Sepe v. Wiesenfeld CA2/3

CourtCalifornia Court of Appeal
DecidedMay 2, 2013
DocketB238687
StatusUnpublished

This text of Sepe v. Wiesenfeld CA2/3 (Sepe v. Wiesenfeld CA2/3) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Sepe v. Wiesenfeld CA2/3, (Cal. Ct. App. 2013).

Opinion

Filed 5/2/13 Sepe v. Wiesenfeld CA2/3 NOT TO BE PUBLISHED IN THE OFFICIAL REPORTS California Rules of Court, rule 8.1115(a), prohibits courts and parties from citing or relying on opinions not certified for publication or ordered published, except as specified by rule 8.1115(b). This opinion has not been certified for publication or ordered published for purposes of rule 8.1115.

IN THE COURT OF APPEAL OF THE STATE OF CALIFORNIA

SECOND APPELLATE DISTRICT

DIVISION THREE

WILLIAM SEPE, B238687

Plaintiff and Appellant, (Los Angeles County Super. Ct. No. SC109399) v.

LISA SEPE-WIESENFELD, as Trustee, etc., et al.,

Defendants and Respondents.

APPEAL from an judgment of the Superior Court of Los Angeles County, Craig D. Karlan, Judge. Reversed. Lowe Law Group and Steven T. Lowe for Plaintiff and Appellant. Crandall, Wade & Lowe and Edwin B. Brown for Defendants and Respondents Lisa Sepe-Wiesenfeld individually and as trustee of the Sepe Family Trust and Louis Sepe. Matthew E. Hess for Defendants and Respondents Parviz Omidvar and Music Royalty Consulting, Inc. _________________________ INTRODUCTION Plaintiff William Sepe claims a right to 50 percent of the royalties his brother Anthony Sepe received for the composition entitled “You’re the First, the Last, My Everything” made famous by the late Barry White (the song). After Anthony died, plaintiff sued Anthony’s children and the trustee of the Sepe Family Trust (the Sepe defendants) over the publishing royalties, and Music Royalty Consulting, Inc. (MRCI) and Parviz Omidvar (the MRCI defendants) over the songwriting royalties.1 Plaintiff appeals from the dismissal of his lawsuit after the trial court sustained defendants’ demurrers without leave to amend. We hold the statute of limitations in Code of Civil Procedure section 366.22 does not apply to plaintiff’s claims against the Sepe defendants. We further hold the second amended complaint adequately pled causes of action for intentional interference with contract against Anthony’s children and for declaratory relief against the trustee. However, section 366.2 bars plaintiff’s causes of action against the MRCI defendants. Accordingly, we reverse that portion of the judgment concerning the causes of action for intentional interference with contract and declaratory relief against certain Sepe defendants and affirm the judgment in all other respects. FACTUAL AND PROCEDURAL BACKGROUND 1. Plaintiff’s lawsuit For purposes of review, we assume the truth of the following allegations. (Zelig v. County of Los Angeles (2002) 27 Cal.4th 1112, 1126.) In the 1970’s, Anthony3 obtained an assignment of a 20 percent ownership interest in songwriter and publishing royalties from the song. The American Society of Composers, Authors & Publishers (ASCAP)

1 Defendants in the second amended and operative complaint are: (1) the Sepe defendants, comprised of Lisa Sepe Wiesenfeld, individually and as trustee of the Sepe Family Trust, and Louis Sepe, and (2) the MRCI defendants, who are Music Royalty Consulting, Inc., and Parviz Omidvar. 2 All further statutory references are to the Code of Civil Procedure, unless otherwise indicated. 3 We refer to parties by their first name for clarity and intend no disrespect thereby.

2 and Warner/Chappell Music, Inc. (Warner) are each responsible for collecting and paying publishing royalties earned by the song.4 Anthony orally assigned 50 percent of his royalties (i.e., 10 percent of all royalties) in perpetuity to plaintiff in return for $10,000. Anthony acknowledged this assignment in a written agreement dated June 9, 2004. (Together, the assignment to plaintiff and the June 2004 acknowledgment are referred to as the Royalty Agreement.)5 There are no allegations that plaintiff registered his royalty interest with ASCAP or Warner, and so plaintiff’s rights in the royalties derive from his Royalty Agreement with Anthony. For approximately 30 years, until Anthony’s death in March 2009, Anthony regularly paid plaintiff his share of the royalties. In the original complaint, plaintiff alleged that Anthony “never paid William the full value of the royalties to which he [was] entitled.” Plaintiff received the last royalty payment in February 2009, which covered the last quarter of 2008, with the result he “received his share of royalty payments from Warner[] (and a portion of ASCAP royalties as well) through [Anthony’s] death.” The next royalty period after Anthony’s death closed in March 2009 and plaintiff expected a payment in May or June 2009. Plaintiff received no royalty payments after Anthony’s death.

4 “ASCAP is a ‘performing rights society,’ a nonprofit organization that licenses the music of its members and collects royalties whenever that music is performed publicly.” (Range Road Music, Inc. v. East Coast Foods, Inc. (9th Cir. 2012) 668 F.3d 1148, 1151, cert. den. East Coast Foods, Inc. v. Range Road Music, Inc. (2012) 133 S.Ct. 209.) Publishing royalties, such as those paid by Warner, are paid to “ ‘compensate the owner of a musical composition for use of the copyrighted material at a set statutory rate.’ ” (Jasper v. Bovina Music, Inc. (2d Cir. 2002) 314 F.3d 42, 44-45, fn. 1.) 5 The Royalty Agreement reads, “Anthony Sepe hereby confirms that his brother, William Sepe is in fact a fifty percent (50%) owner of all royalties that are to be paid as a result of that certain song, “You are my First, my Last, my Everything”. Such royalties are being paid by ASCAP and Warner Brothers or their successor and assigns.” (Capitalization omitted.) The agreement was executed on June 9, 2004 and witnessed by Anthony’s wife Shirley Sepe and plaintiff’s wife Barbara Sepe.

3 Anthony died intestate in March 2009. Anthony’s children, Lisa Sepe Wiesenfeld and Louis Sepe, and his wife Shirley Sepe, created the Sepe Family Trust (the Trust) approximately six months after Anthony’s death, without complying with the Probate Code, to succeed to Anthony’s right to the royalties. Lisa as trustee refused to account for or pay plaintiff his portion of the royalties. Plaintiff learned after Anthony’s death, that in January 2008, over a year before his death, Anthony “had wrongfully” assigned to MRCI and its president, Parviz Omidvar all of Anthony’s ownership rights in the publishing royalties paid by ASCAP (the 2008 MRCI Assignment). Anthony and Omidvar were close friends and business associates. Omidvar knew that Anthony did not have the right to transfer that which he did not own. Plaintiff received no payments from MRCI even after contacting MRCI and Omidvar. Attached to the original complaint was a letter dated October 20, 2009 from ASCAP to the MRCI defendants discussing Anthony’s 2008 MRCI Assignment. ASCAP agreed to place a hold on the disputed portion of the royalties earned by the song until this lawsuit is resolved. In January 2009, just months before Anthony’s death, the Sepe defendants “induced” a declaration from Anthony that purports to terminate the Royalty Agreement upon Anthony’s death (the 2009 Termination Declaration).6 Plaintiff only learned of the 2009 Termination Declaration after Anthony died.

6 Exhibit 2 is the 2009 Termination Declaration. It is an untitled, one and a half page document, signed by Anthony and Shirley. It commences with “I, Tony Sepe, being of sound mind and body, declare under penalty of perjury that the foregoing is true and correct.” Paragraph 3 of the document states, “Sometime in the 1970’s or early 1980’s I gave to my brother Bill Sepe the right to receive a portion of the income from the writer’s royalties (only) derived from the distribution of the aforementioned song. . . .

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Sepe v. Wiesenfeld CA2/3, Counsel Stack Legal Research, https://law.counselstack.com/opinion/sepe-v-wiesenfeld-ca23-calctapp-2013.