Smith v. Trans-Siberian Orchestra

689 F. Supp. 2d 1310, 2010 U.S. Dist. LEXIS 20806, 2010 WL 555470
CourtDistrict Court, M.D. Florida
DecidedFebruary 10, 2010
Docket3:09-cv-01013
StatusPublished
Cited by16 cases

This text of 689 F. Supp. 2d 1310 (Smith v. Trans-Siberian Orchestra) is published on Counsel Stack Legal Research, covering District Court, M.D. Florida primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Smith v. Trans-Siberian Orchestra, 689 F. Supp. 2d 1310, 2010 U.S. Dist. LEXIS 20806, 2010 WL 555470 (M.D. Fla. 2010).

Opinion

ORDER

VIRGINIA M. HERNANDEZ COVINGTON, District Judge.

This matter is before the Court pursuant to Defendant Greg Hildebrandt’s motion to dismiss for lack of personal jurisdiction (Doc. # 12), filed on July 13, 2009. On July 22, 2009, Plaintiff Gary Smith filed his response in opposition to the motion to dismiss. (Doc, # 15). Thereafter, on August 3, 2009, with leave of Court, Hildebrandt filed his reply memorandum in support of the motion to dismiss. (Doc. # 18). Upon due consideration, the Court grants the motion to dismiss.

I. The Complaint

Smith, a Florida-based artist, asserts that he entered into an agreement with Paul O’Neill (the owner of the Trans-Siberian Orchestra “TSO”) to create artwork known as “Rose Guitar” for a single TSO album cover. (Doc. # 1 at ¶ 12). Smith did not relinquish the rights to further use of “Rose Guitar,” nor did Smith enter into *1312 any agreements allowing others to use the image of “Rose Guitar” without his permission. (Id. at ¶ 14).

Smith registered “Rose Guitar” with the United States Copyright Office. (Id. at ¶ 15). Smith alleges that TSO is using “Rose Guitar” on concert merchandise including, but not limited to, t-shirts, key-chains, hats, clothing, and song books. (Id. at ¶ 19-20). Smith also alleges that “Rose Guitar has been used in other works on TSO’s website and is made available for use as a downloadable electronic icon and computerized wallpaper.” (Id. at ¶ 21).

As to Defendant Hildebrandt, a New Jersey artist, Smith alleges: ‘“Rose Guitar’ has also been used by Hildebrandt in additional artwork, further infringing upon Smith’s copyright and exclusive ownership of the artwork.” (Id. at ¶ 25). Smith further alleges that Hildebrandt has “directly and indirectly profited and benefitted from the use and sale of Rose Guitar” and that Hildebrandt is “responsible for the design, manufacture, sale, marketing and distribution of the Infringing Products.” (Id. at ¶¶ 26, 32).

Thus, on June 1, 2009, Smith filed a complaint against TSO, O’Neill, and Hildebrandt. (Doc. # 1). The complaint contains seven counts, each asserted against all Defendants as follows: (1) Copyright Infringement; (2) Contributory Copyright Infringement; (3) Vicarious Copyright Infringement; (4) Deceptive and Unfair Trade Practices; (5) Common Law Unfair Competition; (6) Violation of the Visual Artists Rights Act of 1990 (“VARA”), and (7) Unjust Enrichment. (Doc. # 1).

Defendants TSO and O’Neill filed an answer to the complaint on July 13, 2009. (Doc. # 11). Hildebrandt did not file an answer to the complaint. Instead he filed the instant motion to dismiss and contends that this Court lacks personal jurisdiction over him. Hildebrandt seeks to be dismissed from this case with prejudice.

II. Legal standard

A court is obligated to dismiss an action against a defendant over which it has no personal jurisdiction. Posner v. Essex Ins. Co., 178 F.3d 1209, 1214 n. 6 (11th Cir.1999). On a motion to dismiss for lack of personal jurisdiction, such as the present one, the plaintiff bears the burden of establishing, by a preponderance of the evidence, that the court has juxisdiction over the defendant.

The detex-mination of whether the court has personal jurisdiction over a defendant is governed by a two-part analysis. First, the court must determine whether the plaintiff has alleged facts sufficient to subject the defendant to Florida’s long-arm statute. Future Tech. Today, Inc. v. OSF Healthcare Sys., 218 F.3d 1247, 1249 (11th Cir.2000) (citing Sculptchair, Inc. v. Century Arts, Ltd., 94 F.3d 623, 626 (11th Cir.1996)).

Second, once it has determined that the long-arm statute is satisfied, the court must determine whether plaintiffs assertion of jurisdiction comports with the Constitution’s requirements of due process and traditional notions of fair play and substantial justice. Sculptchair, Inc., 94 F.3d at 626 (quoting Int’l Shoe Co. v. Wash., 326 U.S. 310, 316, 66 S.Ct. 154, 90 L.Ed. 95 (1945)). In this case, the Court determines that Florida’s long-aim statute has not been satisfied, and therefore, analysis of Due Process and traditional notions of fair play and substantial justice is not required.

A. Florida’s Long-Arm Statute

Smith alleges in the complaint that this Court has both general and specific jurisdiction over Hildebrandt, specifically, Florida Statute Sections 48.193(l)(a) (engaging in a business venture in Floxida); 48.193(l)(b) (committing a toxtious act in Florida); and 48.193(2) (engaging in substantial and not isolated activity in Flox'i *1313 da). (Doc. # 1 at ¶ 4). Hildebrandt, on the other hand, contends that this Court lacks personal jurisdiction over him, and he supported his contentions with a declaration challenging personal jurisdiction. Accordingly, a specific burden-shifting scheme applies in this case. As stated in Walt Disney Co. v. Nelson, 677 So.2d 400 (Fla. 5th DCA 1996):

The burden of demonstrating the applicability of § 48.193 may initially be met by pleading facts within a jurisdictional basis contained in the statute. If the plaintiff has pled a prima facie case for jurisdiction, a simple motion to dismiss for lack of jurisdiction must fail, as a motion to dismiss, without more, challenges only the facial sufficiency of the jurisdictional pleading. If, however, the defendant supplements the motion with an affidavit contesting jurisdiction, then the burden returns to the plaintiff who must, by affidavit or other sworn statement, prove a sufficient jurisdictional basis.

Id. at 402; see also Future Tech. Today, Inc., 218 F.3d at 1249 (quoting Prentice v. Prentice Colour, Inc., 779 F.Supp. 578, 583 (M.D.Fla.1991)). 1

In the complaint, Smith established a prima facie case for personal jurisdiction over Hildebrandt. Here, through a declaration, Hildebrandt rebutted Smith’s jurisdictional allegations. In addition, Hildebrandt filed his responses to Smith’s interrogatories.

B. Hildebrandt’s Declaration and Interrogatory Responses

Hildebradt states in his declaration that he is an artist and illustrator who has created posters for Barbarella, Clash of the Titans, and Star Wars. (Hildebrandt Deck Doc. # 13-1 at ¶ 2). He has also worked on illustrations for calendars, books, and other media. (Id.) He has “created various artwork for rock bands including the many works for the band Trans-Siberian Orchestra.” (Id.) He states that “in my entire time working with TSO, I have only created three works featuring guitars and roses, and that last one was created in 2005.”

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Cite This Page — Counsel Stack

Bluebook (online)
689 F. Supp. 2d 1310, 2010 U.S. Dist. LEXIS 20806, 2010 WL 555470, Counsel Stack Legal Research, https://law.counselstack.com/opinion/smith-v-trans-siberian-orchestra-flmd-2010.