Steinarsdottir v. Tripscout, Inc.

CourtDistrict Court, District of Columbia
DecidedFebruary 13, 2025
DocketCivil Action No. 2023-1528
StatusPublished

This text of Steinarsdottir v. Tripscout, Inc. (Steinarsdottir v. Tripscout, Inc.) is published on Counsel Stack Legal Research, covering District Court, District of Columbia primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Steinarsdottir v. Tripscout, Inc., (D.D.C. 2025).

Opinion

UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLUMBIA

ASA STEINARSDOTTIR, a/k/a ASA STEINARS,

Plaintiff, Case No. 23-CV-1528 (CRC) v.

TRIPSCOUT, INC.,

Defendant.

MEMORANDUM OPINION AND ORDER

Asa Steinars is an Icelandic influencer. And a successful one at that: Over one million

Instagram users flock to her account for photographs and videos of her exploring her homeland.

Tripscout, Inc., is a D.C. based travel marketing company that controls a network of social media

accounts. To promote tourism for Tripscout’s clients, these accounts share and repost content

made by creators like Steinars.

Steinars and Tripscout would appear to be a good match. Tripscout certainly thought so:

Over the course of several years, its accounts repeatedly shared and reposted Steinars’s content.

Tripscout claims Steinars encouraged this relationship—and that, even if she did not, her public

posts were fair game under Instagram’s stated policies. But Steinars says Tripscout had no right

to use her work. So, after Tripscout refused her request for compensation, she sued the company

in this court for copyright infringement. Tripscout responded with counterclaims against

Steinars for fraudulent inducement, tortious interference, and unjust enrichment.

Before the Court is Steinars’s motion to dismiss Tripscout’s counterclaims under Federal

Rule of Civil Procedure 12(b)(6). Finding Tripscout’s pleadings deficient on all three claims, the

Court will grant the motion. I. Background

The Court draws the following background from the factual allegations in Tripscout’s

counterclaims, which it must accept as true in evaluating Steinars’s motion to dismiss. Kevin S.

Bennett Tr. U/A Dated Aug. 2, 1989 v. Bennett (“Bennett Tr.”), 561 F. Supp. 2d 22, 26 (D.D.C.

2008). It also considers facts alleged in “documents . . . incorporated in the counterclaim.”

Shapiro, Lifschitz & Schram, P.C. v. Hazard, 24 F. Supp. 2d 66, 73 (D.D.C. 1998).

A. Factual Background

Plaintiff Asa Steinars is a content creator. She makes her living on social media.

Steinars’s specialty is photographs and videos of her exploring her native Iceland. Instagram

users can visit her public account, @asasteinars, to see her kayaking among icebergs, zip lining

over glaciers, and submerging in hot springs.

Defendant Tripscout, Inc., is a travel company for the digital age. It describes itself as

“an innovative industry partner for travel marketing content that works with destination

marketing organizations and tourism boards worldwide to inspire people to travel more.” ECF

38 (Countercls.) ¶ 1. What this means: Tripscout controls a network of travel-related social

media accounts run by independent contractors, who source and promote content from creators,

like Steinars. Tripscout’s accounts include the Instagram accounts “@iceland.explore,”

“@outdoor,” and “@spectacular.norway” and the Tik Tok account “@iceland.explore”

(collectively, “the Tripscout accounts”). Id. ¶ 2.

Ideally, the relationship between Tripscout and a content creator would be mutually

beneficial: From the creator, Tripscout would get content promoting destinations for its clients.

From Tripscout, the creator would gain publicity and, hopefully, followers—the currency of the

social-media economy.

2 Tripscout claims it had such a relationship with Steinars. Beginning in 2017, its accounts

shared and reposted her content— with her permission, Tripscout alleges. See id. ¶ 14. It

contends Steinars encouraged it to share her works in a series of social media exchanges with

accounts that Tripscout purports to control.

To illustrate, it offers screenshots of these conversations. In one, an unidentified

person—whom Tripscout now identifies an “associate”—messaged Steinars at 7:54 p.m. on an

otherwise undated Tuesday that “[w]e love your content” and wondered whether they could

“feature it on our account (of course with full credit and tagging).” Id. ¶ 12. Steinars replied:

“Hey yeah go ahead .” Id. On a different, also undated occasion, an unidentified

Instagram user messaged Steinars “Aw love this! Will deff share ,” and Steinars gushed

“ ” in response. Id. ¶ 13. Yet another screenshot depicts Steinars “mentioning”

an unidentified account in her story. Id. ¶ 14. And several others show Steinars “heart reacting”

to reposts of her content—also by unnamed accounts. See id.

By March 2021, however, Tripscout claims Steinars had a change of . Id. ¶ 19.

That’s when she contacted the company and accused it of using over 30 of her works without her

permission. Id.; see also ECF 26-1 (Third Am. Compl.), at 123 (page numbers designated by

CM/ECF) (March 22, 2021, email from Steinars to Tripscout). She asked Tripscout to pay for

those works. Third Am. Compl. at 123. Tripscout refused, insisting that it was within its rights

to feature her content based on her prior engagement with its accounts and under Instagram’s

Terms of Use and Privacy Policy. Id. at 124, 130. It also pointed out that Steinars’s following

had ballooned since Tripscout started reposting her content. Id. at 130. But Steinars retorted that

any interactions she had with Tripscout’s accounts had been years before and did not serve to

grant the company carte blanche to use all her content forever. Id. at 125.

3 B. Procedural History

In December 2022, Steinars registered one of her videos with the U.S. Copyright Office.

Id. ¶ 44. The following May, she filed this suit against Tripscout for one instance of copyright

infringement. See ECF 1. As she has registered additional works, she has amended her

complaint to add more alleged infringements. The operative third amended complaint alleges 53

infringements of 41 different works. Third Am. Compl. ¶¶ 23–157.

In a previous opinion, the Court denied Tripscout’s motion to dismiss Steinars’s second

amended complaint. ECF 37 at 10. The Court also declined to adopt Tripscout’s theory that

Instagram’s Terms of Use and Privacy Policy granted it a license to repost Steinars’s content. Id.

at 7–8.

Tripscout subsequently asserted three state-law counterclaims against Steinars for

fraudulent inducement, tortious interference, and unjust enrichment. Countercls. ¶¶ 27–56.

Steinars has moved to dismiss those claims under Federal Rule of Civil Procedure 12(b)(6). ECF

39 (Mot.) at 1.

The parties are currently in an extended discovery period, which has been marred by

repeated disputes and will close on March 17, 2025. See Jan. 30, 2025, Minute Order. Now

before the Court is Steinars’s motion to dismiss Tripscout’s counterclaims.

II. Legal Standards

“To survive a motion to dismiss” under Rule 12(b)(6), “a [counterclaim] must contain

sufficient factual matter, accepted as true, to ‘state a claim to relief that is plausible on its face.’”

Ashcroft v. Iqbal, 556 U.S. 662, 678 (2009) (quoting Bell Atl. Corp. v. Twombly, 550 U.S. 544,

570 (2007)); see also Bennett Tr., 561 F. Supp.

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