Rod Geiger v. Dell Publishing Company, Inc.

719 F.2d 515, 9 Media L. Rep. (BNA) 2420, 1983 U.S. App. LEXIS 15955
CourtCourt of Appeals for the First Circuit
DecidedOctober 18, 1983
Docket83-1202
StatusPublished
Cited by12 cases

This text of 719 F.2d 515 (Rod Geiger v. Dell Publishing Company, Inc.) is published on Counsel Stack Legal Research, covering Court of Appeals for the First Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Rod Geiger v. Dell Publishing Company, Inc., 719 F.2d 515, 9 Media L. Rep. (BNA) 2420, 1983 U.S. App. LEXIS 15955 (1st Cir. 1983).

Opinion

COFFIN, Circuit Judge.

Appellant Rod Geiger brings this appeal from an order of the district court, 560 F.Supp. 12, granting summary judgment for the defendant publishing companies in Geiger’s diversity defamation suit. In order to set the stage for this appeal we must return to Italy in 1945, to the dawn of the neo-realist film movement. Geiger, a private stationed with the United States Army in Rome, met the Italian film directors Roberto Rossellini and Federico Fellini as they *516 collaborated on the film Open City. Geiger brought the film back in his barracks bag to the United States, where it became the biggest box-office attraction of the season. In 1946 Geiger returned to Italy and participated in the production of a second neo-realist film, Paisa (or Paisan), which also enjoyed critical acclaim and financial success in the United States.

In an autobiographical essay called “Sweet Beginnings”, first published in 1961, in an Italian magazine, Fellini recounts these events in terms that Geiger considers defamatory. Fellini describes Geiger as a “half-drunk” soldier who stumbled (literally as well as figuratively) onto the set of Open City. According to Fellini’s account, Geiger misrepresented himself as an American producer when actually he “was a nobody and didn’t have a dime”.

“Sweet Beginnings” was translated into English and published in the American magazine Atlas in 1962. The essay was incorporated in a collection of Fellini’s writings published in Germany in 1974. This collection was published in England in 1976 under the title Fellini on Fellini; defendants published Fellini on Fellini in the United States in April, 1976 and brought out a softcover edition in May, 1977. In January, 1979 Geiger brought the defamation action on which this appeal is based.

Geiger raises three issues on appeal. First, he argues that a book publisher is not a “media defendant” and so should not receive the level of First Amendment protection afforded a newspaper. Second, he argues that because he is not a public figure, the district court erred in requiring him to produce evidence of “gross irresponsibility” on the part of the defendants in order to survive the motion for summary judgment. Third, he contends that defendants had a duty to contact him in order to verify the damaging statements made in Fellini’s book.

Appellant has not cited any authority, nor are we aware of any, to support his assertion that First Amendment protection for “media defendants” stops short of those who publish books for general distribution. The parties do not dispute the district court’s determination that New York law applies to this case. In Karaduman v. Newsday, Inc., 51 N.Y.2d 531, 416 N.E.2d 557, 435 N.Y.S.2d 556 (1980), the Court of Appeals of New York applied the same defamation standard to publishers of a book in which a series of newspaper articles had been reprinted as it applied to publishers of the newspaper in which the articles had originally appeared. 416 N.E.2d at 566-67, 435 N.Y.S.2d at 566-67. Although appellant cites several cases in which courts have afforded less protection to non-media defendants, none of these defendants were book publishers. See, e.g., Conley v. Southern Import Sales, Inc., 382 F.Supp. 121 (M.D.Ala.1974) (defamatory letter sent to bar association by wig boutique); Levine v. Kiss, 47 A.D.2d 544, 363 N.Y.S.2d 101 (1975) (libelous statement in physician’s autopsy report); Greenmoss Builders, Inc. v. Dun & Bradstreet, Inc., Vt., 461 A.2d 414 (1983) (inaccuracies in credit report); Calero v. Del Chemical Corp., 68 Wis.2d 487, 228 N.W.2d 737 (1975) (libelous comments on employer information forms). Appellant’s emphasis on Reliance Insurance Co. v. Barrons, 442 F.Supp. 1341 (S.D.N.Y.1977), is likewise misplaced. In Reliance, the court found that the defendant financial magazine was a media defendant and noted that its disclosure function “should not be inhibited by judgments for damages of the sort sought here”. 442 F.Supp. at 1345. In short, appellant has not shown that the district court erred in applying to appellees a defamation standard appropriate to media defendants.

The defamation standard that the district court adopted was announced by the Court of Appeals of New York in Chapadeau v. Utica Observer-Dispatch, Inc., 38 N.Y.2d 196, 341 N.E.2d 569, 379 N.Y.S.2d 61 (1975). In Chapadeau, the New York court held:

“where the content of the article is arguably within the sphere of legitimate public concern, which is reasonably related to matters warranting public exposition, the party defamed may recover; however, to warrant such recovery he must establish, by a preponderance of the evidence, that *517 the publisher acted in a grossly irresponsible manner without due consideration for the standards of information gathering and dissemination ordinarily followed by responsible parties.” 341 N.E.2d at 571, 379 N.Y.S.2d at 64.

Chapadeau does not, as appellant contends it does, address the defamation of a “public figure”. Instead, the Chapadeau standard applies to private individuals whose activities are “arguably within the sphere of legitimate public concern”. Id. The Supreme Court announced in Gertz v. Robert Welch, Inc., 418 U.S. 323, 94 S.Ct. 2997, 41 L.Ed.2d 789 (1974), that “so long as they do not impose liability without fault, the States may define for themselves the appropriate standard of liability for a publisher ... of defamatory falsehood injurious to a private individual”. 418 U.S. at 347, 94 S.Ct. at 3010 (footnote omitted). It was in accordance with this authority that the New York Court of Appeals adopted the Chapadeau standard. 341 N.E.2d at 571, 379 N.Y.S.2d at 64; see also Wehringer v. Newman, 60 A.D.2d 385, 389-90, 400 N.Y. S.2d 533, 536 (1978).

The events Fellini describes in “Sweet Beginnings” are plainly matters “within the legitimate sphere of public concern”. The neo-realist film movement had a profound effect on the development of cinema, and Open City has been described as “a starting point of neo-realism”. P. Leprohon, The Italian Cinema 89 (1972). Nor was the effect of neo-realism confined to the cinema. One critic has observed that Open City and Paisa were “landmarks in the field of events as well as in that of aesthetics”. Id. at 95. Appellant himself testified that the American Embassy in Italy “considered ‘Open City’ and [appellant’s] role in ‘Open City’ as the first step toward cultural relations between Italy and the United States”. Deposition of April 2,1981, Appendix at 76. During oral argument, appellant cited Lerman v.

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719 F.2d 515, 9 Media L. Rep. (BNA) 2420, 1983 U.S. App. LEXIS 15955, Counsel Stack Legal Research, https://law.counselstack.com/opinion/rod-geiger-v-dell-publishing-company-inc-ca1-1983.