Reiss v. Audible Inc.

CourtDistrict Court, S.D. New York
DecidedJune 11, 2025
Docket1:24-cv-05923
StatusUnknown

This text of Reiss v. Audible Inc. (Reiss v. Audible Inc.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Reiss v. Audible Inc., (S.D.N.Y. 2025).

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK CD REISS, on behalf of herself and all others similarly situated, Plaintiff, Case No. 1:24-cv-05923 (JLR) -against- OPINION AND ORDER AUDIBLE, INC., Defendant. JENNIFER L. ROCHON, United States District Judge: CD Reiss (“Reiss” or “Plaintiff”), a self-published author of books, including audiobooks, brings this putative class action against Audible (“Defendant”),1 a subsidiary of 0F Amazon and the largest audiobook retailer globally. At issue is Audible’s conduct in the domestic market for audiobook retail distribution. Reiss asserts monopolization and attempted monopolization claims against Audible under section 2 of the Sherman Antitrust Act of 1890, 15 U.S.C. § 2, on behalf of herself and all persons who contracted with Audible to sell audiobook titles through its platform and paid a distribution fee of at least 60 percent on their audiobook sales. Now before the Court is Audible’s motion to dismiss the Complaint for failure to state a claim pursuant to Federal Rule of Civil Procedure (“Rule”) 12(b)(6). Dkt. 64 (“Mot.”); Dkt. 65 (“Br.”). For the following reasons, the motion is DENIED.

1 On September 17, 2024, the Court entered the parties’ joint stipulation substituting “Audible, Inc.” as the proper defendant in this action. Dkt. 66. BACKGROUND I. Factual Background2 1F A. The Parties Reiss, a best-selling author residing in California, has been self-publishing for more than a decade and started producing audiobooks in 2016. Dkt. 1 (“Compl.”) ¶ 25. In 2017, she was the recipient of an Audie award. Compl. ¶ 25. She has distributed audiobooks through Amazon on both an exclusive and competitive basis since 2020. Compl. ¶ 25. “Exclusive” distribution means that an author’s title is distributed exclusively through Audible’s channels, including Amazon, Audible, and iTunes, while “competitive” distribution allows the author to distribute his or her title through both Audible and other distributors. Compl. ¶¶ 83-84. Reiss brings this action on behalf of a putative class of “authors and rightsholders who contracted with [Audible] to sell audiobook titles through [Audible] and paid a distribution fee of at least 60% on their audiobook sales.” Compl. ¶ 16. The putative class includes a subclass of “audiobook authors and rightsholders who distribute an audiobook title through channels in addition to [Audible] and who pay [Audible’s] 75%+ distribution fee.” Compl. ¶ 17. Audible is the dominant audiobook retailer in the United States and globally,

accounting for over 60 percent of domestic audiobook purchases. Compl. ¶¶ 1, 40. Audible’s parent company, Amazon, is an “online retail giant” that has made inroads into the audiobook market by providing audiobook retail distribution in exchange for a percentage of the sales

2 Unless otherwise noted, the facts stated herein are taken from the Complaint and accepted as true for purposes of this motion. See Empire Merchs., LLC v. Reliable Churchill LLLP, 902 F.3d 132, 139 (2d Cir. 2018); Carter v. HealthPort Techs., LLC, 822 F.3d 47, 56-57 (2d Cir. 2016). price paid by consumers. Compl. ¶¶ 26, 28. Audible originally launched as an independent company in 1995, but Amazon purchased the company in 2008 for approximately $300 million. Compl. ¶¶ 29, 30. Amazon also owns Audiobook Creation Exchange (“ACX”), an online marketplace launched by Audible in 2011 for authors, narrators, producers, and other industry professionals to connect and create audiobooks. Compl. ¶ 32. To sell their audiobooks, self-

published and independent authors upload them through ACX, with all titles distributed through ACX made available for sale on Amazon and Audible. Compl. ¶ 32. These independent authors largely pay for their own production work, including hiring their own narrators. Compl. ¶ 51. In contrast, the “Big 5” book publishers, including HarperCollins, Macmillan, Hachette, Penguin Random House, and Simon & Schuster, have audiobook imprints that produce audiobooks, and they contract with Amazon for the distribution of those audiobooks. Compl. ¶ 50. ACX and its contractual terms, as set forth in greater detail below, therefore apply only to self-published and independent authors, not to authors represented by the Big 5 publishing houses. Amazon also has a “classic coopetition alliance” with Apple,3 whereby audiobooks 2F uploaded to ACX are automatically made available for retail sale on Apple Books. Compl. ¶ 33. This agreement allows Audible to leverage the combined 80 percent-plus share of all audiobook sales when contracting with authors. Id.

3 Coopetition is “the act of cooperating with a competitor.” Compl. ¶ 33 n.4 (citing Barry J. Nalebuff & Adam M. Brandenburger, Co-opetition (1st ed. 1997)). For years, Amazon and Apple had an exclusive relationship, with ACX serving as the “exclusive gatekeeper to Apple Books.” Compl. ¶ 33; see also Compl. ¶ 41 n.6. When that relationship was challenged on antitrust grounds, Apple opened additional channels and methods for uploading to its platform, but “retained its de facto exclusive relationship with Amazon.” Compl. ¶ 33. According to Reiss, Audible is a monopolist in the audiobook retail distribution market, and has maintained that monopoly through anticompetitive conduct, in violation of the Sherman Act. Compl. ¶¶ 18, 28 n.3. B. Audiobook Market Basics and Statistics The market for audiobook retail distribution has seen “exponential[]” increases in production, with the number of audiobook titles “skyrocket[ing]” between 2010 and 2020 from around 6,000 to more than 70,000. Compl. ¶ 34. According to the Audio Publishers

Association’s annual sales surveys, the market has seen double-digit revenue growth every year for over a decade, bringing the estimated market total in 2022 to $1.8 billion in sales annually. Compl. ¶ 34. General fiction and science fiction/fantasy are the largest audiobook categories, with humor, nonfiction, and romance also reflecting strong sales gains in recent years. Compl. ¶ 38. Retail distributors like Audible enable audiobooks to reach a wider audience and make authors’ works available across various channels and platforms. Compl. ¶ 58. Audible is the largest audiobook retailer in the world and accounts for over 60 percent of domestic audiobook purchases. Compl. ¶ 40. As of 2023, Audible had more than 50

million paid subscribers (as opposed to those purchasing content “a la carte” or not as part of a subscription), accounting for at least 80 percent of audiobook sales on Audible. Compl. ¶ 65. New entrants in the audiobook market include Apple Books, which accounts for approximately 20 percent of audiobook sales, and Google Play Books, which accounts for approximately 10 percent of audiobook sales. Compl. ¶ 41. Scribd accounts for approximately 4 percent of sales, and an array of smaller retailers — including Audiobooks.com, Spotify, Kobo, Hoopla, Chirp, Libby, Libro.fm, and others — represent the remaining sales. Compl. ¶ 41. Notwithstanding “increased consumer demand and the exponential creation of new audiobooks,” Reiss maintains that “overall output” in the audiobook market “has lagged.” Compl. ¶ 39. According to Reiss, approximately half of the content in the market is tied up by Audible, and Audible has foreclosed consumers from obtaining audiobooks through other channels, such as libraries. Compl. ¶ 39. Reiss further alleges that many authors have elected not to produce audiobook content despite growing consumer demand because of Audible’s

high distribution fees. Compl. ¶ 39; see also Compl. ¶ 11. C. Audiobook Industry Structure ACX facilitates the audiobook production process, including by connecting self- published and independent authors with narrators.

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