Shreve v. Edmundson Art Foundation, Inc.

50 N.W.2d 26, 243 Iowa 237, 1951 Iowa Sup. LEXIS 479
CourtSupreme Court of Iowa
DecidedNovember 13, 1951
Docket47895
StatusPublished
Cited by7 cases

This text of 50 N.W.2d 26 (Shreve v. Edmundson Art Foundation, Inc.) is published on Counsel Stack Legal Research, covering Supreme Court of Iowa primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Shreve v. Edmundson Art Foundation, Inc., 50 N.W.2d 26, 243 Iowa 237, 1951 Iowa Sup. LEXIS 479 (iowa 1951).

Opinion

Mantz, J.

Margrette L. Shreve brought suit for damages against the Edmundson Art Foundation, Inc., alleging that such defendant, in the operation of the art institute in the city of Des Moines, Iowa, was' negligent and that by reason of such negligence she was injured. Defendant resisted such claim and alleged that in such operation it was free from negligence and was not liable therefor. The trial court dismissed plaintiff’s petition and she has appealed to this court. A more detailed statement of the specific claim- which plaintiff urges against defendant, the resistance of defendant and the evidence will be later set forth in this opinion.

About 7:30 p.m., November 4, 1948, Margrette Shreve of Panora, Iowa, and a C9mpanion, entered a building in Greenwood Park, Des Moines, Iowa, said building being owned, controlled and operated by the defendant, Edmundson Art Foundation, Inc. It was devoted to and used for various art purposes, such as painting, weaving, pottery, molding, etc. It was open to the public, no admission being charged. As Mrs. Shreve and her companion were walking in one of the halls, or corridors, of such building she slipped and fell to the flopr, fracturing her hip. She was taken to the Lutheran Hospital in Des Moines and remained there until March 4, 1949,' when she was removed to the home of a daughter in Des Moines and remained there about three months. She was then taken to her home in Panora *239 and later went to various places. Her injury was serious and painful and permanent in its nature.

I. As heretofore stated the court, at the conclusion of all the evidence and upon motion of the defendant, directed a verdict against the plaintiff and in so doing stated that the evidence failed to show that the defendant was negligent in the operation of the art museum; also that as a charitable institution it was not liable for damages. At the same time, the court entered judgment against the plaintiff for costs. .

Plaintiff in her brief and argument states:

“Two questions are presented by this appeal:

“(1) Is the defendant a charitable institution and, if so, did its status exempt it from liability for this tort ? and

“(2) Was there evidence of the defendant’s negligence in the record sufficient to take the case to the jury?”

In this opinion we will refer to the Edmundson Art Foundation as the defendant, or the museum.

II. We will take up and consider the last stated question first. If it should appear that the plaintiff has failed to show negligence on the part of the defendant in the particular claimed, then it will not be necessary to pass upon the first question ^propounded, to wit, as a charitable institution is defendant liable for negligence to plaintiff?

There is little dispute in the evidence. The difficulty arises as to the legal effect of such evidence and the conclusions to be arrived at.

Before we set forth from the record various parts of the evidence which the plaintiff argues were sufficient to take the case to the jury on the question of defendant’s negligence, we will briefly set forth some matters which are a background to the matter involved.

The building in question was erected from a bequest by J. D. Edmundson, who, in his will left a large sum of money to be used for a building and its maintenance. It was provided that the building was to be controlled by a board of trustees. It was further provided that the building was to be devoted to art purposes and was to be open to the public with no admission charged.

*240 Tbe trustees picked a site for tbe building in Greenwood Park, Des Moines, Iowa, a beautiful wooded area in tbe west part of tbe city. Construction was begun in 1946 and tbe building was opened to tbe public early in the summer of 1949. The cost of the building and landscaping was estimated at approximately two million dollars. Tbe building when constructed was the product of tbe latest architectural designing, planning and .workmanship. Tbe .building stands' upon a rather high point with drives and walks on the outside. Tt has the main entrance, a large lobby and lounging rooms; rooms with walls and cases for the display of paintings and other matters usual to such buildings. Provision, was made for rooms where various work is carried on — painting, drawing, sculpture, weaving, ceramics, and other lines. Classes in such matters are carried on with teachers employed to instruct. A small charge is made for such instruction.

■ The board of trustees has general charge of the property. They receive no salaries for their services. They select an art director who directs the activities of the institution. There are from twelve to thirteen employees who do the work connected With the maintenance and .operation of the building. The cost of operation is largely paid from a fund derived from the sale of membershii)s, and-public donations.

III. The plaintiff, on November 4,1948, at about 7:30 p.m., went to the museum to see' about enrolling .as a pupil in the art school. She had with- her a companion, Mrs. Inez Barton, a cousin, of Des Moines. Mrs. Barton was then a pupil in a class in drawing. Plaintiff was then sixty-two years of age. Plaintiff came upon the invitation of Mrs. Barton. They came part way by streetcar and then walked approximately three blocks to the museum. They approached on the east side and used a walk to the south side. There had been a drizzling rain in the afternoon but it had stopped when plaintiff and her companion arrived. There was a doorway leading from the walk into a corridor running south from the main lobby. This corridor led toward the space devoted to the classrooms. When plaintiff and her companion entered the corridor they were on their way to the classrooms. Plaintiff had been in the main part of the building' once before. This corridor is quite wide and at a point on the south *241 énd it intersects a corridor running east towards the classroom, the destination of plaintiff and Mrs. Barton. A few feet from tbe point where the left turn was. to be made plaintiff slipped and fell, fracturing her hip. Where she fell was. .approximately the middle of the corridor. There is no question about the injury. According to her surgeon, plaintiff’s'injury is permanent in its nature. . '

The floor where plaintiff fell was of cement. The builder of the museum was Arthur H. Neumann, a building contractor for thirty-five years. His company built many of the larger buildings in Des Moines — the Equitable Building, Bankers Life, Telephone Building, Insurance Exchange, and others. He testified that the floors were built and laid in accordance with the plans and specifications prescribed by the architects' and that they accepted the floors after they were laid. He testified that he was there frequently while the building was being constructed. A few days before he testified, he had examined the floor at the point where plaintiff fell We quote from his testimony as shown by the record:

“I was pleased to see that the floor was standing- up, that is, that the surface wasn’t wearing. I was in the building and all parts of it from time to time, about the time the construction was completed. The floor was as level as it can possibly be made with a trowel. How you get the surface, depends on the type of floor specified.

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Bluebook (online)
50 N.W.2d 26, 243 Iowa 237, 1951 Iowa Sup. LEXIS 479, Counsel Stack Legal Research, https://law.counselstack.com/opinion/shreve-v-edmundson-art-foundation-inc-iowa-1951.