Rosoff v. Mountain Laurel Center for the Performing Arts

317 F. Supp. 2d 493, 2004 U.S. Dist. LEXIS 8395, 2004 WL 1068048
CourtDistrict Court, S.D. New York
DecidedMay 13, 2004
Docket02 Civ.8352(LAK)
StatusPublished
Cited by4 cases

This text of 317 F. Supp. 2d 493 (Rosoff v. Mountain Laurel Center for the Performing Arts) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Rosoff v. Mountain Laurel Center for the Performing Arts, 317 F. Supp. 2d 493, 2004 U.S. Dist. LEXIS 8395, 2004 WL 1068048 (S.D.N.Y. 2004).

Opinion

MEMORANDUM OPINION

KAPLAN, District Judge.

Plaintiff, a concert violinist and world music figure, hoped to foster development of a summer performing arts center in the Poconos Mountains of Pennsylvania. As the project began to take shape, he envisioned himself as artistic director with substantial compensation. Various discussions took place with others involved in the project. Plaintiff ultimately brought this action to recover compensation that, he claims, is owed by the center, now known as Mountain Laurel Center for the Performing Arts (the “Center”), and its chairman, Harry Kiesendahl. Defendants move for summary judgment dismissing the amended complaint (the “Complaint”).

Facts

The Center’s origin may be traced to 1997, when plaintiff and others formed a predecessor known as The Keystone Center for the Performing Arts (“Keystone”), apparently in the hope of attracting orchestras and symphonies to the area during summers. 1 For reasons that are neither explained nor material, Keystone somehow gave way to the Center, which was incorporated in February 2000. 2 The events critical to this case bégan at about that time.

On February 8, 2000, the board of directors of the future Center adopted a resolution appointing plaintiff artistic director. 3 At that time, plaintiff distributed a document listing what he believed would be the duties of the artistic director. 4 Nevertheless, plaintiff agrees that there was no discussion at that meeting of whether plaintiff would receive any compensation or benefits, how long he would serve, or the circumstances in which he might be terminated. 5

In August 2000, plaintiff submitted to the Center a document characterized in the Rule 56.1 statements as a “proposed employment contract,” but which in fact is merely a term sheet proposing a salary of $150,000 per annum, a duration of five years, certain benefits, and a number of other terms. 6 The document specified that plaintiffs duties were to be “non-exclusive” and that he would “devote such time [to the Center] as [might be] necessary to complete duties.” While it referred to an *496 attached description of duties, no attachment has been produced on this motion. 7

On November 16, 2000, the Center’s management committee decided that the artistic director would be selected by a yet-to-be hired chief executive officer (“CEO”) and that it would not then offer plaintiff a contract, although it would support plaintiffs candidacy if the CEO ultimately decided that an artistic director should be appointed. 8 The committee nonetheless awarded plaintiff a $100,000 honorarium to be paid 90 days after the Center received certain approval from the Commonwealth of Pennsylvania and anticipated bank financing based upon it. 9 On the following day, Kiesendahl wrote to plaintiff, summarizing these decisions. 10

Plaintiff, after speaking with Kiesen-dahl, 11 responded with a memorandum dated December 1, 2000 headed “Suggested revision to your letter.” The suggested revisions in the key passage are indicated here with additions underlined and deletions struck out:

“To summarize our conversation at the meeting, all agreed that your vision, pioneering spirit and hard work kept this project alive. We also felt that a decision on a the financial details of your contract as Artistic Director before hiring-the GEO would be inappropriate and not be in the best interests of the Center or yourself, nor would it make good business sense. Once a CEO is appointed, the Management Committee will strongly-support your proposal-for the position-of Artistic Director seek input on those financial terms from the CEO and make a final decision. The final decision as to those terms will, however, remain with the Board. 12

On December 5, 2000, Kiesendahl sent plaintiff “a revised letter, per [plaintiffs] input” and asked that he sign and return a copy. Plaintiff did so 13 and resumed work with the Center. The signed letter incorporated all of plaintiffs proposed changes.

In mid-2001, plaintiff bought a house in the Poconos near the proposed site of the Center. At his request, the Center’s project manager sent a letter to plaintiffs mortgage broker that stated that plaintiff “will be brought onto the project in a salary capacity at the beginning of December 2001 and will continue in that capacity well past our grand opening Memorial Day Weekend 2003.” 14

In the winter of 2001, plaintiff submitted for the Center’s consideration a second term sheet, this one calling for a salary of $135,000, an unspecified “incentive program,” a duration of six years and benefits among other things. 15 This proposal was not accepted. 16

The Center finally obtained financing in early 2002 and hired a CEO who decided *497 that it neither needed nor could afford a salaried artistic director. 17 It never hired plaintiff, who thereupon brought this action. 18

The Complaint contains four claims for relief:

• Breach by the Center of an alleged oral agreement to offer him a contract to serve as its artistic director once it received funding. 19
• Recovery against the Center in quantum meruit for services rendered by plaintiff. 20
• Recovery against the Center on a theory of promissory estoppel based on an alleged promise of a salaried position as artistic director. 21
• Negligent misrepresentation against both the Center and Kiesendahl based on an alleged statement that plaintiff “would receive a salaried position and employment contract as Artistic Director when the center received funding.” 22

Discussion

A. Breach of Contract

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Cite This Page — Counsel Stack

Bluebook (online)
317 F. Supp. 2d 493, 2004 U.S. Dist. LEXIS 8395, 2004 WL 1068048, Counsel Stack Legal Research, https://law.counselstack.com/opinion/rosoff-v-mountain-laurel-center-for-the-performing-arts-nysd-2004.