Radio Corporation of America v. Decca Records

51 F. Supp. 493, 58 U.S.P.Q. (BNA) 531, 1943 U.S. Dist. LEXIS 2413
CourtDistrict Court, S.D. New York
DecidedMay 13, 1943
StatusPublished
Cited by13 cases

This text of 51 F. Supp. 493 (Radio Corporation of America v. Decca Records) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Radio Corporation of America v. Decca Records, 51 F. Supp. 493, 58 U.S.P.Q. (BNA) 531, 1943 U.S. Dist. LEXIS 2413 (S.D.N.Y. 1943).

Opinion

WOOLSEY, District Judge.

The causes against the two Decca defendants, the Columbia defendants, and the Times Appliance Company are hereby dismissed, with a grant to the said defendants of all taxable costs, disbursements and allowances.

I. For convenience in discussing these causes, I shall hereinafter refer to the plaintiff as Victor, and the defendants in the two causes as Decca and Columbia respectively.

The two causes, although not consolidated by order, were tried together on stipulation that unless otherwise specified, all evidence was'to be considered as taken in both causes.

II. Victor, Columbia and Decca, among other companies, make some records with red labels in their centres, and the only real question posed for me to decide is whether the use of labels of a red color— and this alone — leads to confusion among retail buyers of records and promotes or tends to promote the passing off of Columbia or Decca records in the place of Victor records when the ultimate consumer purchasing is a normal man who can read and' is of reasonable native intelligence.

III. In view of Rule 52(a) of the Rules of Civil Procedure, 28 U.S.C.A. following Section 723c, it is now a work of supererogation to write a considered opinion on the facts and the law in a non-jury cause or proceeding, for its place will be taken by formal findings of fact and conclusions of law separately numbered and stated.

In this proceeding, therefore, in spite of the long time that was occupied on the trial, I shall only very briefly refer to such facts as I think will explain my decision, and give a statement of my conclusions of law thereon.

IV. As the late Emory Buckner, Esq., a really great trial lawyer, once truly remarked: “There is no such thing as a democracy of facts.”

That was a very wise remark, for, in every trial, there emerge some facts which are the master or control facts, about which the disputed facts will inevitably group themselves, as will iron filings about the ends of a magnet — although the disputed facts usually do not form so orderly a pattern as do the filings.

The approach to a decision through the master facts is the only reasonably safe approach to the solution of the facts developed in a cause. As in golf the proper stance and the proper cadence of one’s swing tends, without insuring accuracy, to make a stroke accurate, so an habitual good technique of approach to a decision of the facts in a cause, tends to bring about a correct solution of those facts. But as in golf, the terrain may result in having the ball come to rest in unexpectable places. All that a Judge can be sure of is that he follow a good technique.

The master facts in a cause, in the order of their objectivity, are, I venture to say—

1) Admitted facts,

2) Facts conceded by counsel at the trial, and

3) Facts proved by such a preponderance of credible unchallenged evidence as to establish them beyond a peradventure.

V. The master facts in this cause are—

1) The incorporation and, hence, the residence of the parties.

2) The registration of the trademarks involved — with the validity of which I shall later deal.

3) The use of the centre of disc records from time — -in effect, for my purposes— immemorial, to carry the label of the record, which always contains the name and at least some of the trademarks of its maker, the composition recorded on it and the name or names of the recording artist or artists.

*495 4) That about one-third of the spectrum, visible to the normal human eye, is occupied by red or reddish color.

5) That the favored colors used in the record industry for labels on the centre •of disc records have always been red, blue and black.

6) That the labels or identifying marks on disc records have always been placed at the centre thereof.

7) That the centre of disc records, as always and at present made, is a functional part of such records needed to ensure that the needle of the phonograph will follow the sound grooves properly, and through ingenious devices, produce the sound which is the third, — or, perhaps, it should be called, the fourth — dimension of the record, and the only raison d’etre thereof.

8) That in every circular disc record— looking from the perimeter in towards the centre — we find, concentrically arranged : First, a narrow rim to the record; second, the ring of sound grooves, which occupy an area, large or small, according to the amount of music to be played on the record; third, an annular space without sound grooves varying in width, according to the area occupied by the sound grooves; fourth, indented on a slightly lower plane the label of the record, giving the composition, the name of the recording artist or artists, and, at least in the case of the three companies here involved, the clearly printed name in large type of each company and some of its other trademarks, if any; and, then, fifth, in the exact centre of each record is the spindle hole through which a spindle passes holding the disc in position on the turntable of the phonograph, as will a little later herein be further mentioned.

9) That the label is pressed, by a formerly patented process, into the substance of the disc when the record is pressed, and so in effect constitutes an inherent part of the record.

I have already mentioned above that the centre of the disc record, whereinto — as records are now made — the label is pressed, is a functional part of the record whereby the record is so held imposition by a spindle passing through the central spindle hole of the disc, as to make the needle of the phonograph follow the sound grooves and not damage the record.

VI. The color of the label is not •functional qua color, as has been held in respect of matches with two colors, one on the head and one on the tip where they are to be struck. Cf. Diamond Match Co. v. Saginaw Match Co., 6 Cir., 142 F. 727, 729, 730.

It seems to me, however, that it cannot properly be contended that a colored round label, affixed to the circular centre of a circular disc record, is the use of color in the form of a design, as it must be to constitute a trademark. Cf. Leschen & Sons Rope Co. v. Broderick & Bascom Rope Co., 201 U.S. 166, 171, 26 S.Ct. 425, 50 L.Ed. 710. The circular shape of this centre is inescapable. All that has happened is that a functional part of the record has been colored, not that a design has been achieved.

This renders void the plaintiff’s trademarks, for color qua color may not be a trademark.

Whether the 'registered trademark of the words “Red Seal” is merely a descriptive term, and not a fanciful or arbitrary term, I need not, and do not, decide fpr reasons hereinafter given, although many of the plaintiff’s witnesses used the term “Red Seal” and red label interchangeably, and thus quite unintentionally showed that the words “Red Seal” were really descriptive of and not an arbitrary term for a red label in the centre of a disc record.

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51 F. Supp. 493, 58 U.S.P.Q. (BNA) 531, 1943 U.S. Dist. LEXIS 2413, Counsel Stack Legal Research, https://law.counselstack.com/opinion/radio-corporation-of-america-v-decca-records-nysd-1943.