Sandoval v. M.J.F. Bowery Corp.

29 Mass. L. Rptr. 11
Massachusetts Superior Court·Decided July 22, 2011·No. No. ESCV200901835C·Published·Cited by 1 cases

Opinion

Kirpalani, Maynard, J.

INTRODUCTION

The plaintiffs, Katherine Sandoval (“Sandoval”), Noel Van Wagner (“Van Wagner”), Bonnie Griffin (“Griffin”), and Amy Bloodgood (“Bloodgood”) (collectively the “Plaintiffs”) worked for the defendant, M.J.F. Bowery Corporation d/b/a Ten’s Show Club (the “Club”), an adult entertainment facility located in Salisbuiy, Massachusetts, as exotic dancers. This matter is currently before the court on Plaintiffs’ Motion for Partial Summary Judgment, requesting the court determine, as a matter of law, that they are employees under G.L.c. 149, §148B. For the reasons explained below, the Motion for Partial Summary Judgment will be ALLOWED.

BACKGROUND

The undisputed facts, and the disputed facts viewed in the light most favorable to the Club as the non-moving parly, are as follows.

The Club is an adult entertainment facility and maintains an adult entertainment license as well as a liquor license from the Town of Salisbury. In addition to employing several bartenders and bouncers, the Club has dancers that perform nude on stage, as well as in private, for the entertainment of its customers. The Plaintiffs are dancers that performed at the Club.3 Mark J. Filtranti (“Filtranti”) is the president and sole owner of the Club. He is also the sole owner of M.J.F. Bowery LLC, Series C, which owns the real estate on which the Club is located.

The Club is arranged so that the “main stage” is in the middle of the first floor. There are chairs all around the stage as well as tables and chairs on the floor facing the stage.4 There is also a bar on each side of the stage. In addition, on the second floor, there is a balcony overlooking the stage. The Club is open to customers weekdays from 4 p.m. to 1 a.m. and weekends from 12 p.m. to 1 a.m. and the customers pay a five to fifteen dollar cover charge before being allowed to enter.

Gena Koulouras (“Koulouras”) is the Club’s Entertainment Coordinator. She runs amateur nights at the Club, which are the primary source for hiring new dancers. Some of the dancers who attend the amateur nights are seeking a regular location at which to dance and they seek out Koulouras to arrange a time to come to the Club and dance. There is no training or instruction involved.5 Although the majoriiy of the amateur night participants are, at their request, allowed to perform at the Club, ultimately, Koulouras selects and schedules only those she believes are “going to cut it” as dancers.6

In her role as Entertainment Coordinator, Koulouras is responsible for ensuring the customers are properly entertained. She prepares schedules for the dancers on a monthly basis. The dancers interested in working the coming month inform her of their [12]*12availability and she schedules them accordingly. Koulouras maintains a master schedule and gives each dancer a copy of their individual schedule. Normally, she schedules a minimum of six dancers per shift. If a dancer cannot make a shift, the dancer must notify Koulouras and she asks a dancer that is not on the schedule to come in to work.

The Club does not pay its dancers, and did not pay the Plaintiffs, wages, salaries, or fees in consideration for their work at the Club. In fact, the dancers are required to pay a “tip-out” fee to the Club at the beginning of each shift. The Club distributes the tip-out money to the disc jockey on a nightly basis. As of 2008, the tip-out fee was forty dollars Monday-Thursday, sixty dollars on Friday and Saturday, and fifty dollars on Sunday. The dancers were not allowed to negotiate a different tip-out fee.

The Club imposes a variety of rules, which the dancers are expected to follow, most of which reflect state and local ordinances. Some of these rules were expressed orally by the managers and some were set forth in memos posted around the club. During the past fifteen years, the Club held three to four meetings, which the dancers were required to attend in order to remain on the dance schedule.

The nightly rotation of dancers who appear on stage is based on which dancers are ready to perform first. The discjockey has the rotation list and he calls the dancers up onto the stage. The stage consists of four connected areas. During their stage routines, the dancers dance to the music and, after the conclusion of two songs, they move from one area of the stage to the next. Each dancer is on stage for eight songs. The dancers are required to remove all their clothing by the time they are finished with their stage routine. During the dancer’s stage routine, customers pay the dancers tips.

While a dancer is not performing on stage she usually walks around on the floor entertaining or talking with customers. At the request of a customer, a dancer can do a private dance at the customer’s table or a VIP dance in a separate area. The Club establishes a minimum fee of ten dollars for a private table dance and twenty dollars for a VIP dance. The dancers cannot negotiate a lower fee for these dances. In addition, if a dancer misses her rotation on stage, she is charged a twenty-five dollar fee. Usually, if the dancer is performing privately, the customer pays the twenty-five dollar fee so that the dancer can remain with him. This fee is kept in a disc jockey fund maintained by the Club.

In 2008, Koulouras posted a memo in the dressing room concerning attire, stating that, while not on stage, the dancers were to wear gowns and mid-thigh dresses only, no two-piece sets, no robes and no pants. According to Koulouras, she posted the costume limitation because the dancers “were walking around with G-strings and a wrap, or a bikini top and a pair of shorts that wasn’t covering their parts” and the policy was to encourage them “to cover! ] up to a certain degree." According to Filtranti, the dancers “can dress 100,000 ways,” as long as they comply with the general dress code applicable for an upscale gentlemen’s club, noting “it would not be [proper] for [the dancers] to wear a pair of sneakers and a pair of jeans on stage to dance” In addition, the Club has rules about the amount of customer contact. Initially, the Club was a “no contact” club. In March 2009, however, Koulouras posted a revised contact policy. According to the revised policy, a dancer can sit on a customer’s lap as long as they are not nude or topless. Notably, the Club does not have any rule regarding alcohol and the dancers, except that the dancers are treated the same as customers with regard to alcohol intake.7

The Club has a website which, in September 2009, contained pictures of the Club and its interior as well as photographs of the dancers. The website contained portrayals of activities at the Club, which were staged, to encourage customers to come to the Club. One section of the website was entitled “the Ten’s Girls,” and had photos of some of the dancers and their stage names. There was also a section inviting patrons to vote for the “Ten’s Girl of the Month.”8 Other than trying to develop a regular set of clients and keeping them informed as to their performance schedules, the Plaintiffs did nothing further to market themselves; the Plaintiffs did not have personal websites, business cards, or professional photographs.

DISCUSSION

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Sandoval v. M.J.F. Bowery Corp., 29 Mass. L. Rptr. 11 (Mass. Ct. App. 2011).

29 Mass. L. Rptr. 11 (Sandoval v. M.J.F. Bowery Corp.) — published by Counsel Stack Legal Research, free access to 12M+ legal documents.

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