Schlaifer Nance & Co. v. Estate of Warhol

7 F. Supp. 2d 364, 1998 U.S. Dist. LEXIS 8177, 1998 WL 289730
CourtDistrict Court, S.D. New York
DecidedJune 3, 1998
Docket90 Civ. 1095(DC)
StatusPublished
Cited by7 cases

This text of 7 F. Supp. 2d 364 (Schlaifer Nance & Co. v. Estate of Warhol) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Schlaifer Nance & Co. v. Estate of Warhol, 7 F. Supp. 2d 364, 1998 U.S. Dist. LEXIS 8177, 1998 WL 289730 (S.D.N.Y. 1998).

Opinion

*366 OPINION

CHIN, District Judge.

In this case, plaintiff Schlaifer Nance & Co., Inc. (“SNC”) alleged that it was fraudulently induced into entering a licensing agreement with the defendant Estate of Andy Warhol (the “Estate”) by defendants’ false representations that the Estate owned all the copyrights to all of Warhol’s works of art. SNC and its attorneys knew, however, that the .proposition could not be true, for many of Warhol’s works had fallen into the public domain and the copyrights to certain of his other works had been granted to others. Even though SNC and its lawyers knew the truth, SNC entered into the licensing agreement nonetheless, without conducting any due diligence or doing any investigation.

. Although it was clear to both SNC and its lawyers that they could not prove reasonable reliance, a necessary element of the fraud claim, they filed this action, alleging that SNC had relied on the representations. To the extent there was any doubt at the outset of the case as to the validity of the fraud claim, that doubt was eliminated in the three months before trial when SNC’s own attorneys produced certain documents and gave certain testimony that revealed the frivolous nature of the claim of reasonable reliance. Moreover, although SNC’s pre-contract, out-of-pocket .losses from the alleged fraud amounted to no more than $63,941, or $281,-441 at best, SNC’s attorneys expended extraordinary resources prosecuting the claim. Unfortunately, the Estate was forced to incur substantial legal expenses itself in defense.

The Estate moves for sanctions against SNC and its attorneys — Powell, Goldstein, Frazer & Murphy LLP (“Powell Goldstein”), James C. Rawls, Esq., C. Scott Greene, Esq., and Paul K. Rooney, Esq. The motion is granted, for I find that SNC and its attorneys prosecuted a meritless claim in bad faith.

Our adversarial system of justice depends on lawyers who advocate for their clients zealously. At the same time, our system works only if attorneys also meet their obligations as counselors and officers of the court. Here, SNC’s attorneys performed their role as advocates to a fault: they prevailed before a jury on a claim that never should have been brought. They failed, however, in their other two roles. As counselors, they should have advised their client to withdraw the fraud claim. Instead, they permitted their client to prosecute a claim that had no basis in fact and that was not worth pursuing and certainly not in the manner it was pursued here. As officers of the court, they pursued a meritless claim-in a vindictive and vexatious manner, spurred on by the belief that they could recover attorneys’ fees as punitive damages. Indeed, in the end they expended $2.6 million in time and disbursements chasing a claim that was worth only $63,941.

Accordingly, sanctions in the amount of $400,000 are imposed against SNC, Powell Goldstein, Rawls, Greene, and Rooney, jointly and severally, pursuant to 28 U.S.C. § 1927 and the Court’s inherent power.

BACKGROUND

A. The Facts

The facts of this case are detailed in my prior decision, Schlaifer Nance & Co. v. Estate of Andy Warhol, 927 F.Supp. 650 (S.D.N.Y.1996), aff'd, 119 F.3d 91 (2d Cir.1997), and may be summarized as follows:

In November 1987, SNC and the Estate entered into a licensing agreement (the “Agreement”) granting SNC the right to use Warhol’s artworks, name, likeness, and trademarks to . develop and market fashion, home decorating, gift, toy, and entertainment products. I assume for purposes of this motion that, prior to the execution of the Agreement, the Estate and defendants Frederick Hughes and Edward W. Hayes falsely represented that the Estate owned all the rights to all of Warhol’s works and that defendants failed to disclose that certain works had fallen into the public domain and that the copyrights to certain other works had been granted to others.

As set forth in more detail below, SNC was well aware of the existence of copyright problems with Warhol’s works even before it entered into the Agreement. In addition, SNC’s lawyers — members of the Powell Goldstein firm — also knew that certain of *367 Warhol’s works had fallen into the public domain and that the copyrights to other works had been transferred to others. Notwithstanding this knowledge, SNC did not do any due diligence or investigation and entered into the Agreement nonetheless.

Within a few weeks after the Agreement was signed, SNC started communicating with the Estate and its lawyers about copyright problems. SNC continued to bring public domain problems to the Estate’s attention throughout 1988. See 927 F.Supp. at 658. Although SNC had the right to terminate the Agreement for a “material breach,” it never sought to do so. Instead, SNC continued to work on the project until February 16, 1990, when it brought the instant lawsuit. Id. at 659, 664.

B. The Pleadings and Pre-Trial Motions

SNC’s original complaint in this action, which was initially assigned to Judge Stanton, alleged fraudulent inducement and breach of the Agreement against the Estate only. 1 The crux of the fraudulent inducement claim was that the Estate represented to SNC that “it had acquired all of Andy Warhol’s rights, title and interests to his works of art, including, without limitation, paintings, drawings, sculpture and works of applied art (‘Existing Artwork’),” that the representation was false because “the Estate did not have the sole and exclusive rights to the copyrights in all of the Existing Artwork,” and that had SNC “known that the representations and warranties were false, it would not have entered into the Agreement ' with the Estate.” (Compl. ¶¶ 14, 17, 40; see also Am.Compl. ¶¶ 19,22, 38, 43,47; See.Am. Compl. ¶¶ 29, 34, 50, 55, 59).

SNC later filed a second lawsuit against the Estate on February 22, 1991 for breach of the Agreement. See Schlaifer Nance & Co. v. Estate of Warhol, 764 F.Supp. 43 (S.D.N.Y.1991) (Stanton, J.). The Agreement, however, contained an arbitration clause that required some of SNC’s claims to be arbitrated. SNC commenced arbitration proceedings and obtained an arbitration award on June 18, 1991 of $4,086,646, of which $1.5 million was awarded as punitive damages. In their award, the arbitrators explained that the $1.5 million in punitive damages, or virtually all of it, was intended to reimburse SNC for its $1.46 million in attorneys’ fees and costs incurred in the arbitration.

On October 21, 1991, after the arbitration award, SNC filed an amended complaint in this case, which included the original fraud claim against the Estate as well as new fraud and civil RICO claims against the three individual defendants, Frederick Hughes, Edward W. Hayes, and Vincent Fremont. 2

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Bluebook (online)
7 F. Supp. 2d 364, 1998 U.S. Dist. LEXIS 8177, 1998 WL 289730, Counsel Stack Legal Research, https://law.counselstack.com/opinion/schlaifer-nance-co-v-estate-of-warhol-nysd-1998.