Richter v. Adobe Creek Lodge

299 P.2d 941, 143 Cal. App. 2d 514
CourtCalifornia Court of Appeal
DecidedJuly 30, 1956
Docket16561
StatusPublished

This text of 299 P.2d 941 (Richter v. Adobe Creek Lodge) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Richter v. Adobe Creek Lodge, 299 P.2d 941, 143 Cal. App. 2d 514 (Cal. Ct. App. 1956).

Opinion

143 Cal.App.2d 514 (1956)
299 P.2d 941

IRENE RICHTER, Respondent,
v.
ADOBE CREEK LODGE et al., Defendants; HENRY WAXMAN, Appellant.

Docket No. 16561.

Court of Appeals of California, First District, Division One.

July 30, 1956.

Cooley, Crowley, Gaither, Godward, Castro & Huddleson for Appellant.

Herron & Winn and John Wynne Herron for Respondent.

WOOD (Fred B.), J.

Plaintiff, a business invitee at defendant Waxman's recreational resort, sat down on the steps in front of a stage which was enclosed in front by a heavy *515 canvas curtain. A piano, pushed and pulled toward the front of the stage by two 13-year-old boys, went over the edge and onto plaintiff, to her serious injury.

Plaintiff obtained a verdict for $54,980 which was reduced to $42,500 as the condition for an order denying a new trial. Defendant's principal point in support of his appeal from the judgment and from an order denying his motion for judgment notwithstanding the verdict is that plaintiff failed as a matter of law to prove that her injuries were proximately caused by defendant's negligence.

The stage was enclosed at the rear and either side by a wall and covered with a roof. The boys entered out of curiosity and engaged in throwing a dart from wall to wall. It disappeared in the vicinity of the piano so they moved the piano away from the wall toward the center of the stage. Failing to find the dart, they undertook to move the piano back into place, one pulling and the other pushing. One of the boys said it at first moved a little hard, so they both tried a little harder and "finally it started moving." The other boy, asked if it moved rather freely as they went toward the front, said "No, sir, I don't believe so." As one of the boys expressed it, as one was pushing and the other pulling, "it sort of swerved around ... and then one of the casters went off, and it started falling." The other boy said "for some reason we got it too close to this first step here, and we misjudged the place and it started to topple over on one caster." Anne Sargent, one of the members of plaintiff's group testified that, hearing noises which attracted her attention (the noise of rolling, like skates or wheels), she opened the curtains at the front of the stage, saw the piano and on it a boy stretched out lying across the top of the piano. The other boy was in a "pushing position" behind one end of the piano.

The stage, 30 feet wide by 15 feet deep, had a smooth cement surface and, for drainage purposes, sloped 5 inches in 15 feet.

The piano was normally kept with its back against the left side wall, about 3 or 4 feet from the front of the stage. According to one of the boys that was where it was when they began moving it. The other boy placed it near the middle of the rear wall with one end against the wall.

The piano had been placed there for the use of patrons. It was an upright, weighed about 600 pounds and was about 5 feet high. It had double wheel casters for case of movement. *516 An expert witness testified that with this type of piano, when a caster drops off onto a lower surface, there is a tendency to throw the piano over. It has a narrow board across the bottom which makes it easier to tip it over in the back and hard to handle on a dolly even, "it always wants to roll." If this bottom board were wider it would be safer.

Defendant testified that he had owned the piano in question for about five or six years prior to the date of the accident. He knew that the surface of the stage was slightly slanted for drainage purposes. He did not know that a cement surface is conducive to the rolling of a piano. There was a standard place where the piano was kept when not in use. He had no rule that the piano could not be moved without securing permission of the management. He had instructed his foreman to put the piano in its regular place when it was not there. He knew that people moved the piano from its regular place. He thought that he could move the piano by himself.

Defendant had no blocks or chains or other means of fastening the piano at its normal location. There was a horizontal 8-inch by 8-inch timber at the front edge of the stage floor extending 5 feet toward the center from either end, secured to a vertical 8-inch by 8-inch timber which ran from the floor to the roof.

The piano had been on the stage some four or five years, ever since it was installed, with the possible exception that during the winter it would be removed and be put away. It was old-fashioned but a good instrument and in good working condition when he acquired it. One of the boys testified that he tried the keys but no sound came out. Defendant did not know what condition the piano was in at the time of the accident. He did not determine what condition it was in.

There was no evidence that anyone had previously been injured as a result of his own or another's use of this piano on this stage.

[1] The basic applicable principle is that the "duty owed by an owner to an invitee is to exercise reasonable care in maintaining his premises in a safe condition so as not to injure such invitee. (Butcher v. Queen City Iron & Metal Co., 99 Cal. App.2d 25 [221 P.2d 265].)" (Ashley v. Jones, 126 Cal. App.2d 328, 332 [271 P.2d 918].)

[2] There was nothing about the piano itself or its mere presence upon the stage that constituted a hazard to invitees. This piano, despite its large ball-bearing casters and the *517 smoothness and slope of the stage, was neither a self-propelling nor a "free-wheeling" instrument; it moved with difficulty. It was foreseeable that patrons might move the piano about upon the stage as might suit their convenient use of the stage. But that was not an operation which of itself would render the premises foreseeable unsafe for invitees. Nor was that the causative factor here.

It was the handling of the piano in such a manner as to push one corner of it (one of the casters) over the edge and off the stage that caused the instrument to topple over and injure plaintiff. That was not a danger known to the defendant, nor one which under the circumstances of the case his duty of reasonable care charged him with anticipating and guarding against, especially in view of the lack of any similar occurrence during the four or five years this piano had been on this stage.

One of the most recent cases persuasive of this view is Porter v. California Jockey Club, Inc., 134 Cal. App.2d 158 [285 P.2d 60]. A nonsuit was affirmed in an action brought by a patron of a race track who was injured when another patron running upstairs collided with her. Mr. Justice Dooling, speaking for the court, said: "In passing upon the motion for nonsuit the trial judge asked: `should the track assume not only that a man is going to run but that he is going to run right into a person standing in the space that he must occupy, and guard against that?' This question pointed up the weakness of plaintiff's case.

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Bluebook (online)
299 P.2d 941, 143 Cal. App. 2d 514, Counsel Stack Legal Research, https://law.counselstack.com/opinion/richter-v-adobe-creek-lodge-calctapp-1956.