Polygram Records, Inc. v. Buddy Buie Productions, Inc.

520 F. Supp. 248, 1981 U.S. Dist. LEXIS 14129
District Court, S.D. New York·Decided August 21, 1981·No. 81 Civ. 4781·Published·Cited by 3 cases

Opinion

OPINION

FINDINGS OF FACT AND CONCLUSIONS OF LAW

EDWARD WEINFELD, District Judge.

Plaintiff, Polygram Records Inc. (“Poly-gram”) is in the business of exploiting, marketing and selling phonograph records. Buddy Buie Productions Inc. (“BBP”) is a production company which produces and furnishes the recording services of the five individual defendants, a rock and roll music band, professionally known as The Atlanta Rhythm Section (“ARS”). 1 Perry C. Buie, “Buddy” Buie (“Buie”) has been the President of BBP since its formation. BBP, under an agreement with the individual defendants, is entitled to their exclusive services in the recording of phonograph records. Polygram, BBP and the individual defendants had a contractual relationship commencing in 1973 under which Polygram became the exclusive recording company for all ARS records.

The 1973 agreement was superseded by another on October 1, 1977 (the “1977 agreement”) under which the defendants again granted plaintiff Polygram the exclusive right to all ARS recordings during the existence of the agreement. Under its terms BBP was obligated to produce and deliver four albums of ARS master recordings to plaintiff for its exclusive exploitation, manufacture and distribution.

Plaintiff commenced this action upon a claim that the defendants breached their exclusive service agreement by entering into an agreement in May 1981 with CBS Records Inc., a competing record company. Plaintiff seeks to enjoin the defendants from producing or recording any records for CBS or any other recording company, and money damages. 2 Plaintiff can prevail only if the 1977 agreement was in effect at the time of the alleged breach. The parties are in agreement that the resolution of this issue depends upon whether plaintiff timely and properly exercised an option to extend the agreement for a further period so that it was in effect when defendants entered into their agreement to record for CBS.

The initial period of the 1977 agreement was for a term beginning October 1, 1977 and ending 180 days subsequent to the delivery by BBP to Polygram of master recordings for the fourth and final ARS album. Polygram had an option to extend the agreement for a further term covering four additional albums by sending a written notice to BBP at least 30 days prior to the date that the contract otherwise would expire. Since the agreement by its terms expired 180 days after the delivery of the fourth album, the date of delivery is crucial on the issue of whether the option was timely exercised so that plaintiff was entitled to ARS’ exclusive services at the time of the alleged breach.

Delivery under the agreement required BBP to “deliver completed, edited and fully mixed master tapes in accordance with the Company’s reasonable instructions” 3 comprising

a two-track stereo and a discrete quadraphonic master tape for each Master recorded hereunder together with a “reference lacquer” therefor, which tape shall be fully edited, mixed and leadered prior to delivery to Company [Polygram] so that they are in proper form for the production of parts necessary for the *250 manufacture of commercial Phonograph Records. 4

The defendants contend that they made delivery of the last and fourth album in accordance with the foregoing contract provisions by delivery on June 11, 1981 of a reference lacquer 5 to plaintiff at its offices where it was played in the presence of various Polygram executives who approved and accepted it and on that day mailed a check for $150,000 to BBP as the final payment.

The plaintiff, contrariwise,’contends that the reference disc played and delivered on June 11,1980 was an “unapproved” disc and that the final approved reference disc was not delivered and accepted by it until June 17, 1980. Accordingly, plaintiff claims that its notice'of exercise of the option mailed on November 14, 1980, was sent on the 150th day after delivery, within the required time for the exercise of the option and hence the contract was renewed for a further term and was in effect in May 1981, the date of the alleged breach by the defendants. The defendants not only dispute that June 17, 1980 was the date of delivery but they challenge that in fact the notice was mailed on November 14, 1980. The envelope in which the exercise of option letter was mailed bears a November 16 postmark and was received by BBP on November 18. Two days later, on November 20, defendants’ counsel notified Polygram orally and in writing that plaintiff had not timely exercised its option and that the defendants deemed the agreement terminated. Plaintiff made no response to defendants’ disavowal until two months later when, on January 19, 1981, it notified all recording companies that a contract existed between plaintiff and the defendants. Thus a threshold question is on what day, June 11 or June 17,1980, delivery was made by BBP to plaintiff of a completed master tape and reference lacquer as required by the provisions of the contract.

Masterdisk Corporation is a disc-cutting studio where the final artistic changes are made in a recording. The artist’s product is originally recorded on many different tracks and subsequently “mixed down”— that is, reduced to a two-track tape which is then taken to a mastering facility, such as Masterdisk, where final sound adjustments are made. A reference disc and a master disc are produced. The reference disc is used so that it may be heard by those interested in the product either for approval or suggested changes or modifications. The master disc is retained by the studio and upon approval is sent to a plating plant where it is used to manufacture the record that is sold to the public. Masterdisk was the studio used for the mastering of the ARS recordings. The parties’ practice with respect to the first three albums was that the final two-track tape, after mastering, was left at Masterdisk and, upon final approval, Polygram would contact Masterdisk and order “the parts” 6 necessary for the production of the album. This was the procedure followed with respect to the fourth album, the subject matter of this action.

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Polygram Records, Inc. v. Buddy Buie Productions, Inc., 520 F. Supp. 248, 1981 U.S. Dist. LEXIS 14129 (S.D.N.Y. 1981).

520 F. Supp. 248 (Polygram Records, Inc. v. Buddy Buie Productions, Inc.) — published by Counsel Stack Legal Research, free access to 12M+ legal documents.

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