Rothschild v. Board of Educ. of City of Buffalo

778 F. Supp. 642, 1991 U.S. Dist. LEXIS 17879, 1991 WL 259758
CourtDistrict Court, W.D. New York
DecidedDecember 5, 1991
DocketCIV-80-933C
StatusPublished
Cited by4 cases

This text of 778 F. Supp. 642 (Rothschild v. Board of Educ. of City of Buffalo) is published on Counsel Stack Legal Research, covering District Court, W.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Rothschild v. Board of Educ. of City of Buffalo, 778 F. Supp. 642, 1991 U.S. Dist. LEXIS 17879, 1991 WL 259758 (W.D.N.Y. 1991).

Opinion

BACKGROUND

CURTIN, District Judge.

During the spring and summer of 1980, plaintiffs Christie Rothschild and Sanford Morris participated in the production of a videotape film at a Buffalo public school where they both held teaching positions, and both were disciplined for their involvement in the project. Rothschild, who was a temporary, untenured teacher at the time, 1 was never rehired by defendant Board of Education (“Board”). Morris, who held a tenured teaching position, was not discharged, but he alleges that after initially being suspended he was “removed from his position as a teacher in the field of communications.” Item 35 at 1127.

Invoking the court’s jurisdiction pursuant to 42 U.S.C. § 1983 and 28 U.S.C. § 1343, Rothschild claims that the defendants’ actions violated her rights under the First Amendment to the United States Constitution. 2 In addition, both plaintiffs have asserted several claims under New York State law based on certain statements and actions by defendants Eugene Reville and David Kelly, who at all relevant times were, respectively, the Superintendent of Schools and the President of the Board. 3

The court previously granted in part and denied in part the defendants’ motion for summary judgment with respect to the defamation claim embraced within the second cause of action, but denied the motion with respect to the balance of the plaintiffs’ claims. See Item 46. The court subsequently conducted a nonjury trial, after which the parties submitted briefs and proposed findings and then presented closing arguments. The following constitutes the court’s findings of fact and conclusions of law.

FACTS

Starting in approximately the early spring of 1980, the plaintiffs took part in the production of a film entitled Strike A Match at the Buffalo Academy for the Visual and Performing Arts (“Academy”). The Academy is part of the Magnet School Program of the Buffalo Public School System (“BPSS”), and it is attended by students in the fifth through twelfth grades. At that time, Rothschild was teaching theatre arts, and Morris taught in and headed the Academy’s telecommunications department. Both had received consistently favorable job evaluations throughout their careers in general and during their service at the Academy in particular. The author of the film’s script was Gerald Marchette, a western New York playwright, producer, and director. Marchette hoped to sell the script to Columbia Pictures through an intermediary he knew there.

Rothschild had a lead acting role in the project, but she played no part in the drafting of the screenplay. Both prior to and during her teaching career, Rothschild had been involved in theatre, and she had previously worked with Marchette before he approached her about performing in Strike A *645 Match. Morris became involved as the project’s technical producer after he was recommended to Marchette by Rothschild, and he also acted in one scene.

Prior to beginning the project with Marchette, Morris obtained oral permission to use the Academy’s premises and equipment from the school’s principal, Philip Lafornara, who died prior to the trial. Morris testified that he told Lafornara he had been approached by a local writer who hoped to produce a pilot film about a satirical murder mystery that could be sold to a major film company. He explained to Lafornara that he believed selling the pilot could enhance the prestige of the Academy and, hopefully, lead to job opportunities for graduating students by establishing a link between the Academy and a major studio. He also told Lafornara that, if the pilot commanded a sufficient price, the participants in the project planned to establish a scholarship fund for Academy students. According to Morris, Lafornara “was thrilled” about the project. Transcript, Item 71 (Volume III), at pp. 318, 345-47. See also Trial Exhibit 2 at p. 117. Morris also testified that he often had contact with Lafornara during the course of the filming — which included visits to the studio by Lafornara — and that Lafornara would always ask him how the project was progressing. In addition, Morris related that once during the filming an assistant principal questioned him about whether he had received permission for the project, and that Lafornara subsequently told the assistant that he had, in fact, given his permission. Id. at pp. 318-19, 359-60. After receiving permission from Lafornara, Morris agreed to produce the film from Marchette’s script.

Rothschild testified that after the project had begun, she confirmed with Lafornara that he had given permission for use of the Academy’s facilities. See Transcript, Item 70 (Volume II), at pp. 267-69. On one occasion, she was questioned about authorization for the undertaking by the same assistant principal who had questioned Morris, at which point she immediately sought out Lafornara and verified that the assistant was simply unaware that permission had been given. Id. at 274. She also testified that Lafornara at one point asked her how the project was progressing, and at another told her how pleased he was about it. Id. at 267-69. In addition, Rothschild related that she was the one who had originally suggested the creation a scholarship fund after being approached by Marchette about participating in the project. Id. at pp. 269-70.

It is apparent from the court’s review of the transcript of Lafornara’s testimony at Morris’s tenure hearing the following year that he was not aware of the precise nature of the project at the time he gave Morris permission to use the school’s facilities. See Trial Exhibit 2 at pp. 95-122. Indeed, Morris testified that he could not have told Lafornara about the content of the screenplay because he himself did not know it. See Transcript, Item 71 (Volume III), at pp. 344-45. It seems clear from his tenure-hearing testimony and the evidence at trial, however, that Lafornara did realize that Morris and the others were contemplating a private, commercial venture.

Two high-school seniors, at least one of whom was eighteen years old, were also involved in the filming, and both had obtained permission from their parents before participating in the production. Both students assisted Morris with the camera work, and one of them also played a minor acting role in the film. See Transcript, Item 70 (Volume II), at pp. 270-73; Item 71 (Volume III), at pp. 319-20, 344, 347-52. Steven Glassman, another teacher at the Academy, also had a small role in the production.

According to Marchette, he did not intend to make a complete movie; rather, he merely hoped to demonstrate, in his words, “the visual possibilities” of a detective story. Transcript, Item 69 (Volume I), at p. 35. For that reason, he did not think it was important that there be continuity in the film or that it be easy to follow for the people viewing it.

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Bluebook (online)
778 F. Supp. 642, 1991 U.S. Dist. LEXIS 17879, 1991 WL 259758, Counsel Stack Legal Research, https://law.counselstack.com/opinion/rothschild-v-board-of-educ-of-city-of-buffalo-nywd-1991.