Scott Jurgensmeyer v. James F. Prater

CourtCourt of Appeals of Tennessee
DecidedApril 24, 2003
DocketM2000-02986-COA-R3-CV
StatusPublished

This text of Scott Jurgensmeyer v. James F. Prater (Scott Jurgensmeyer v. James F. Prater) is published on Counsel Stack Legal Research, covering Court of Appeals of Tennessee primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Scott Jurgensmeyer v. James F. Prater, (Tenn. Ct. App. 2003).

Opinion

IN THE COURT OF APPEALS OF TENNESSEE AT NASHVILLE September 6, 2001 Session

SCOTT JURGENSMEYER, ET AL. v. JAMES F. PRATER

Appeal from the Chancery Court for Davidson County No. 99-305-III Ellen Hobbs Lyle, Chancellor

No. M2000-02986-COA-R3-CV - Filed April 24, 2003

In this consolidated case involving claims of fraud, negligent misrepresentation, breach of contract, and violations of the Tennessee Consumer Protection Act, the trial court granted summary judgment for the defendant on the ground that he had not acted individually and his corporation had not been named as a defendant. For the following reasons, we reverse and remand the decision of the trial court.

Tenn. R. App. P. 3 Appeal as of Right; Judgment of the Chancery Court Reversed and Remanded

PATRICIA J. COTTRELL, J., delivered the opinion of the court, in which BEN H. CANTRELL , P.J., M.S., and WILLIAM B. CAIN , J., joined.

Robin J. Gordon, Nashville, Tennessee, for the appellants Scott Jurgensmeyer and Jim Wise.

James H. Harris III, Nashville, Tennessee, for the appellee, James F. Prater.

OPINION

This appeal is from a summary judgment granted to the defendant, James F. Prater, in a case which consolidated two separate cases, one brought by Scott Jurgensmeyer, and one brought by Jim Wise, both of which arose from Mr. Prater’s involvement in arrangements to develop performers into recording artists. In both situations another person, Mr. Thomas Wayne Oliver, was involved and, it could be fairly said, was the primary actor.

I. Mr. Jurgensmeyer’s Complaint

In his complaint, Mr. Jurgensmeyer alleged the following facts. He is a farmer residing in the State of Missouri. In August of 1995, Mr. Jurgensmeyer met with Mr. Prater and Mr. Oliver to discuss the development of the musical career of an artist by the name of Hawke Montana. During this conversation, Mr. Oliver and Mr. Prater represented to Mr. Jurgensmeyer that it would be possible to secure a recording contract for Hawke Montana at Curb Records for a sum to be specified at a later date. Mr. Oliver, Mr. Prater, and Mr. Jurgensmeyer entered into an oral agreement whereby Mr. Jurgensmeyer would provide the financial backing to secure the record contract, and Mr. Prater and Mr. Oliver would secure the recording contract. Mr. Jurgensmeyer caused to be delivered “a check to Defendant Prater and Oliver” in the sum of fifty thousand dollars ($50,000.00) to secure the recording agreement with Mr. Chuck Howard as producer.

On August 22, 1995, Mr. Oliver and Mr. Prater represented to Mr. Jurgensmeyer that they had procured a recording agreement for Hawke Montana with Curb Records and that Chuck Howard would be the producer for the record. On that date, Mr. Oliver and Mr. Prater provided him with a copy of a written agreement between Mr. Oliver and Big Sky Entertainment, Inc. wherein Mr. Oliver represented that he had procured a recording contract with Curb Records for Hawke Montana.

The referenced document, a letter, is signed solely by Mr. Oliver, and discusses the details of the recording contract, the tasks that must be performed before the contract will be signed, including delivery of master recordings for the album, and concludes:

The investment in this project is $500,000, as agreed. $50,000 is in escrow at this time. The balance of $450,000 should be wire transferred on receipt of this signed statement of agreement between Big Sky Ent., Inc. and Wayne Oliver Ent. [Enterprises].

The Complaint does not identify Big Sky Entertainment, and we are unaware from the record whether there is any connection between that entity and Mr. Jurgensmeyer. In any event, Mr. Jurgensmeyer’s complaint further alleged the following facts.

A few days after Mr. Jurgensmeyer received a copy of the August 22 letter, Mr. Oliver contacted Mr. Jurgensmeyer to solicit an additional $200,000 “to procure the alleged recording agreement allegedly secured.” Mr. Jurgensmeyer alleges that he sent the money by wire transfer in reliance upon the representations regarding the existence and details of the recording contract. He never alleges to whom he sent the transfer, but rather asserts, “Defendant Prater and Oliver were in receipt of a wire transfer” from him for $200,000.

On January 17, 1996, Mr. Oliver and Mr. Prater informed Mr. Jurgensmeyer at a meeting that they would no longer work with Hawke Montana because he had become uncooperative. Mr. Jurgensmeyer agreed with that decision. Mr. Jurgensmeyer alleged that Mr. Oliver and Mr. Prater agreed that the $250,000 would remain in an escrow account to allow him to decide if he was interested in working with another artist. He also alleged that he later asked that the money be placed in an interest bearing certificate of deposit, but was informed that it was imperative to keep it in a liquid account.

On February 1, 1996, Mr. Prater and Mr. Oliver represented to Mr. Jurgensmeyer that they would return Mr. Jurgensmeyer’s investment if he did not want to work with the new artist. On May

-2- 1, 1996, Mr. Oliver and Mr. Prater telephoned Mr. Jurgensmeyer “with respect to [his] declining the offer . . . to invest in the new artist.” In that conversation, Mr. Jurgensmeyer requested the immediate return of the $250,000. Two days later, Mr. Jurgensmeyer met with Mr. Oliver and Mr. Prater in Nashville, and Mr. Oliver and Mr. Prater told him that $250,000 would be paid to him within two weeks.

When the money was not returned, Mr. Jurgensmeyer made other requests for it, and none has never been returned to him. Some time later Mr. Jurgensmeyer learned from representatives of Curb Records that no recording agreement ever existed in connection with Mr. Oliver, Mr. Prater, or Hawke Montana and there had been no agreement by Chuck Howard to produce such a record.

II. Mr. Wise’s Complaint

Beginning in 1995, Mr. Wise met with Mr. Prater and Mr. Oliver to discuss the development of Mr. Wise’s career as a musical recording artist, and they met or communicated regularly thereafter. During initial conversations, Mr. Oliver and Mr. Prater told Mr. Wise that it would be possible to secure a recording contract for him with Atlantic Records for a sum to be specified later. Mr. Wise then entered into an oral agreement with Mr. Prater and Mr. Oliver whereby Mr. Wise agreed to provide the necessary financial backing to secure a recording contract and Mr. Prater and Mr. Oliver agreed to secure the contract.

Later, Mr. Prater and Mr. Oliver represented to Mr. Wise that a recording agreement had been procured for Mr. Wise at Polydor or Atlantic Records and that Norro Wilson would be the producer for the recording. Prior to October 10, 1995, Mr. Oliver represented that he had spoken with Rick Blackburn, the president of Atlantic Records, regarding the recording agreement and that Mr. Blackburn had agreed to sign Mr. Wise to such an agreement. On October 10, 1995, Mr. Wise was provided “a copy of a written memorialization of the prior oral agreement” between himself and Mr. Oliver and Mr. Prater “wherein Mr. Oliver and Defendant Prater represented that a recording agreement had been procured for Plaintiff with Polydor or Atlantic Records and that Norro Wilson would be the producer for such recording.” The unsigned letter agreement dated October 10, 1995, is from Mr. Oliver, has no signature line for Mr. Prater, is addressed to Mr. Wise, and has blank signature lines for Mr. Oliver and Mr. Wise. It states “as per our agreement” Mr. Oliver had procured the recording agreement for Mr. Wise with Polydor Records or Atlantic Records of Nashville, with the producer to be Norro Wilson. It stated the agreement would be signed upon delivery of the album and the album project would take a few months to complete. It further stated:

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