Program Suppliers v. Librarian of Congress

409 F.3d 395, 366 U.S. App. D.C. 125, 74 U.S.P.Q. 2d (BNA) 1786, 2005 U.S. App. LEXIS 9886, 2005 WL 1267820
CourtCourt of Appeals for the D.C. Circuit
DecidedMay 31, 2005
Docket04-1070, 04-1071
StatusPublished
Cited by2 cases

This text of 409 F.3d 395 (Program Suppliers v. Librarian of Congress) is published on Counsel Stack Legal Research, covering Court of Appeals for the D.C. Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Program Suppliers v. Librarian of Congress, 409 F.3d 395, 366 U.S. App. D.C. 125, 74 U.S.P.Q. 2d (BNA) 1786, 2005 U.S. App. LEXIS 9886, 2005 WL 1267820 (D.C. Cir. 2005).

Opinion

TATEL, Circuit Judge.

Two parties — Program Suppliers and Public Broadcasting Service — appeal the Librarian of Congress’s order distributing 1998 and 1999 copyright royalty payments among classes of claimants in accordance with the recommendation of a Copyright Arbitration Royalty Panel. Because the Librarian’s order survives our exceptionally deferential standard of review, we affirm.

I.

Cable system operators (CSOs) make most of their money by convincing subscribers to buy their cable services, which typically consist of many channels. CSOs get their channels in two ways. First, they contract to carry cable networks, such as ESPN or CNN, that sell their *397 programming only to CSOs. Second, they retransmit signals broadcast by over-the-air stations, such as independent television stations, public broadcasting stations, or affiliates of broadcast networks like ABC or CBS.

Under section 111 of the Copyright Revision Act of 1976, Pub.L. 94-553, 90 Stat. 2541, 2550, CSOs, assuming they fulfill certain requirements irrelevant to the issues before us, commit no copyright violations when they retransmit broadcast signals to their subscribers. 17 U.S.C. § 111. In return for these retransmission privileges, CSOs pay royalty fees into one or more of three related funds maintained by the Register of Copyrights. These funds compensate copyright owners for the distant retransmission of non-network programming, i.e., retransmission that reaches viewers beyond the range of the signal broadcast. See Nat’l Ass’n of Broadcasters v. Copyright Royalty Tribunal, 675 F.2d 367, 373 (D.C.Cir.1982) (explaining that Congress focused on distant retransmission because “the local retransmission by cable television of a local broadcast merely duplicates programming that is already available in an area” and on non-network programming because network programming “theoretically is available across the country [and thus] is not adversely affected even though it is also available on cable”). The Librarian of Congress distributes each year’s funds to copyright owners. See 17 U.S.C. § Ul(d)(2)-(3) (2003); but see Copyright Royalty and Distribution Reform Act of 2004, Pub.L. No. 108-419, 118 Stat. 2341 (2004) (altering the statutory framework for future proceedings).

Ideally, copyright owners agree on the proportional distribution of funds. See 17 U.S.C. § 111(d)(4). If they fail to reach agreement, then the statute provides a process for sharing the pie — a process that typically takes place in two stages. In Phase I, royalties are distributed among classes of claimants: a percentage goes to Program Suppliers, the copyright owners of movies and syndicated shows; a percentage goes to the National Association of Broadcasters (NAB), which represents copyright owners of news programs; and so forth. In Phase II, royalties are distributed within each class: Program Suppliers’ share, for example, gets split among Paramount Pictures, Twentieth Century Fox Film Corporation, and other individual claimants.

For both phases, the adjudicative process is the same. In the version of the statute applicable to this case, the, process begins with the Librarian appointing an ad hoc Copyright Arbitration Royalty Panel. 17 U.S.C. § 802(a)-(b) (2003). Consisting of three arbitrators, this “CARP” hears evidence and submits a report to the Librarian recommending a particular distribution. Id. § 802(c)-(f). The CARP “shall act on the basis” of the record and precedent, including prior decisions by the Librarian, other CARPs, and the Copyright Royalty Tribunal (a body that adjudicated royalty disputes under an earlier version of the statute). Id. § 802(c).

Once the CARP finishes its report, the Register advises the Librarian whether to adopt it, and the Librarian “shall adopt” the report unless he “finds that the determination is arbitrary or contrary to the applicable [statutory] provisions.” Id. § 802(f). If the Librarian rejects the report, he examines the record and allocates the funds himself. Id. The Librarian’s decision “may be appealed [to this court] by any aggrieved party who would be bound by the determination.” Id. § 802(g). (Although the parties in this case style their papers as petitions for review, the statute’s use of the word “ap *398 peal” controls, so we treat the “petitions” as appeals.)

This case involves the Phase I distribution of roughly $216 million in royalties for 1998 and 1999. For the first time since the 1990-92 royalty distribution, the copyright owners failed to agree on the Phase I distribution. The Librarian accordingly appointed a CARP to split the royalties among the following groups: Program Suppliers, Joint Sports Claimants (JSC), Public Television Claimants (PTV), NAB, Music Claimants, Canadian Claimants, Devotional Claimants, and NPR. The last two parties settled with the others, leaving the CARP with six claims to reconcile. The remaining parties submitted reams of evidence, including updated versions of two reports, the Nielsen study and the Bortz survey, that the last Phase I CARP (the “1990-92 CARP”) and that CARP’s predecessor, the Copyright Royalty Tribunal, had used in making awards.

Presented to the CARP by Program Suppliers, the Nielsen study measures what cable subscribers watch. It does this by tracking a random set of cable-subscribing households and recording the viewing choices of individual household members. Aggregating this information, the study’s authors estimate how total viewing distributes across different types of programming. The authors found that viewers watching cable retransmissions of distant signals in 1998 spent 59.1% of their time watching movies/syndicated shows (Program Suppliers’ programming), 16.5% watching public television (PTV programming), 14.4% watching news (NAB programming), 9.4% watching sports (JSC programming), and .6% watching other programming. The 1999 Nielsen numbers showed a similar distribution.

The Bortz survey, supplied by JSC, measures what CSOs perceive as the relative market value of different types of programming. Researchers interview a sample of CSOs and ask how, if they had to negotiate for the right to retransmit broadcast signals distantly, they would allocate a fixed budget among different types of programming. As compared to the Nielsen study, Bortz gave a far higher value to sports and a far lower value to movies/syndicated shows and public television. Specifically, CSOs surveyed in 1998 said they would allocate 39.7% to movies and syndicated shows, 2.9% to public television, 14.8% to news programs, 37% to sports, and the rest to devotional and Canadian signals. The 1999 Bortz survey produced similar results.

Critical to one of the two issues we face here, Bortz’s methodology had two anti-PTV biases. First, the researchers excluded from the otherwise random sample all CSOs that carry only

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409 F.3d 395, 366 U.S. App. D.C. 125, 74 U.S.P.Q. 2d (BNA) 1786, 2005 U.S. App. LEXIS 9886, 2005 WL 1267820, Counsel Stack Legal Research, https://law.counselstack.com/opinion/program-suppliers-v-librarian-of-congress-cadc-2005.