Reif v. The Art Institute of Chicago

CourtDistrict Court, S.D. New York
DecidedFebruary 28, 2024
Docket1:23-cv-02443
StatusUnknown

This text of Reif v. The Art Institute of Chicago (Reif v. The Art Institute of Chicago) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Reif v. The Art Institute of Chicago, (S.D.N.Y. 2024).

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ──────────────────────────────────── TIMOTHY REIF, ET AL.,

Plaintiffs, 23-cv-2443 (JGK)

- against - MEMORANDUM OPINION AND ORDER THE ART INSTITUTE OF CHICAGO,

Defendant,

AN ARTWORK, RUSSIAN PRISONER OF WAR (1916) BY THE ARTIST EGON SCHIELE,

Defendant-in-Rem. ────────────────────────────────────

JOHN G. KOELTL, District Judge:

The plaintiffs Timothy Reif, David Fraenkel, and Milos Vavra -- the heirs of Franz Freidrich (“Fritz”) Grünbaum -- brought this diversity action against the defendant the Art Institute of Chicago. The plaintiffs assert claims for declaratory judgment, conversion, and replevin, arising out of the alleged theft of Russian Prisoner of War (1916) (“the Artwork”) from Grünbaum by the Nazi regime while Grünbaum was imprisoned in the Dachau Concentration Camp. In an Opinion and Order dated November 24, 2023 (the “Opinion”), this Court granted the defendant’s motion to dismiss the plaintiffs’ claims. The plaintiffs now move for reconsideration of that Opinion, ECF No. 75, and move to file a second amended complaint, ECF No. 78. For the following reasons, the plaintiffs’ motion for reconsideration and motion for leave to file an amended complaint are denied. I.

The Court assumes familiarity with the facts of this case, which are set out in detail in the Opinion. See Reif v. Art Inst. of Chicago, No. 23-cv-2443, 2023 WL 8167182, at *1-2 (S.D.N.Y. Nov. 24, 2023). The facts most relevant to the plaintiffs’ motions are as follows. The defendant acquired the Artwork in 1966. See Am. Compl. ¶ 155, ECF No. 15. In 2006, the plaintiffs made a demand on the defendant to return the Artwork. See Reif, 2023 WL 8167182, at *2. On February 3, 2006, the defendant declined to return the Artwork. See id. The plaintiffs originally filed this action in New York State Supreme Court, New York County, on December 14, 2022. See

id. at *1. The action was removed to this Court based on diversity of citizenship jurisdiction on March 22, 2023. See id. Applying New York law, the Court held that -- pursuant to New York’s three-year statute of limitations on replevin claims, which accrue upon demand and refusal -- the plaintiffs’ claims expired in 2009 and were therefore barred by the statute of limitations. See id. at *4-5. The Holocaust Expropriated Art Recovery Act Of 2016 (“HEAR Act”) did not revive the plaintiffs’ claims because the plaintiffs’ claims fall within the exception of the Act. See id. at *5-7. The Court also held that laches barred the plaintiffs’ claims. See id. at *7-10. II. Motion for Reconsideration

A. Standard of Review Reconsideration of a previous Opinion of the Court is an “extraordinary remedy to be employed sparingly in the interests of finality and conservation of scarce judicial resources.”1 In re Beacon Assocs. Litig., 818 F. Supp. 2d 697, 701 (S.D.N.Y. 2011). To succeed on a motion for reconsideration, the movant carries a heavy burden. The movant must show “an intervening change of controlling law, the availability of new evidence, or the need to correct a clear error or prevent manifest injustice.” Torres v. Carry, 672 F. Supp. 2d 346, 348 (S.D.N.Y. 2009). “A motion for reconsideration is not an opportunity for making new arguments that could have been previously advanced.”

Liberty Media Corp. v. Vivendi Universal S.A., 861 F. Supp. 2d 262, 265 (S.D.N.Y. 2012). Moreover, the “decision to grant or deny a motion for reconsideration rests within the sound discretion of the district court.” Vincent v. The Money Store, No. 03-cv-2876, 2014 WL 1673375, at *1 (S.D.N.Y. Apr. 28, 2014).

1 Unless otherwise noted, this Memorandum Opinion and Order omits all internal alterations, citations, footnotes, and quotation marks in quoted text. B. Discussion i. Statute of Limitations The plaintiffs’ claims are barred by the statute of

limitations. Because this action was brought in diversity, this Court, a federal court sitting in New York, is required to apply the New York laws on statutes of limitations. See Reif, 2023 WL 8167182, at *4 (citing Thea v. Kleinhandler, 807 F.3d 492, 497 (2d Cir. 2015)). The relevant New York law is N.Y. C.P.L.R. § 202, which provides that, where a cause of action accrued outside New York, the shorter of the statute of limitations of either New York or the state where the cause of action accrued must apply. See id. at *4-5. In this case, the cause of action accrued in Illinois, which has a five-year statute of limitations. Thus, New York’s shorter, three-year statute of limitations applies.2 See id. The defendant refused the

plaintiffs’ demand that the defendant return the Artwork in 2006, and therefore the plaintiffs’ claims expired three years later, in 2009. See id. at *5. The HEAR Act did not revive the plaintiffs’ claims because the plaintiffs knew of their claims after 1999 and failed to bring their claims during the three years that their claims were timely. See id. at *5-7 (citing

2 Both the New York and Illinois statutes of limitations apply a demand-and- refusal rule. See Reif v. Art Inst. of Chicago, No. 23-cv-2443, 2023 WL 8167182, at *5 (S.D.N.Y. Nov. 24, 2023). HEAR Act, Pub. L. No. 114-308, § 5(e), 130 Stat. 1524, 1527 (2016)). The plaintiffs now attempt to contest the fact that their

claims are plainly barred by striking and amending allegations in their complaint. However, their prior allegations are a matter of public record. Moreover, as explained below, the only way that the plaintiffs’ claims could be timely is if the defendant acquired the Artwork by theft, but that is clearly not the case, and the plaintiffs do not argue that the defendant stole the Artwork. The Court addresses each of the plaintiffs’ arguments in turn. a. Defendant’s Counterclaim Relying on N.Y. C.P.L.R. § 203(d), the plaintiffs initially argue that the defendant, by making an adverse possession counterclaim, (1) rendered the plaintiffs’ untimely claims

timely and (2) waived the defense of the statute of limitations. See Pls.’ Mot. for Recons. 20-21. Section 203(d) provides: A defense or counterclaim is not barred if it was not barred at the time the claims asserted in the complaint were interposed, except that if the defense or counterclaim arose from the transactions, occurrences, or series of transactions or occurrences, upon which a claim asserted in the complaint depends, it is not barred to the extent of the demand in the complaint notwithstanding that it was barred at the time the claims asserted in the complaint were interposed. N.Y. C.P.L.R. § 203(d). In other words, “a defense [or counterclaim] that would be time-barred as a claim for affirmative relief may be used to reduce an adverse recovery

where the defense establishes an equitable defect inhering in the adverse party’s claim.” 118 E. 60th Owners, Inc. v. Bonner Properties, Inc., 677 F.2d 200, 203 (2d Cir. 1982). The reasoning behind section 203(d) is that “it would be highly inequitable to permit a party to place a question before a court and then prevent the opposing party from disputing issues lying at the foundation of the claim.” Id.

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Reif v. The Art Institute of Chicago, Counsel Stack Legal Research, https://law.counselstack.com/opinion/reif-v-the-art-institute-of-chicago-nysd-2024.