Russian Entertainment Wholesale, Inc. v. Close-Up International, Inc.

767 F. Supp. 2d 392
CourtDistrict Court, E.D. New York
DecidedMarch 3, 2011
DocketCivil Action CV-05-4073(BMC)(JMA)
StatusPublished
Cited by4 cases

This text of 767 F. Supp. 2d 392 (Russian Entertainment Wholesale, Inc. v. Close-Up International, Inc.) is published on Counsel Stack Legal Research, covering District Court, E.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Russian Entertainment Wholesale, Inc. v. Close-Up International, Inc., 767 F. Supp. 2d 392 (E.D.N.Y. 2011).

Opinion

FINDINGS OF FACT AND CONCLUSIONS OF LAW

COGAN, District Judge.

Third-party plaintiff Close-Up International (“Close-Up” or “plaintiff’) brings suit against third-party defendants Dean-down Ltd. (“Deandown”), DVD Expo LLC (“DVD Expo”), Widnes Enterprises, Ltd. (“Widnes”) Roman Dikhtyar (“Dikhtyar”) (collectively referred to as the “Ruscico defendants”*) and Joseph Berov (“Berov”) for copyright infringement and willful copyright infringement of sixty-five Russian films, and against Image Entertainment, Inc. (“Image”) for copyright infringement and willful copyright infringement of twenty-nine Russian films. 1 2

The issue is simple to state but difficult to resolve. Close-Up has an exclusive license to distribute certain Russian films in their original Russian language. The Ruscico defendants, and through them, Image, have an exclusive license from the same licensor to distribute the same films—but with subtitles. The problem is that neither the licensor nor the two licensees, when they granted and obtained their respective rights, considered an obvious fact—a viewer can turn off the subtitles unless special protection is built into the films to prevent that. I hold that because Close-Up never obtained the right to enforce its license against a distributor of subtitled films without a “no shut off’ switch, and because the Ruscico defendants are distributing exactly the films that their license permitted them to distribute, Close-up cannot prevail in this action.

BACKGROUND

This case involves the rights to reproduce and sell DVD copies of sixty-five classic Russian films (the “Subject Works”). The Subject Works are part of what is sometimes referred to as the “Golden Collection,” which, in total, consists of more than five hundred of the most critically acclaimed and popular Russian films made between the mid-1950s and the early-2000s. Each of the sixty-five Subject Works was produced by one of two Russian film studios, namely Federal State Unitary Enterprise Mosfilm (“Mosfilm”) and Federal State Unitary Enterprise Filmofond Kionstudii Lenfilm (“Lenfilm”).

Although the history of Mosfilm and Lenfilm is complicated, owing in part to the privatization of the studios that occurred after the dissolution of the Soviet Union, see Films By Jove v. Berov, 154 F.Supp.2d 432 (E.D.N.Y.2001), none of the parties dispute that the copyrights in the Subject Works are all held by Mosfilm and Lenfilm, with each studio owning the copyrights in the films it created. What is in *396 dispute is the legal significance of various licensing agreements that the studios entered into. Throughout the late-1990s and 2000s, both Mosfilm and Lenfilm engaged in licensing programs whereby they licensed the rights to produce DVD versions of their films to multiple licensees, with each licensee obtaining different rights.

All of the parties to this litigation claim rights in some or all of the Subject Works, either through direct licenses with Mosfilm and Lenfilm, or through sublicenses that can be traced back to Mosfilm and Len-film. Close-Up is a New York corporation that restores and distributes Russian movies, and has a sublicense allowing it to reproduce and distribute all of the Subject Works. The Ruscico defendants consist of the following entities, which collectively refer to themselves as the Ruscico Group: Deandown, a U.K. business that is the direct licensee with Mosfilm; Widnes, a Cyprus business that licenses the Russian films internationally for Deandown; and DVD Expo, a Russian corporation that restores the films and manufactures the DVD disks that Deandown licenses for distribution, and is the direct licensee with Lenfilm. All three of these entities are controlled or otherwise related to the individual defendant Dikhtyar, a Russian citizen living in Moscow. Berov was formerly the owner of Russian Entertainment Wholesale, Inc., a DVD distributor that operated in the Brighton Beach area of Brooklyn, New York under the name St. Petersburg Publishing House (“SPPH”).

I. Plaintiff’s Claims

Close-Up’s complaint alleges the direct infringement of rights that it holds as the “exclusive” United States licensee of Russian-language-only DVD versions of the Subject Works.

Mosfilm produced sixty-one of the sixty-five films at issue in this litigation (the “Mosfilm Works”). With regard to the Mosfilm works, the parties dispute whether plaintiffs rights to reproduce and distribute Russian-language-only versions of the films in DVD format is infringed by defendants’ reproduction and distribution of multilingual DVD versions of the films, which allow the user to turn off the subtitles. The parties also dispute whether defendants were required to include technology on their DVDs that would make it impossible to turn off foreign subtitles when the films are played with their original Russian soundtrack, and if they were, whether such a provision can be enforced by Close-Up in a copyright infringement action.

Lenfilm produced the remaining four films at issue (the “Lenfilm Works”). As with the Mosfilm Works, the parties dispute whether plaintiffs rights to reproduce and distribute Russian-language-only versions of the films in DVD format is infringed by defendants’ reproduction and distribution of multilingual DVD versions of the films that can be watched in Russian without subtitles. However, unlike the Mos-film works, there is no dispute regarding the scope of defendants’ rights under the relevant licensing agreement with Lenfilm. Instead, the parties dispute whether defendants’ licensing agreement remained in force after July 1, 2003.

II. Procedural History

The procedural history of the copyright claims now before the Court is complicated by the fact that this case began as an anticipatory declaratory judgment action brought by SPPH, which is no longer involved in these proceedings. In its original action, SPPH sought a declaratory judgment to protect itself against copyright infringement assertions that CloseUp had made against it, but SPPH and Close-Up have since resolved those claims *397 through the entry of an Order on Consent in the related case of Close-Up Int’l Inc. v. Berov, 02-cv-2363.

The claims now before this Court arose from Close-Up’s third-party complaint against the Ruscico defendants; their independent United States distributor, Image; and Berov, who, through SPPH, purchased DVDs from the Ruscico defendants and distributed them to the public. Berov defaulted by failing to enter an appearance in this litigation.

I held a bench trial to determine liability on plaintiffs claims against the Ruscico defendants and Image, and damages against all defendants, including Berov. All parties (with the exception of Berov) then submitted post-trial briefs regarding potentially dispositive legal issues, findings of fact and damages.

FINDINGS OF FACT

The following facts were established at trial. For plaintiffs copyright infringement claims, plaintiff bore the burden of proving the elements of its claims by a preponderance of the evidence.

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Cite This Page — Counsel Stack

Bluebook (online)
767 F. Supp. 2d 392, Counsel Stack Legal Research, https://law.counselstack.com/opinion/russian-entertainment-wholesale-inc-v-close-up-international-inc-nyed-2011.