Shante Kelly v. Sean Combs, Daddy’s House Recordings Inc., CE OPCO, LLC d/b/a Combs Global f/k/a Combs Enterprises LLC, Bad Boy Entertainment Holdings, Inc., Bad Boy Productions Holdings, Inc., Bad Boy Books Holdings, Inc., Bad Boy Entertainment LLC, Bad Boy Productions LLC, Organizational Does 1-10, and Individual Does 1-10

District Court, S.D. New York·Decided August 5, 2026·No. 1:24-cv-08024·Unknown

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK 8/5/2026 -------------------------------------------------------------- X SHANTE KELLY, : Plaintiff, : : -against- : : SEAN COMBS, DADDY’S HOUSE : RECORDINGS INC., CE OPCO, LLC d/b/a : 24-CV-8024 (VEC) COMBS GLOBAL f/k/a COMBS ENTERPRISES : LLC, BAD BOY ENTERTAINMENT : OPINION & ORDER HOLDINGS, INC., BAD BOY PRODUCTIONS : HOLDINGS, INC., BAD BOY BOOKS : HOLDINGS, INC., BAD BOY : ENTERTAINMENT LLC, BAD BOY : PRODUCTIONS LLC, ORGANIZATIONAL : DOES 1-10, AND INDIVIDUAL DOES 1-10, : : Defendants. : -------------------------------------------------------------- X VALERIE CAPRONI, United States District Judge: Plaintiff Shante Kelly alleges that Defendant Sean Combs drugged and raped her at a party in New York City. She brought a claim pursuant to New York City’s Victims of Gender- Motivated Violence Protection Act (the “GMVPA”), N.Y.C. Admin. Code § 10-1104, against Combs and various businesses that he owns. See generally Second Am. Compl. (“SAC”), Dkt. 76. Defendants moved to dismiss. See Mot. to Dismiss (the “Motion” or “Mot.”), Dkt. 79. The Motion is GRANTED in part and DENIED in part. BACKGROUND1 Defendant Sean Combs is a musician, record executive, and business owner. SAC ¶¶ 2– 3. In December 2022, Plaintiff, an independent musician, was invited to a party hosted by 1 For purposes of deciding this Motion, the Court assumes the truth of the well-pled factual allegations in the Second Amended Complaint. See Hu v. City of N.Y., 927 F.3d 81, 88 (2d Cir. 2019). Combs. Id. ¶¶ 35–37. The party took place at a “large, white, elegant residence” that was “accessed by a long, curved driveway.” Id. ¶ 37. Although Plaintiff “was not and is not familiar with New York City,” she recalls departing from New Jersey, traveling in a car for “approximately 20 to 30 minutes” and, after crossing “what she understood to be the George Washington Bridge,” arriving at the house in “an upscale neighborhood of the Bronx.”2 Id.

¶¶ 36–37. At the party, Plaintiff “noticed the widespread use of drugs, including cocaine, pills, and marijuana.” Id. ¶ 42. According to Plaintiff, unspecified individuals “employed and working in conspiracy with Combs pressured all guests to consume the drugs that were being provided and served by the house staff.” Id. Plaintiff declined. Id. Plaintiff also observed Combs’ security and bodyguards “controll[ing] attendees’ entry and exit of the home” and “following Combs and monitoring who was in proximity to him throughout the party.” Id. ¶¶ 38–39. Later in the evening, Combs invited Plaintiff to a separate room to “discuss the advancement of her music career in private.” Id. ¶ 45. Plaintiff alleges that “Combs’

bodyguards permitted [her] to follow Combs.” Id. Once inside the room, Plaintiff “began feeling disoriented, as if she were slipping in and out of consciousness.” Id. ¶ 46. At that point, she realized that her drink had been drugged; Combs then proceeded to rape and sexually assault her. Id. ¶¶ 46–47.

2 In her earlier pleadings, Plaintiff alleged that the party took place in Manhattan. See Compl., Dkt. 1 ¶ 1; First Am. Compl. (“FAC”), Dkt. 71 ¶ 35. In their motion to dismiss the original Complaint, Defendants argued that no such residence exists within Manhattan, thus rendering it implausible that the party (and Plaintiff’s alleged assault) took place in Manhattan. Dkt. 57 at 4–6. In response, Plaintiff’s attorneys admitted that “[i]t may be the case that the assault did not occur ‘in Manhattan’ as pleaded,” noted that Plaintiff’s memory “may be unclear as to appearance of the residence itself or as to the exact location of the residence,” and essentially conceded that counsel had not conducted a reasonable inquiry to verify Plaintiff’s account. Dkt. 69 at 4–5. Because Plaintiff’s counsel “appear[ed] entirely unsure whether the allegations . . . about the location of the party [were] accurate,” the Court granted Defendants’ motion to dismiss, without prejudice. Dkt. 73 at 5 (“[T]he Court can only deny [Defendants’ original motion to dismiss] if it can find that Plaintiff’s claims are ‘plausible,’ not merely possible. It cannot make such a finding when Plaintiff’s own lawyers have represented that a material allegation . . . was based solely on the recollection of an individual whose memory ‘may be’ unreliable.” (internal citations omitted)). Plaintiff filed this action, bringing a single claim pursuant to the GMVPA. See id. ¶¶ 52– 58. She sued Combs and various businesses he owns: Bad Boy Entertainment, Bad Boy Books Holdings, Inc., Bad Boy Entertainment, LLC, Bad Boy Productions, LLC, Daddy’s House Recording Studio, Inc., and CE OPCO, LLC d/b/a Combs Global, f/k/a Combs Enterprises LLC, Combs Enterprises and Combs Global (collectively, the “Corporate Defendants”). Defendants

moved to dismiss Plaintiff’s Second Amended Complaint.3 See Mot. LEGAL STANDARD To survive a motion to dismiss for failure to state a claim upon which relief may be granted, “a complaint must contain sufficient factual matter, accepted as true, to ‘state a claim to relief that is plausible on its face.’” Ashcroft v. Iqbal, 556 U.S. 662, 678 (2009) (quoting Bell Atl. Corp. v. Twombly, 550 U.S. 544, 570 (2007)). At this stage, the Court draws all reasonable inferences in the light most favorable to the plaintiff, see Gibbons v. Malone, 703 F.3d 595, 599 (2d Cir. 2013) (citation omitted), and “draw[s] on its judicial experience and common sense,” Iqbal, 556 U.S. at 679. The Court is not required, however, “to accept as true a legal conclusion

couched as a factual allegation.” Id. at 678 (quoting Twombly, 550 U.S. at 555). DISCUSSION I. Plaintiff’s Second Amended Complaint Does Not Directly Contradict Her Prior Pleadings Plaintiff’s First Amended Complaint alleged that she was “drugged and raped by Combs at a house party in Manhattan.” FAC ¶ 1. The Court held that Plaintiff’s claim under the GMPVA, as alleged in her prior pleadings, was not plausible because Plaintiff’s lawyers appeared to concede that they did not conduct a reasonable investigation into the veracity of

3 As previously noted, see supra n.2, the Court granted Defendants’ prior motion to dismiss Plaintiff’s First Amended Complaint with leave to amend. See Dkt. 73 at 6–7. Plaintiff’s account and that Plaintiff’s memory as to the location of the party “may be unclear.” Dkt. 73 at 5; see also supra n.2. That said, the Court granted Defendants’ prior motion to dismiss without prejudice in recognition that “[i]t is possible that Plaintiff may, upon further investigation, be able to allege additional facts to allow the Court plausibly to infer that . . . the events alleged in the Amended Complaint occurred in New York City.” Dkt. 73 at 6.

Plaintiff’s Second Amended Complaint seems to have remedied the issue that plagued her initial pleadings. She now claims that the alleged incident occurred in the Bronx, New York, because she recalls traveling from Paterson, New Jersey, into New York, and “crossing what she understood to be the George Washington Bridge.” SAC ¶¶ 36–37. Plaintiff claims she is not familiar with New York, and “is now informed and believes that the house is located within an upscale neighborhood of the Bronx.” Id. ¶ 38. These additional allegations are sufficient to push Plaintiff’s claims from the realm of the “possible” into the realm of the “plausible,” as required by Twombly, Iqbal, and their progeny. Nonetheless, Defendants argue Plaintiff’s amended allegations should be disregarded

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Shante Kelly v. Sean Combs, Daddy’s House Recordings Inc., CE OPCO, LLC d/b/a Combs Global f/k/a Combs Enterprises LLC, Bad Boy Entertainment Holdings, Inc., Bad Boy Productions Holdings, Inc., Bad Boy Books Holdings, Inc., Bad Boy Entertainment LLC, Bad Boy Productions LLC, Organizational Does 1-10, and Individual Does 1-10, (S.D.N.Y. 2026).

Shante Kelly v. Sean Combs, Daddy’s House Recordings Inc., CE OPCO, LLC d/b/a Combs Global f/k/a Combs Enterprises LLC, Bad Boy Entertainment Holdings, Inc., Bad Boy Productions Holdings, Inc., Bad Boy Books Holdings, Inc., Bad Boy Entertainment LLC, Bad Boy Productions LLC, Organizational Does 1-10, and Individual Does 1-10 (Shante Kelly v. Sean Combs, Daddy’s House Recordings Inc., CE OPCO, LLC d/b/a Combs Global f/k/a Combs Enterprises LLC, Bad Boy Entertainment Holdings, Inc., Bad Boy Productions Holdings, Inc., Bad Boy Books Holdings, Inc., Bad Boy Entertainment LLC, Bad Boy Productions LLC, Organizational Does 1-10, and Individual Does 1-10) — published by Counsel Stack Legal Research, free access to 12M+ legal documents.

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