Santos v. Medina

CourtDistrict Court, S.D. New York
DecidedOctober 23, 2019
Docket1:18-cv-02685
StatusUnknown

This text of Santos v. Medina (Santos v. Medina) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Santos v. Medina, (S.D.N.Y. 2019).

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK

ANTHONY SANTOS and I LOVE AMIGUITA INC. as successor-in-interest to Palabras de Romeo Entertainment, Inc., OPINION AND ORDER Plaintiffs, 18 Civ. 02685 – against –

ANGELO MEDINA, also known as ANGELO MEDINA MERCADO, and PUBLIMAGEN DE ASESORES, INC.,

Defendants.

Ramos, D.J.: Publimagen De Asesores contracts with performing artists through its vice president and sole shareholder, Angelo Medina Mercado (“Medina”), to provide services, such as producing and booking performances. Medina contracted with Anthony Santos, a musical performer, and I Love Amiguita, Inc., his production company, to act as his booking agent. Santos alleges that Medina failed to remit fees arising out of this role. As a result, Plaintiffs sued Defendants for a breach of contract to recover nearly $500,000 in fees. In response, Medina filed a counterclaim against Santos to recover almost $1.2 million for a breach of contract claim relating to a purported separate oral agreement between the parties. Before the Court is Santos’ motion to dismiss the counterclaim pursuant to Federal Rules of Civil Procedure 12(b)(6) for failure to state a claim. Because the Court finds that the alleged oral agreement is unenforceable under the applicable statute of frauds, Plaintiffs’ motion to dismiss is GRANTED. I. BACKGROUND

A. The First Agreement Until 2014, Santos was a musical performer and part of a bachata1 group called Aventura. Medina is the vice president of Publimagen, a company that manages musical performers, and

promotes and coordinates large events, such as two Miss Universe pageants and a National Basketball Association (NBA) exhibition game. Defendants’ Memorandum in Support of Motion to Dismiss (“Medina’s Motion to Dismiss”) ¶ 3, Doc. 24. Publimagen is organized and exists under the laws of Puerto Rico, and is based in San Juan. Answer ¶ 11, Doc. 39. Santos and Medina first met in 2010 after an Aventura concert in San Juan, Puerto Rico. Answer ¶ 17. Santos was interested in Publimagen’s services because he was transitioning his career to that of a solo artist. Defendants’ Memorandum in Reply to Plaintiffs’ Opposition to Motion to Dismiss (“Medina’s Opposition Reply”) ¶¶ 5a, 6, Doc. 29. Santos contracted with Medina and Publimagen to serve as his booking agent in 2010. Medina’s Motion to Dismiss ¶ 17. Medina claims that the agreement was formed verbally, which Santos does not dispute. Defendants’

Memorandum in Opposition to Plaintiffs’ Motion to Dismiss (“Medina’s Opposition”) ¶ 28, Doc. 50; Decl. of Jordan Siev (“Siev Decl.”) Ex. B, Doc. 47. The parties concede that the contract is valid and enforceable under New York law. Opinion and Order on Defendants’ Motion to Dismiss (“Motion to Dismiss Order”), 15, Doc. 34. After he was retained, Medina was responsible for booking Santos’ concerts at various venues in the spring and summer of 2015 around the United States and Canada. Answer ¶¶ 2,

1 Bachata is “a genre of popular song and dance of the Dominican Republic performed with guitars and percussion.” Bachata, MERRIAM-WEBSTER.COM, https://www.merriam-webster.com/dictionary/bachata (last visited March 7, 2019). 17, 28–38; Medina’s Motion to Dismiss ¶ 16. Medina negotiated with promoters, reserved concert dates for Santos’ live performances, negotiated related fees, and booked performances for Santos’ Vol. 2 World Tour. Answer ¶ 20. Medina then collected fees earned by Santos for his performances, deducted a 10% commission, and forwarded the remaining balance as Santos instructed, including remitting fees to Sony Music Entertainment U.S. Latin LLC (“Sony”). Id. ¶ 22,

26. Santos alleges that Medina failed to distribute the remaining balances of all June and July 2015 concerts to Sony, instead retaining almost $500,000 for himself. Compl. ¶ 3, 41. After the conclusion of the 2015 concerts, Santos and his manager, Johnny Marines, informed Medina that Santos would no longer use Publimagen’s booking services as of 2016. Answer ¶ 87. Marines memorialized the termination in a letter (the “Termination Letter”), on August 3, 2015, informing Medina that Santos had “decided to terminate [his] services as Booking Manager.” Siev Decl. Ex. B. Although Medina acknowledged receipt of the Termination Letter, he claims that only his booking services were terminated, and that he would still be the exclusive promoter for Santos’ concerts in Puerto Rico. Pre-Motion Conference (“PMC”) 5:5, 12–18, Doc. 44. Santos argues that the entire professional relationship ended upon Medina’s receipt of the Termination Letter. Siev Decl. Ex. B. Notwithstanding, the Termination Letter was not attached or

referred to in the complaint, and the Court will not consider its validity. DiFolco v. MSNBC Cable L.L.C., 622 F.3d 104, 113 (2d. Cir. 2010) (finding where documentary evidence should not be considered where it was not “attached to the complaint, not incorporated by reference in the complaint, and was not integral to the complaint.”). B. The Alleged Oral Agreement Medina alleges that when informed of the termination of the original contract, Marines and

Medina orally agreed that “Publimagen would be the promotor of Santos’ concerts in Puerto Rico, under the same terms and conditions of the existing agreement, that is a commission of ten percent (10%).” Answer ¶ 87. Santos denies the existence of the alleged oral agreement. Plaintiffs’ Memorandum in Support of Motion to Dismiss (“Santos’ Motion to Dismiss”) at 1, Doc. 48. From 2016-2019, Santos performed ten concerts in Puerto Rico and did not engage Publimagen in its promotion services. Answer ¶¶ 88–93.

C. The Present Lawsuit Santos filed the initial action against Medina on March 26, 2018, alleging breach of contract, unjust enrichment, and conversion. He sought to recover $481,146.11 in damages for Medina’s alleged failure to remit fees from Santos’ performances as instructed. Compl. ¶ 64,

Doc. 1. On October 26, 2018, Medina filed a motion to dismiss, which was subsequently granted in part on March 8, 2019 for Santos’ unjust enrichment and conversion claims, and denied for Santos’ breach of contract claim. See Santos v. Medina, No. 18 Civ. 02685, 2019 WL 1099806 (S.D.N.Y. Mar. 8, 2019). Medina answered Santos’ complaint on March, 29, 2019. In his response, Medina denied liability, and asserted a counterclaim against Santos for breach of contract. Answer ¶ 88. He sought to recover $1,192,346.84 for commissions on performance fees, which he alleges he was deprived of. Id. ¶¶ 88–94. Santos now moves to dismiss Medina’s counterclaim for failure to state a claim. Santos’ Motion to Dismiss at 1.

II. STANDARD “To survive a motion to dismiss, a complaint must contain sufficient factual matter, accepted as true, to ‘state a claim to relief that is plausible on its face.’” Ashcroft v. Iqbal, 556 U.S. 662, 678 (2009) (quoting Bell Atl. Corp. v. Twombly, 550 U.S. 544, 570 (2007)). A claim is facially plausible “when the plaintiff pleads factual content that allows the court to draw the reasonable inference that the defendant is liable for the misconduct alleged.” Id. (citing Twombly, 550 U.S. at 556). The plaintiff must allege sufficient facts to show “more than a sheer possibility that a defendant has acted unlawfully.” Id. (citing Twombly, 550 U.S. at 557). However, this “flexible ‘plausibility standard’” is not a heightened pleading standard, In re

Elevator Antitrust Litig., 502 F.3d 47

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