Pratt v. City of Boston

483 N.E.2d 812, 396 Mass. 37
CourtMassachusetts Supreme Judicial Court
DecidedSeptember 30, 1985
StatusPublished
Cited by34 cases

This text of 483 N.E.2d 812 (Pratt v. City of Boston) is published on Counsel Stack Legal Research, covering Massachusetts Supreme Judicial Court primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Pratt v. City of Boston, 483 N.E.2d 812, 396 Mass. 37 (Mass. 1985).

Opinions

Abrams, J.

More than ten taxpayers and residents of the city of Boston seek a declaration that permitting the exclusive use of a portion of Boston Common for the purpose of holding Concerts on the Common is an infringement on the plaintiffs’ “easement rights” in the Common, that the city is without authority to surrender the Common site for private and commercial uses, and that the Concerts on the Common constitute an impermissible scheme for the generation of municipal revenue. The plaintiffs also seek to enjoin the defendants, the city of Boston (the city), the board of park commissioners of the Boston parks and recreation department (the park commissioners), and the Fund for Boston Neighborhoods, Inc. (the Fund), [39]*39from (1) entering into contracts or commitments with third parties regarding the site of a concert series on the Boston Common (Concerts on the Common); (2) initiating construction of fences around, or otherwise building on, the site of the Concerts on the Common; and (3) proceeding in any way with the 1985 Concerts on the Common program.

The plaintiffs propose three bases for their request for declaratory and injunctive relief. They argue that: (1) the park commissioners’ grant of leave to the Fund to use a 2.5 acre site on the Common for the purpose of holding Concerts on the Common is a violation of the terms of the Common’s dedication as a public park; (2) the park commissioners have exceeded the scope of their statutory powers and have violated applicable statutes by authorizing the erection of structures or buildings on the Common for the use of the Concerts on the Common; and (3) the structure of the relationship between the city and the Fund, under which the Concerts on the Common are sponsored and the Fund secures the beneficial use of parkland is a violation of laws regulating municipal powers and appropriations. We conclude that the plaintiffs lack the requisite standing to litigate their claims except whether the stage used by Concerts on the Common is a building too large to be erected on Boston Common without leave of the General Court. G. L. c. 45, § 7. We hold that the stage at issue is not a building within the meaning of G. L. c. 45, § 7.

We summarize the facts as agreed to by the parties. The Fund was incorporated in 1968 by the mayor of Boston and others as a nonprofit corporation under G. L. c. 180 (1984 ed.).3 The Fund’s by-laws provide that the mayor may appoint and remove Fund members and, since 1970, that the president of the Fund shall be the person serving as director of the Office of Cultural Affairs. Some Fund members have been full-time employees of the city while others have not. The Fund was intended to be used and has been used for purposes of the executive branch of the city government. The business office [40]*40of the Fund is located in the same room in City Hall as that of the Office for Business and Cultural Development. The city has provided and continues to provide the Fund with free office space, utilities, and the occasional services of corporation counsel as well as clerical assistance. The Fund enters into no-bid contracts with the city, pursuant to St. 1909, c. 486, § 30, for the provision of, inter alla, technical services to cultural groups serving Boston residents and visitors, publicity for cultural events, research services, cultural grant programs, and the production of exhibits, receptions, and performances in various city locations. The Fund also solicits and receives private donations to support various endeavors.

During the period June through September of the years 1982, 1983, 1984, and 1985, the Fund has sponsored the Concerts on the Common series. In each year, the Fund has been granted, pursuant to an agreement with the Commission, the use of a 2.5-acre site on the eastern side of the Common, bordering Tremont Street and adjacent to the Parkman Bandstand. In accordance with the agreement, the Fund, at the conclusion of the series each year, has caused the facilities constructed to be dismantled and has borne the expense of resodding the site.

In each of the years 1982 through 1984,4 a ten-foot-high barricade fence was constructed around the 2.5-acre Common site. The fence restricts access to the site by plaintiffs and other members of the public not attending the concerts, on a continuous basis for the period of the concert season. On conclusion of the concert series, access to the site is restricted for an additional period to permit resodding and replanting of the site. Within the fenced area, on the site, are located seating for 10,000 people, as well as a concert stage and other structures, including portable public toilets, concession stands, and a courtesy booth. At least three dressingroom trailers [41]*41and other vehicles are parked on the site to accommodate the performers, stage hands, musical equipment, amplifiers, and sound systems.

The concert stage is more than 2,500 square feet in size with a roof of approximately equal area. The stage stands five feet high and contains an extensive lighting apparatus, a loading dock sixteen feet square, and an adjoining 190-square-foot roofed “mix” platform which holds musical equipment and amplifiers. Two roofed concession stands, occupying 600 square feet each, and a third roofed concession stand, occupying 300 square feet, are located inside the fence and along the perimeter of the seating.

In 1983 and 1984, the gross revenue from the concerts was approximately $2,325,000 and $2,195,000, respectively. After expenses, in 1983, the WBZ Fund for the Arts received approximately $193,000 pursuant to its sponsorship agreement with the Fund, and approximately $288,000 was disbursed through the Neighborhood Arts Program to cultural and arts organizations in the city. In 1984, pursuant to the sponsorship agreement, the WBZ Fund for the Arts received approximately $233,000 and the city received $ 135,000 to support the summer operation of the Boston Community School Pools for the public.

The plaintiffs filed a complaint in the Superior Court in May, 1984. A judge of that court denied the plaintiffs’ application for a preliminary injunction.5 At the request of the parties and pursuant to G. L. c. 231, § 111 (1984 ed.), and Mass. R. Civ. P. 64, 365 Mass. 831 (1974), the judge reported the case without decision to the Appeals Court. We allowed the parties’ joint application for direct appellate review.6 Before inquiring [42]*42into the merits of the plaintiffs’ challenges, we first address the plaintiffs’ assertions of standing to raise these issues.

1. Standing.

Questions of standing typically arise when litigants bring a complaint alleging that executive or legislative action exceeds statutory or constitutional limitations. “From an early day it has been an established principle in this Commonwealth that only persons who have themselves suffered, or who are in danger of suffering, legal harm can compel the courts to assume the difficult and delicate duty of passing upon the validity of the acts of [another] branch of the government.” Kaplan v. Bowker, 333 Mass. 455, 459 (1956). Doe v. The Governor, 381 Mass. 702, 704 (1980). Moreover, “standing is not measured by the intensity of the litigant’s interest or the fervor of his advocacy.” Valley Forge College v. Americans United for Separation of Church & State,

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Bluebook (online)
483 N.E.2d 812, 396 Mass. 37, Counsel Stack Legal Research, https://law.counselstack.com/opinion/pratt-v-city-of-boston-mass-1985.