Record Club of America, Inc. v. United Artists Records, Inc.

643 F. Supp. 925
CourtDistrict Court, S.D. New York
DecidedOctober 10, 1986
Docket72 Civ. 5234 (WCC)
StatusPublished
Cited by15 cases

This text of 643 F. Supp. 925 (Record Club of America, Inc. v. United Artists Records, Inc.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Record Club of America, Inc. v. United Artists Records, Inc., 643 F. Supp. 925 (S.D.N.Y. 1986).

Opinion

OPINION AND ORDER

WILLIAM C. CONNER, District Judge:

Plaintiff Record Club of America, Inc. (“RCOA”), a mail-order record and tape club, brought this action against United Artists Records, Inc. (“UAR”), a record company with which RCOA had entered into a licensing agreement. In its original complaint, RCOA alleged that UAR had anticipatorily repudiated and actually breached their licensing agreement. RCOA subsequently amended its complaint to add a claim that UAR had tortiously induced one of UAR’s subsidiaries to breach a related agreement with RCOA, and a claim that UAR had violated the antitrust laws.

In late 1983, UAR moved for summary judgment on the tortious interference and antitrust claims. In an Opinion and Order dated June 17, 1985, I granted UAR’s mo *928 tion for summary judgment on the antitrust claim but denied its motion for summary judgment on the tortious interference claim. Record Club of Am., Inc. v. United Artists Records, Inc., 611 F.Supp. 211, 217 (S.D.N.Y.1985).

The liability issues in the case were tried before the Court sitting without a jury in December 1985; trial of the damage issues was deferred. The parties agreed to submit posttrial memoranda, which were filed in due course. The Court has now carefully reviewed these memoranda, together with the testimony and the documentary evidence received at trial, and this Opinion and Order incorporates the Court’s findings of fact and conclusions of law as required by rule 52(a), Fed.R.Civ.P. For the reasons set forth below, RCOA is entitled to judgment in its favor on its anticipatory repudiation and breach of contract claims. RCOA’s tortious interference claim is dismissed.

Background

RCOA was founded by Sigmund Friedman in 1957 while he was a freshman at Brown University. Tr. at 3. Originally called “College Record Club,” it became “Record Club of America” when it was incorporated in 1961. Id. Until it filed for bankruptcy in late 1974, RCOA was one of the largest mail-order record clubs. RCOA acquired new members through extensive national advertising and direct mail solicitation. Tr. at 4-5. RCOA also encouraged existing members to sign up new members. Tr. at 5. In return for payment of a onetime membership fee, a new member received a number of “free” or “bonus” records, and the right to purchase additional records at substantial discounts. Tr. at 3-7.

Approximately monthly until 1973, and periodically thereafter, RCOA distributed to its members a catalogue called th'fc “Disk and Tape Guide” containing up-to-date listings of record albums, cassette tapes, and eight-track cartridges that were available for purchase. Tr. at 44-45. In its catalogs and advertising, RCOA promised existing and prospective members that it would process and ship their orders on the same day those orders were received. Tr. at 18-19. As a result, it was critical to RCOA that it receive advertised product promptly from its suppliers. Tr. at 17-18.

In the early 1970’s, RCOA filed two actions against UAR 1 and other record companies alleging that they had violated the antitrust laws. Tr. at 174; Record Club, 611 F.Supp. at 213. In voluntary settlement of RCOA’s claims against UAR, the parties entered into three separate but interrelated contracts, all of which took effect on October 1,1970. Id. Initial negotiations for the contracts took place at UAR’s headquarters in California; the parties then exchanged successive drafts until they settled upon the final wording of the contracts. Tr. at 16. All three agreements were to be governed by New York law. Px. 1 1Í18; Px. 2 1f 14; Px. 3 1114. 2

The first contract was a license agreement pursuant to which UAR granted to RCOA a renewable nonexclusive license to advertise, manufacture, and distribute by mail-order UAR licensed recordings in the form of phonograph records, tape cassettes, and eight-track cartridges. Px. 1; Tr. at 13-16. The agreement provided for an initial term of three years and could be extended for two additional two-year option periods. Px. 1 114(a), (b). RCOA was to notify UAR in writing 90 days prior to the expiration of the current term that it wished to extend the agreement for an additional two-year option period. Id. 114(b).

The license agreement permitted RCOA to sell UAR licensed product to its existing members and to give away UAR licensed product on a “free” or “bonus” basis to *929 prospective members. Px. 1 113. RCOA was required to pay a royalty on all licensed albums sold under the agreement and on “excess frees” given away under the agreement. Id. Excess frees are those units given away in excess of fifty percent of the total number of units distributed, whether sold or given away. 3 In re Record Club of Am., Inc., 30 B.R. 418, 421 & n. 3 (M.D.Pa.1983). There was no limit on the number of UAR recordings that RCOA could distribute on a free or bonus basis. Px. 1; see generally Tr. at 58-61. The average total cost to RCOA of acquiring UAR licensed recordings under the license agreement was $1.20 for each album that was sold and $0.80 for each album that was given away on a free or bonus basis. 4 Tr. at 10-13, 74-75. The total cost of acquiring the same UAR product from regular wholesale distributors ranged from $2.90 to $5.33 per album. Tr. at 47, 165.

Pursuant to the license agreement, RCOA was required to maintain accurate records with respect to its distribution of UAR licensed product and to furnish UAR a royalty statement on a quarterly basis. Px. 1 H 6. Royalties on recordings that RCOA sold were due on a quarterly basis. Id. Royalties on excess frees were not due until the end of each term. 5 Id. ¶ 3(b).

The agreement provided for guaranteed royalties of $150,000 for the initial three-year term, $120,000 for the first two-year option period, and $140,000 for the second two-year option period. Px. 1 ¶ 4(a), (b). The agreement also provided for quarterly minimum aggregate royalties. Id. The quarterly minimum aggregate royalties increased by $12,500 each calendar-year quarter of the initial three-year term, by $15,000 each calendar-year quarter of the first two-year option period, and by $17,500 each calendar-year quarter of the second two-year option period. Id. If, at the beginning of a calendar-year quarter, the aggregate amount of royalties paid during the current term of the agreement was less than the minimum aggregate guaranteed royalty for that quarter, RCOA was required to make an advance against the guaranteed royalty for the term sufficient to bring its aggregate royalty payments up to the minimum for the quarter. Id. ¶ 4(c), (d).

Under the license agreement, UAR was required to provide RCOA with samples of new releases. Px. 1 117(a). This provision was important to RCOA because records generally have a short life cycle and new releases sell better than older recordings. Tr. at 32.

Free access — add to your briefcase to read the full text and ask questions with AI

Related

Cite This Page — Counsel Stack

Bluebook (online)
643 F. Supp. 925, Counsel Stack Legal Research, https://law.counselstack.com/opinion/record-club-of-america-inc-v-united-artists-records-inc-nysd-1986.