. 13 ¶¶ 7, 10). Live Nation booked singer Gwen Stefani to perform at PNC Pavilion. (Id. ¶ 10). PNC Pavilion has two main seating options for attending patrons. (Id. ¶ 8). There are approximately 8,614 reserved theatre-style seats ("reserved area") closer to the performance stage and approximately 10,154 available spaces in the lawn seating area farther from the stage ("lawn"). (Id. ). Plaintiff purchased a ticket in the reserved seating area, specifically in section 7, row v, seat 20 and attended the concert with a group of her friends. (Id. ¶¶ 11-12). Defendant Stefani entered an annotated diagram of the venue into evidence, which the Court incorporates below:

(Doc. No. 40-3: Diagram of PNC Pavilion).

Twenty minutes into Stefani's performance, Stefani invited patrons to move closer to the performance stage:

I'm just going to tell you something. I'm just going to talk to the security guards for one second. If anyone wants to come down a little closer so I can see you a little better, just come on down, I don't think anyone's going to care, like just fill it in and like and you know, who cares *523about your lawn chairs, you can get new ones."

(Doc. No. 40-4 at 2).

Following this announcement, a crowd of lawn patrons moved through the reserved area and climbed over chairs and railings to get closer to the performance stage. (Id. ). Plaintiff claims that, at this juncture, she was terrified as she saw the crowd moving forward behind her. (Doc. No. 59 at 2). She alleges that, in an attempt to escape the danger, she left her seat, moved left toward the aisle, and tried to move in the opposite direction of the stage to try and "get out." (Id. ). Plaintiff asserts she could not get out because "she was being pushed by the crowd rushing toward the stage, and feeling "hydroplaned," was then trampled and forcibly pushed into a wall. (Id. ). She ended up injured on the ground "at the top of section 2 close to the VIP barricades." (Doc. No. 39 at 4). Plaintiff's injury occurred approximately five minutes after Stefani's initial announcement. (Id. ). Paramedics transported Plaintiff to the hospital where she was diagnosed with a lateral tibial plateau fracture to her left leg. (Doc. No. 13 ¶ 18). Plaintiff underwent surgery approximately two weeks later. (Doc. No. 40-1 at 3).

B. Live Nation's Response and Stefani's Retraction

Live Nation employed security personnel to staff Stefani's performance and supplied security barriers at certain locations to manage crowd control. (Doc. No. 13 ¶ 14). Live Nation has placed various physical barricades in the venue to block off the lawn section from the reserved section. (Doc. No. 39 at 5). These barricades include a concrete wall extending around the perimeter of the upper reserved area, railings separating the lawn area from the upper reserved area, and bicycle racks positioned throughout the venue at the tops of the sections where guest services employees are stationed. (Doc. No. 39-11 at 15-16, 24-25).

Live Nation staffed the Stefani concert with over thirty ushers assigned to various seating sections at the Pavilion, fifty-two total civilian security personnel, and twenty-seven off-duty police officers deployed in and around the venue. (Doc. No. 39 at 5). Nevertheless, Plaintiff and Plaintiff's friends claim that they saw very few Live Nation security personnel during the alleged stampede and heard no safety instructions from security personnel. Plaintiff asserts she saw only one possible security individual during the crowd rush when patrons were jumping over seats and moving forward. (Doc. No. 59 at 2).

Live Nation held a security briefing for security personnel prior to the concert. (Doc. No. 39 at 5). At this briefing, security personnel did not specifically discuss what to do in an event of a crowd rush to protect patrons. (Doc. No. 60 at 6). Charles Singley, a guest services supervisor for Live Nation, testified that Live Nation has a general protocol for when a few patrons (i.e., one to five) attempt to move out of their designated ticket area and toward the stage: "we try and hold the line ... fast where [they] have the controlled entrances into the sections" and prevent the few patrons from moving forward (Doc. No. 59-7 at 6-7; Doc. No. 39-11 at 25). But Singley noted that a different procedure applies when there are many people rushing the stage:

However, if it's a massive group of people or more than what would be expected for them to handle, my first concern is their safety, and I typically will instruct them to open that bicycle rack up completely. That way the guests aren't having to climb over the rails so they themselves won't get injured and for *524them to step up behind the concrete wall.

(Doc. No. 39-11 at 26; see also Doc. No. 59-7 at 7). In the instant case, at least one security agent followed this procedure in response to the numerous lawn patrons rushing toward the stage after Stefani's invitation. (See Doc. No. 59 at 4). In fact, one of Plaintiff's friends testified that she saw "one security agent remove a barrier to allow the rush to flow into the reserved sitting area." (Id. ).

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Bluebook (online)
358 F. Supp. 3d 516, Counsel Stack Legal Research, https://law.counselstack.com/opinion/stricklin-v-stefani-ncwd-2018.