Streit v. Bushnell

424 F. Supp. 2d 633, 2006 U.S. Dist. LEXIS 12823, 2006 WL 760273
CourtDistrict Court, S.D. New York
DecidedMarch 23, 2006
Docket05 Civ. 5155(VM)
StatusPublished
Cited by18 cases

This text of 424 F. Supp. 2d 633 (Streit v. Bushnell) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Streit v. Bushnell, 424 F. Supp. 2d 633, 2006 U.S. Dist. LEXIS 12823, 2006 WL 760273 (S.D.N.Y. 2006).

Opinion

DECISION AND ORDER

MARRERO, District Judge.

Plaintiff Clifford Streit (“Streit”) commenced this action under the Court’s diversity of citizenship jurisdiction by a com *636 plaint (the “Original Complaint”) alleging breach of contract and copyright infringement claims against defendant Candace Bushnell (“Bushnell”). Streit later amended the complaint to add defendant Darren Star (“Star”) as a party, asserting a fraudulent conveyance claim against him, 1 and modifying some aspects of the pleadings in response to Bushnell’s pre-answer motion to dismiss the Original Complaint. Before the Court is Bushnell’s motion pursuant to Federal Rule of Civil Procedure 12(b)(6) to dismiss parts of the First Amended Complaint. For the reasons discussed below the motion is denied.

I. FACTS

Streit describes himself as a “professional manager and producer in the entertainment industry.” (First Amended Compl. ¶ 11.) He alleges that sometime in 1995 Bushnell agreed to employ him as her “manager” pursuant an “oral employment agreement” that Streit refers to as a “Management Agreement.” (Id. ¶¶ 12, 13.) Pursuant to that agreement, Streit undertook to sell and promote Bushnell’s “work and career including, without limitation,” the production of Bushnell’s book Sex and the City as a television series. For his services, according to Streit, Bushnell agreed to pay him ten percent of all income Bushnell derived from that production. Under the parties’ agreement Streit was to remain as Bushnell’s manager “for so long as Bushnell was pursuing her writing career and/or earning monies from the ‘Sex and the City’ television series.” (Id. ¶ 15.)

Streit alleges that, acting as Bushnell’s manager pursuant to their agreement, “among other efforts which Streit made to advance Bushnell’s career,” he used his professional connections successfully to arrange for Bushnell to present her Sex and the City book to Home Box Office, Inc. (“HBO”) for adaptation of the work as a cable television series, and that he initiated other meetings with “prominent members of the film and television industry on behalf of Bushnell in order to promote her career.” (Id. ¶¶ 17, 18.) Among the business figures to whom Streit introduced Bushnell was Star, who allegedly played, a role in the eventual production of the “Sex and the City” programs aired on television by HBO.

Under an agreement among Bushnell, HBO and/or Star, HBO paid Bushnell a “Book Fee” of $100,000 for the production rights to Sex and the City, as well as “Episode Fees” for each episode broad-casted, and “Royalty Fees” on all profits HBO earned from the series. Streit asserts that Bushnell made a payment to him of $10,000, representing ten percent of Bushnell’s Book Fee, and that thereafter, claiming she was not receiving any more money from the television series, stopped paying any of the management fees by which Streit claims Bushnell was contractually obligated to compensate him. Streit alleges that Bushnell’s representation about not receiving further income from the television programs was false and made for the purpose of concealing the money she was earning from HBO as Episode and Royalty Fees and not paying Streit the portions of those funds due him as “employment compensation” under the parties’ Management Agreement. (Id. ¶¶20, 21.) According to Streit, the parties’ employment relationship remained in effect until sometime in 1999, when Bush *637 nell purported to terminate the Management Agreement. On these pleadings Streit presents claims alleging breach of contract, quantum meruit and unjust enrichment.

The copyright infringement claim Streit asserts relates to a different literary work. Streit recites that in 1997 he wrote an original fictional movie script (the “Script”) entitled “Fashion Victims,” to which he held the exclusive copyright from its inception. In it Streit created two fictional characters named “Sebastian Wanus” and “Patrique.” In 1998, at Bushnell’s request, Streit delivered a copy of the Script to her for comments. By Streit’s account, Bushnell read the Script and called Streit to relate that she had “ ‘loved’ it.” (Id. ¶ 32.) Streit alleges that after reading the Script, Bushnell wrote and published a book entitled Four Blondes which, without Streit’s consent, copied creative material derived from the Script and thus infringed on Streit’s copyright. Streit asserts that he became the exclusive owner of a registered copyright in the Script on May 24, 2005, when he obtained a Certificate of Registration from the Register of Copyrights. In connection with the alleged infringement, Streit claims actual or statutory damages, as well as attorneys fees and costs.

As is to be expected, Bushnell presents a diametric version of the events. In her account, Bushnell portrays herself as “a well-known author and celebrity” who gained “a fair degree' of notoriety” by virtue of her popular column in a New York weekly newspaper that was later turned into a best selling book, Sex and the City. (Mem. of Law in Supp. of Def. Candace Bushnell’s Mot. to Dismiss (“Def.’s Mem.”), dated November 21, 2005, at 1.) Bushnell says she and Streit met “socially” in the early 1990s and they “became friends.” (Id.) Six years after the start of the successful television series based on her book, Bushnell relates, Streit “came out of the woodwork” (id. at 2) claiming breach of an alleged- oral agreement between the parties and, “[e]ver the opportunist,” commenced this litigation “in an apparent attempt to injure [] Bushnell’s reputation” prior to the release of her latest book (id. at 3). Charging that Streit “will say absolutely anything to keep his case alive’,” to- that end “shamelessly and without regard to the truth” changing his story when deficiencies in his Original Complaint were pointed 1 out, Bushnell reminds the Court that “[t]his Court is not [] Streit’s playground and this lawsuit is not a game,” and suggests that “Streit’s conduct should be rebuked by this Court.” (Reply Mem. of Law in Supp. of Def. Candace Bushnell’s Mot. to Dismiss (“Def.’s Reply Mem.”), dated December 23, 2005, at 1.)

Hardly disguising her chagrin and impatience about the prospect of defending what she regards as “extremely serious” but nonetheless “frivolous” charges (id.), Bushnell seeks a speedy resolution of this litigation. To that end, soon after the action was commenced, in lieu of an answer Bushnell filed a first-Rule 12(b)(6) motion to dismiss the complaint. Shortly thereafter, even prior to the initial conference with the Court and any exchange of initial discovery, she sought to file a motion for summary judgment to dispose of Streit’s copyright claim. The instant motion promptly followed Streit’s filing of the First Amended Complaint.

The manner and approach by which Bushnell has responded to this action prompts the Court to offer a preliminary observation as a decisional guide, for whatever small comfort or instructional value it may contain.

Free access — add to your briefcase to read the full text and ask questions with AI

Related

Cite This Page — Counsel Stack

Bluebook (online)
424 F. Supp. 2d 633, 2006 U.S. Dist. LEXIS 12823, 2006 WL 760273, Counsel Stack Legal Research, https://law.counselstack.com/opinion/streit-v-bushnell-nysd-2006.