Santora v. Copyright Claims Board

CourtDistrict Court, District of Columbia
DecidedMarch 26, 2026
DocketCivil Action No. 2025-1055
StatusPublished

This text of Santora v. Copyright Claims Board (Santora v. Copyright Claims Board) is published on Counsel Stack Legal Research, covering District Court, District of Columbia primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Santora v. Copyright Claims Board, (D.D.C. 2026).

Opinion

UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLUMBIA

FRANCESCO SANTORA,

Plaintiff,

v. Civil Action No. 25-1055 (TJK)

COPYRIGHT CLAIMS BOARD,

Defendant.

MEMORANDUM OPINION

Francesco Santora self-published a novel and sold it on Amazon. In 2024, he received

“takedown” notices accusing him of infringing an “Addams Family” franchise copyright. So he

brought a claim against Metro-Goldwyn-Mayer Studios Inc., or MGM, before the Copyright

Claims Board, seeking a declaration of noninfringement. MGM and another interested copyright

holder, the Tee & Charles Addams Foundation, counterclaimed for copyright infringement. Even-

tually, the Board dismissed his claim for failure to prosecute. While those proceedings were pend-

ing, Santora sued the Board here, alleging a slew of irregularities with how it was handling his

case. The Board moves to dismiss for failure to state a claim. The Court agrees Santora has not

done so—in part because he has conceded most of the Board’s arguments—and so it will grant the

Board’s motion and dismiss the case.

I. Background

A. The Copyright Claims Board

Established by Congress under the Copyright Alternative in Small-Claims Enforcement

(“CASE”) Act of 2020, the Copyright Claims Board (“Board”) provides “an alternative forum”

where “parties may voluntarily . . . resolve certain copyright claims regarding any category of copyrighted work.” 17 U.S.C. § 1502(a). See Bell v. Wilmott Storage Servs., LLC, 12 F.4th 1065,

1080 (9th Cir. 2021). Housed within the Library of Congress’s Copyright Office, the three-mem-

ber Board renders “determinations on the civil copyright claims, counterclaims, and defenses that

may be brought before [it],” 17 U.S.C. §§ 1502(b)(1), 1503(a)(1)(A), and awards remedies gener-

ally limited to “[m]onetary recovery” capped at $30,000 per claimant, attorneys’ fees and costs,

and voluntary agreements to cease certain activities, 17 U.S.C. § 1504(e)(1)(A), (e)(1)(D).

B. Procedural History

The relevant procedural history in this case is a tale of two separate proceedings. In June

2024, Santora filed an amended claim against MGM with the Board. See Santora v. Metro-

Goldwyn-Mayer Studios Inc. et al., No 24-CCB-0127, CCB Dkt. 10 (Copyright Claims Bd. June

20, 2024).1 He sought a declaration of noninfringement as to his copyrighted book, and brought a

misrepresentation claim against MGM under 17 U.S.C. § 512(f). Id. Santora alleged that Amazon,

prompted by MGM’s “takedown” notices under the Digital Millennium Copyright Act

(“DMCA”), wrongfully “suspended sales of [his] book” based on alleged copyright infringement,

“causing financial loss and reputational damage.”2 Id. He also alleged that MGM’s “silence”

1 Santora attaches to his complaint a handful of filings and orders related to his proceeding before the Board. See ECF Nos. 52-4, 52-5, 52-6, 52-7, 52-12, 52-14. While he does not attach the full administrative record,“[c]ourts may take judicial notice of administrative documents and agency actions, which are generally of public record, without converting a motion to dismiss to a motion for summary judgment, particularly where those documents are central to the plaintiff’s claim.” Fontanez v. Berger, 21-cv-02073 (RC), 2022 WL 3646353, at *1 n.3 (D.D.C. Aug. 24, 2022) (cleaned up). Thus, the Court considers the entire administrative record of the Board’s proceedings—available at https://dockets.ccb.gov/case/detail/24-CCB-0127—in resolving the Board’s motion. In this Opinion, citations to orders and materials filed in Santora’s CCB proceed- ing are noted with the abbreviation “CCB Dkt.” 2 “[T]he DMCA creates a ‘notice and takedown’ procedure through which a copyright owner or someone authorized to act on their behalf may notify a service provider of infringing activity and request its removal. Notices must include, among other things, an identification of the infringed and infringing works . . . as well as statements that the complaining party has a good-

2 regarding the takedown notices constituted misrepresentation under Section 512(f) of the Copy-

right Act. Id. He contended that his book was “an original,” “derivative” “work [that] doesn’t

infringe upon MGM’s copyrights” because, among other reasons, the title character “is distinctly

different from the character portrayed in MGM’s series Wednesday Addams.” Id. Santora served

his claim on MGM in late July 2024, and MGM’s 60-day window to opt out of the proceedings

expired on September 23, 2024. CCB Dkt. No. 17; see 17 U.S.C. § 1506(i).

Over the next month, Santora filed several motions before the Board seeking relief from

MGM’s takedown notices. On September 23, 2024, he requested a conference to address MGM’s

“bad-faith conduct” of “continu[ing] to issue DMCA takedown notices” without “verif[ying] . . .

the alleged infringements.” CCB Dkt. No. 22. But because MGM had not yet appeared in the

proceeding, the Board denied the motion as premature. See CCB Dkt. No. 23 (citing 27 C.F.R.

§ 220.5(a)(2)). About a week later, Santora moved to sanction MGM for its “knowing misrepre-

sentations and deliberate abuse of DMCA [takedown notices],” CCB Dkt. No. 30 at 1, before

moving again later that month for a conference to address MGM’s “bad-faith” and “abusive

DMCA takedown notices.” CCB Dkt. No. 33 (citation modified).

With those motions pending, the Tee & Charles Addams Foundation moved to intervene

in the Board proceeding as “the owner and licensor of all original intellectual property rights in

. . . The Addams Family franchise.” CCB Dkt. No. 35. The Foundation proposed to file, with

MGM, a joint response and counterclaim in which they asserted that Santora’s book “infringe[d]

the copyright in the ‘Wednesday’ character from The Addams Family franchise.” CCB Dkt. No.

faith belief that use of the material is unauthorized. . . . Notices do not, however, need to include the basis for that belief. Once notified, the service provider can . . . ‘expeditiously’ remov[e] or disable[e] access to the material.” WhaleCo Inc. v. Shein Tech. LLC, 23-cv-3706 (TJK), 2025 WL 445187, at *1 (D.D.C. Feb. 9, 2025) (quoting 17 U.S.C. § 512(c)).

3 36 at 1. Finding that the Foundation was a “necessary party [under] 37 C.F.R. § 222.14(a)”—and

because Santora had not timely opposed the request—the Board granted the Foundation’s request

to intervene in December 2024. ECF No. 37-7.

At that time, the Board also denied Santora’s pending motions for sanctions and for a con-

ference, finding that he had offered “[no] basis to find that [MGM or the Foundation] have acted

in bad faith” and that his “allegations on the merits [would] be handled at the appropriate stages

of th[e] proceeding.” ECF No. 37-9 (CCB Dkt. Nos. 39 & 45).

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