Shande v. Zoox, Inc.

District Court, N.D. California·Decided August 14, 2023·No. 5:22-cv-05821·Unknown

Opinion

TAVERSHIMA SHANDE, Case No. 22-cv-05821-BLF

Plaintiff, ORDER GRANTING MOTION TO DISMISS FIRST AMENDED v. COMPLAINT, WITH LEAVE TO AMEND IN PART AND WITHOUT ZOOX, INC., LEAVE TO AMEND IN PART; AND DEFERRING ANTI-SLAPP MOTION Defendant. [Re: ECF 32] This action arises out of a dispute over the ownership of digital content that Plaintiff Tavershima Shande (“Shande”) created while employed by Defendant Zoox, Inc. (“Zoox”). Shande was employed to create digital street scenery of San Francisco for Zoox, an autonomous vehicle company that uses realistic simulations for development. During his period of employment with Zoox, Shande also created digital street scenery of San Francisco that he sold through an online marketplace operated by non-party Epic Games, Inc. (“Epic”). Zoox submitted a takedown notice to Epic pursuant to the Digital Millennium Copyright Act (“DMCA”), 17 U.S.C § 512, which resulted in Epic’s removal of Shande’s digital content. Thereafter, Shande filed this suit against Zoox, asserting federal and state law claims. Zoox has filed a motion to dismiss certain claims under Federal Rule of Civil Procedure 12(b)(6), and a special motion to strike state law tort claims under California Code of Civil Procedure § 425.16 (“anti-SLAPP motion”). In the event the Court denies its anti-SLAPP motion, Zoox requests that the state law tort claims be dismissed pursuant to Rule 12(b)(6). For the reasons discussed below, the Rule 12(b)(6) motion is GRANTED as to all claims of the operative first amended complaint (“FAC”), WITH LEAVE TO AMEND IN PART and Shande filed the complaint in this action on October 6, 2022, and filed the FAC on January 3, 2023. He alleges the following: Shande was employed by Zoox as a Staff Technical Artist for approximately five years, from January 2017 through March 2022. See FAC ¶ 6. In that role, he used Zoox-supplied software to create digital street scenes for use in training Zoox’s autonomous vehicles to navigate an urban environment. See id. During the same period, Shande created digital urban scenery for use in videogames, which the FAC refers to as “the Content.” See id. ¶ 7. Shande registered his copyright in the Content with the United States Copyright Office in October 2022. See id. Shande sold and distributed the Content to customers on Epic’s Unreal Engine marketplace. See id. Zoox took the position that the Content infringes its rights, and it demanded that Shande stop all sales of the Content. See FAC ¶ 9. Shande argued that he created the Content on his own time, without using any material belonging to Zoox, and that the Content does not infringe Zoox’s rights. See id. However, Zoox rejected Shande’s argument and stated that it would treat Shande’s refusal to stop selling the Content as a de facto resignation of employment. See id. Shande refused to stop selling the Content and Zoox terminated his employment. See id. Zoox submitted a takedown notice to Epic pursuant to the DMCA. See FAC ¶ 10. Shande alleges that, “In that notice, Zoox falsely communicated to Epic that the Content infringed upon images embedded in its autonomous vehicle software which Shande had helped create as part of his employment with Zoox.” Id. Epic suspended the sale of Shande’s content in response to the takedown notice. See id. Shande submitted a counter-notice disputing Zoox’s takedown notice, triggering a 10-day deadline for Zoox to file a copyright infringement suit. See id. Zoox did not file a copyright infringement suit, and Epic restored the Content for sale on its site. See id. Zoox allegedly had further communications with Epic, in which Zoox represented that: “(1) Shande used knowledge and skills he acquired at Zoox to create the Content; (2) that he began selling the Content on the Unreal Engine marketplace only after his employment with Zoox had concluded; (3) that the Content is owned by Zoox under the work-made-for-hire doctrine hours belongs to Zoox as a matter of law because graphic artists such as Shande have no “after hours” in which to create works of their own; and (5) that Epic was potentially liable under applicable law as a contributory infringer for not removing the Content from its marketplace.” FAC ¶ 11. Epic refunded payments for the Content to Shande’s customers and advised Shande that Epic would withhold an equivalent sum from the proceeds of other product sales made by Shande through Epic’s marketplace. See id. ¶ 12. Based on these allegations, Shande asserts the following claims: (1) declaratory relief; (2) knowing misrepresentation under the DMCA, 17 U.S.C. § 512; (3) infringement of exclusive copyright interest under the Copyright Act, 17 U.S.C. § 501; (4) violations of contract and public policy in violation of California Labor Code § 2870; (5) intentional interference with contractual relations; (6) intentional interference with prospective economic advantage; and (7) violation of California’s unfair competition law (“UCL”), Cal. Bus. & Prof. Code § 17200. A. Motion to Dismiss under Rule 12(b)(6) “A motion to dismiss under Federal Rule of Civil Procedure 12(b)(6) for failure to state a claim upon which relief can be granted tests the legal sufficiency of a claim.” Conservation Force v. Salazar, 646 F.3d 1240, 1241-42 (9th Cir. 2011) (internal quotation marks and citation omitted). While a complaint need not contain detailed factual allegations, it “must contain sufficient factual matter, accepted as true, to ‘state a claim to relief that is plausible on its face.’” Ashcroft v. Iqbal, 556 U.S. 662, 678 (2009) (quoting Bell Atl. Corp. v. Twombly, 550 U.S. 544, 570 (2007)). B. Anti-SLAPP Motion under California Code of Civil Procedure § 425.16 “Under California’s anti-SLAPP statute, a defendant may bring a special motion to strike a cause of action arising from constitutionally protected speech or petitioning activity.” Barry v. State Bar of California, 2 Cal. 5th 318, 320 (2017). An anti-SLAPP motion may be brought against state law claims pending in federal court. See Gunn v. Drage, 65 F.4th 1109, 1119 (9th Cir. 2023) (“[W]e have repeatedly affirmed the applicability of California’s anti-SLAPP statute in diversity cases.”); In re Bah, 321 B.R. 41, 46 (B.A.P. 9th Cir. 2005) (“[A]pplication of the anti- “The analysis of an anti-SLAPP motion proceeds in two steps.” Barry, 2 Cal.5th at 321. “At the first step, the moving defendant bears the burden of identifying all allegations of protected activity, and the claims for relief supported by them.” Baral v. Schnitt, 1 Cal. 5th 376, 396 (2016). Only “[i]f the court determines that relief is sought based on allegations arising from activity protected by the statute” is the second step reached. Id. At the second step, “the burden shifts to the plaintiff to demonstrate that each challenged claim based on protected activity is legally sufficient and factually substantiated.” Baral, 1 Cal. 5th at 396. Zoox asserts that Claim 2 under the DMCA, Claim 3 under the Copyright Act, and Claim 4 under California Labor Code § 2870 should be dismissed under Rule 12(b)(6

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