Quinn v. Commissioner

1974 T.C. Memo. 64, 33 T.C.M. 310, 1974 Tax Ct. Memo LEXIS 253
CourtUnited States Tax Court
DecidedMarch 18, 1974
DocketDocket No. 4871-70
StatusUnpublished
Cited by2 cases

This text of 1974 T.C. Memo. 64 (Quinn v. Commissioner) is published on Counsel Stack Legal Research, covering United States Tax Court primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Quinn v. Commissioner, 1974 T.C. Memo. 64, 33 T.C.M. 310, 1974 Tax Ct. Memo LEXIS 253 (tax 1974).

Opinion

ANTHONY QUINN and KATHERINE QUINN, Petitioners v. COMMISSIONER OF INTERNAL REVENUE, Respondent
Quinn v. Commissioner
Docket No. 4871-70
United States Tax Court
T.C. Memo 1974-64; 1974 Tax Ct. Memo LEXIS 253; 33 T.C.M. (CCH) 310; T.C.M. (RIA) 74064;
March 18, 1974, Filed.
Earl C. Crouter, for the petitioners.
Stephen W. Simpson, for the respondent.

HALL

MEMORANDUM FINDINGS OF FACT AND OPINION

HALL, Judge: Respondent determined a $23,144.59 deficiency in petitioner's Federal income tax for the calendar year 1964. The issues remaining for decision are (1) whether petitioners have met the requirements of section 274 1 for substantiation of their deduction of travel expenses (including meals and lodging) incurred in connection with preliminary research for making a motion picture, and (2) the correct allocation of petitioner-husband's agent's commissions between foreign taxable income and foreign income excludible under section 911.

FINDINGS OF FACT

Some of the facts have been stipulated and are found accordingly.

Anthony and Katherine Quinn, then husband and wife, were residents of Los Angeles County, California, at the time they filed their petition herein. They filed their 1964 joint Federal income tax return with the district director of internal revenue at Los Angeles. Katherine*255 Quinn is a party to this action solely because she filed a joint return with her husband, and hereinafter "petitioner" refers to Anthony Quinn.

In 1964 petitioner was a motion picutre actor, writer, producer and director. He has been involved in the motion picture industry since 1937, and has been producing his own pictures since 1953.

Petitioner was engaged in the production of the motion picture "Zorba the Greek" during part of 1964. Prior to the filming of this picture, Mr. Cacoyannis, the director, asked petitioner to take the role of Zorba in the film, which petitioner did. At that time Cacoyannis was unable to guarantee petitioner's usual compensation, with the result that petitioner assumed the additional role of co-producer to protect his interest. 2 Petitioner and Cacoyannis initially dealt with United Artists, which agreed to finance and release the picture if it could be done for less than $770,000.

As co-producer in "Zorba the Greek," petitioner traveled to Paris to begin looking for the best possible cast for the picture. In Paris he talked with Simone Signoret*256 about costarring with him in the film. After leaving Paris, petitioner went to Belgrade to finish filming another picture. In Belgrade he asked Sam Shaw, a photographer for Life magazine, to help him research the character of Zorba. Petitioner's then secretary, petitioner's son, Duncan Quinn, and Shaw all joined petitioner in Belgrade. Petitioner, accompanied by this group, traveled from Belgrade to Athens by train, to conduct research and make preparation for filming "Zorba the Greek." Petitioner and his research group traveled by train because petitioner wanted to be close to and a part of the Greek people in order to develop a background for the picture. Petitioner felt that the presence of his son was an important research aid since the character Zorba had to develop a father-son relation with another character in the film, and petitioner's son presented the proper vehicle through which to develop that relationship or emotion in the character of Zorba.

From Athens the research party went to the Island of Rhodes where they spent approximately ten days looking for a location to shoot the film. Petitioner thought there were benefits in shooting the film on Rhodes, since he had*257 many friends on the Island and was a close friend of the governor of Rhodes. Petitioner's party returned to Athens to report their findings to Cacoyannis, taking with them hundreds of photographs of possible locations and other information. However, by the time they arrived in Athens, Cacoyannis had decided to make the picture in Crete in a little village called Xania. The group then flew to Xarachian where petitioner, upon arriving, hired an automobile and drove through the country to Xania. It required about a month to six weeks to find a cast and the proper location and to allow petitioner sufficient time to research the character of Zorba. It was at this time that petitioner asked Jack Gaffney, his stand-in for many years, to join the group in preproduction activities. While in Xania petitioner rented a house because the accommodations at the only hotel were very poor. Forthermore, he provided his own furniture and furnishings, because these were not available with the house.

Approximately a week before the actual shooting of the picture began, United Artists terminated their interest in the film. This left petitioner and Cacoyannis liable for about $300,000 spent in*258 preparation for the picture. In hopes of saving the picture, petitioner made several telephone calls to New York to find another company to finance the film. As a result of these phone calls, Darryl Zanuck loaned petitioner the necessary money on a personal basis. However, the picture "Zorba the Greek" was eventually financed and released by Twentieth Century Fox.

Numerous expenses were incurred in connection with all of the activities carried on by petitioner and his research party. For example, petitioner and his party purchased air and train tickets, paid for hotel rooms and meals (including tips), rented automobiles and boats, rented a house in Xania, and paid for the long distance telephone calls made to procure financing for the film. Petitioner was paid only $150 in expenses per week by the production company, instead of his usual $1,000 per week. Petitioner paid the rest of these expenses himself.

Petitioner has no receipts and he made no records (substantially contemporaneous or otherwise) of his various expenditures. In January or February of 1973, petitioner had his then secretary prepare a schedule showing his approximation of the amounts he expended on the Zorba*259 trips. 3

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Related

Jones v. Commissioner
1979 T.C. Memo. 271 (U.S. Tax Court, 1979)
Hernandez v. Commissioner
1979 T.C. Memo. 272 (U.S. Tax Court, 1979)

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Bluebook (online)
1974 T.C. Memo. 64, 33 T.C.M. 310, 1974 Tax Ct. Memo LEXIS 253, Counsel Stack Legal Research, https://law.counselstack.com/opinion/quinn-v-commissioner-tax-1974.